Jai Uttal has been immersed in Indian music for decades. He traveled with the Bauls of Bengal, singing their chants, and he plays the dotar, a baby brother to the Indian sarod, which he studied with Ali Akbar Khan. His 199... more »1 album, Footprints, essayed a heady, mostly instrumental world fusion full of atmosphere and improvisation, including a guest appearance from jazz trumpeter Don Cherry. For the most part, each succeeding album has found Uttal moving in the pop direction, emphasizing his vocals, in which he alternates emotional ballads in English and adaptations of the chants. Mondo Rama continues the trend as Uttal rummages through the bazaar of global elements to enliven his songs, turning sacred chant into pop. From the opening "Narayama," with its vaguely calypso groove, soul choruses, and Beatles-esque guitars, to the turntable effects of "Sri Krishna," Uttal mixes raga-rock nostalgia with just a touch of ethno-techno ambience. At times, however, he falls short of similar fusions by singers like Nusrat Fateh Ali Khan, Shafqat Ali Khan, and Sheila Chandra. When his spiritual chants get undercut, rather than reinforced, by all the competing elements, his hymns can become trivialized, and the pop sounds can become forced and even clichéd. --John Diliberto« less
Jai Uttal has been immersed in Indian music for decades. He traveled with the Bauls of Bengal, singing their chants, and he plays the dotar, a baby brother to the Indian sarod, which he studied with Ali Akbar Khan. His 1991 album, Footprints, essayed a heady, mostly instrumental world fusion full of atmosphere and improvisation, including a guest appearance from jazz trumpeter Don Cherry. For the most part, each succeeding album has found Uttal moving in the pop direction, emphasizing his vocals, in which he alternates emotional ballads in English and adaptations of the chants. Mondo Rama continues the trend as Uttal rummages through the bazaar of global elements to enliven his songs, turning sacred chant into pop. From the opening "Narayama," with its vaguely calypso groove, soul choruses, and Beatles-esque guitars, to the turntable effects of "Sri Krishna," Uttal mixes raga-rock nostalgia with just a touch of ethno-techno ambience. At times, however, he falls short of similar fusions by singers like Nusrat Fateh Ali Khan, Shafqat Ali Khan, and Sheila Chandra. When his spiritual chants get undercut, rather than reinforced, by all the competing elements, his hymns can become trivialized, and the pop sounds can become forced and even clichéd. --John Diliberto
I like Jai's music but was disappointed with Mondo Rama
Steven Douglas | San Diego, CA | 12/23/2003
(3 out of 5 stars)
"I have quite a collection of Indian classical and fusion music and have been a devotional singer for years. I also love Miles and SRV. I really love Jai's/Pagan Love Orchestra's muted trumpet/Miles Davis/devotional sound from parts of his first two realeases and think he is the best musician in the devotional genre. I understand what Jai is doing with Mondo Rama, but the result in my opinion doesn't work well. A perfect example is the Beatle's "Tomorrow Never Knows", one of my favorites. I was wondering when someone was going to cover this song, but was disappointed with Jai's attempt; it fell flat. Though I love both, I find the electric guitars and "phychedelic" sound very detracting from the devotional feel of his music. I think Jai needs a really good producer to show what he is capable of doing. He has all the components, but isn't really bringing them together as well as he could."
Wow! Where did this guy come from?
Steven Douglas | 03/24/2002
(5 out of 5 stars)
"This CD blows my mind! I'm new to Jai Uttal and the Pagan Love Orchestra, but I'm an instant convert. Every song moves me in a different way. I'm no music critic and I dont know how to write a review, but I just LOVE this disc. Funk, jazz, Indian, Brazilian, Hebrew, folk, and just plain wierd.......but all from the heart. And it all goes straight to my heart.
Super cool!"
Fun, Poignant, Fearlessly Creative Spirit Music
wildrosepath | San Francisco, CA United States | 02/18/2002
(4 out of 5 stars)
"Jai Uttal has nothing to prove. His God-given talent, lifelong musical training, and profound spiritual quests have given him one of our age's great voices. Jai could sing from the telephone book, and everyone in the room would get a joyful buzz (and find themselves charmed a little farther down the spiritual path).On this CD, Jai has fun taking musical risks. For some, these risks may not fully succeed, but I believe that for most, the enthusiasm, creativity, and musical virtuosity which Jai and the Pagan Love Orchestra have poured into this effort will make each track charming and interesting. And when the risks do fully succeed, the results are spectacular. Track 3, Tomorrow Never Knows/Shivaya, looks impossible on paper: an old Beatles song, Hindu chanting, electronic effects, a worldbeat groove... The result? Mind blowing -- you'll play this track over and over. Track 7, Mood X, is a poignant ballad about the difficulty of trying to simply "live in love" in this crazy world.To get an idea of what you're in for, there are 17 musicians listed in the credits, and they play instruments ranging from "turntables" to "Bengali mridanga." Jai himself plays the following startling array of instruments: dotar, harmonium, electric and acoustic guitars, keyboards, gubgubbi, ektar, kartals, sarod, BANJO (!), gopichand, flute, and harmonica. Skeptical about the banjo? It is used to amazing effect, sounding almost Japanese and forming part of some truly unique musical soundscapes.Shining through all the music is the compelling purity and sincerity of Jai's voice. If you like that voice, and don't mind accepting a beautiful gift which happens to be a little different from the one you opened last time, you'll like this CD.Peace to all."
His best ever ? I think so !!
wildrosepath | 02/17/2002
(5 out of 5 stars)
"You've got to hand it to Jai Uttal; never content to make the same record over and over I think he's really reached another level with Mondo Rama--to make perhaps the best record of his career. Again he's taken devotional and tradional sounds from India and combined them with less traditional elements from around the world; but this time he's really stretched out and added some wonderful electronic sounds and Beatle-ish (especially George Harrison-ish) psychedelia. As a longtime fan I find it a great progression--maybe the logical next step--from someone who's always impressed me with his ability to meld seemingly disparate elements into his own unique music. I love this one, and highly recommend.alike."
Great fusion of Indian and Jazz Influences
wildrosepath | 03/21/2002
(4 out of 5 stars)
"I really enjoy this album. Jai uses a great mix of Indian, American pop and jazz with interesting musical instruments and arrangements. Track EXILE is worthy of a top 10 spot."