"I've really been digging these guys for the last couple years, ever since I picked up their previous CD, Self is Gone. I've caught them live twice now (both shows were truly impressive), and I picked up this new CD at their show in Atlanta the other night. JFJO is really in the pocket right now, and this Live in New York CD captures that. I don't think it would make any sense for these guys to go into a studio and record. If they did, the only way to do it would be to just start the tape and let them go.JFJO is an improvisational ensemble, and that's the only way to experience them. They play with so much positive energy, flirting constantly with chaos, but always keeping a groove. This groove aspect will please fans of the "jam band" genre, especially those who also enjoy old school jazz. Make no mistake, though: JFJO is not a jam band; you will never hear them fall into any tired chump shuffle jam band beats and you will never hear any endless noodling solos. The music is so much more dynamic and unpredictable than that.As a final note, I'll try to identify some influences I hear in JFJO that might help you make a decision to pick this CD up: Weather Report, '70 to '72 era Miles Davis, the more experimental side of MMW, Cecil Taylor, John Coltrane, Chick Corea, and Thelonious Monk. It makes me feel good to know a band is out there pushing the envelope and keeping that amorphous thing called jazz alive."
GREAT BAND - never mind the ignorant nay-sayer below
jazz lover | 06/11/2005
(5 out of 5 stars)
"I'm confused by the remarks of the reviewer below, who calls himself M Zito. He accuses Jacob Fred Jazz Odyssey of not playing jazz, and of having nothing to do with the jazz tradition. I'd like to refer him to their 2003 release "Slow Breath Silent Mind" where they perform the works of Duke Ellington, Wayne Shorter, John Coltrane, Dave Brubeck, Thelonius Monk, and Freddie Hubbard, among others. In concert I've heard them play songs by Charles Mingus, Miles Davis, Pat Metheney, and Jaco Pastorius, as well as a number of 'show-tune' standards. This is not....what did you call them?...JAM ROCK GARBAGE. You, sir, seem a bit insecure and eager to bring down musicians who have worked hard and are seeing some success. Too bad. The players in Jacob Fred improvise over changes and complex forms with ease and originality. Perhaps M. Zito has been so damaged by all the Tribal Tech he's ingested that he's forgotten that all the masters of the jazz tradition have a few things in common...THEY ALL HAD THEIR OWN VOICE, they all created their own musical vocabulary and integrated it with elements of the past, and they all reflected the sounds of the society they found themselves in. Oh, and like Jacob Fred, they were all put down and slandered by those who were too afraid or simply too ignorant to hear the beautiful sound of evolution. In the words of Lao Tzu, "If the fool did not laugh at the Tao, it would not be the Tao." I'm sorry Jacob Fred hurt your feelings, M Zito. Personally, I like their music quite a bit. I find it to be wholly congruent with the music of Ellington, Shorter, Monk, Mehldau, Frisell, and many other great masters of jazz. I recommend their most recent album "Walking With Giants," and their live album of standards, "Slow Breath Silent Mind" over "All Is One," but A.I.O. is a fine album, featuring some of JFJO's best loved compositions. Oh, and Mr Zito, if you want to have any credibility, perhaps "Three Sheets to the Wind" isn't the BEST choice of an alias. And you might want to move out of Vegas. :)"
This album is outstanding
Andrew Kelly | San Francisco, CA United States | 07/11/2002
(5 out of 5 stars)
"I used to hate this band. Then I liked them a little bit. Now I really, really like this band. I think these guys are the next step in jazz. This was one hell of a show."
The future of jazz?
David John Robbins | West Chester, PA | 03/28/2004
(5 out of 5 stars)
"The phrase, "future of jazz", has been tossed around a lot in the last couple years. I think it is tough to really say who is gonna take it to the next level, but I think these guys really have something going. More traditional jazz fans may be skeptical of their younger and somewhat rock-oriented audience, but these guys are no joke. Brian Hass' keyboard work is off the charts. He knows how to be just dissonant enough and then throw in a lick that will just knock you back. I like Reed Mathis' bass work a lot too, very unique. I heard that they recently got a new drummer, which makes at least 3 in the last couple years so I hope they get that figured out. This live disc is great. All their shows are so different but this gives a real good taste of what they are capable of. "Vernal Equinox" is probably my favorite track on this disc, it just hits me every time. Check this out if you are into MMW, Soulive, or any of the new groove kind of groups, although their sound is probably based more in the avante garde jazz of the 70s. Also, if you haven't gotten into much new jazz, take a listen, you may be surprised as hell at what you hear."
Some people.......just don't get it
Sol Rosenberg | NYC | 01/23/2004
(5 out of 5 stars)
"JFJO is a TRULY(!) amazing band - one of the best live acts out there. If you have not seen them live, you are missing a truly amazing spectacle. Brian Haas, Reed Mathis and Jason Smart are brilliant musicians who collectively produce what is essentially an interpretation of the styles popularized by T. Monk and early-to-mid 60s Miles Davis. Dissonant in places? Yep! Restless stops and starts? You bet! These guys and their fans (as well as fans of the aforementioned Monk and Davis) would not have it any other way.Unfortunately, there are those who happen upon a JFJO show and simply "don't get it". That's not a slam - everyone has his/her own opinions. It's just that some opinions struggle to extend beyond the constraints of 4/4 time. For those individuals, JFJO is probably not for them. They would do well to stick to John Mayer or Dave Matthews. At least they can still relate to frat boys and sorority chicks that way.As for the CD itself, it exists as a fine representation of what it is like to aurally experience this band live. However, there is simply no way one can experience this band live without SEEING them. To only hear them is to miss seeing Brian Haas' dizzying vocoder head-bobbing and Fender Rhodes abuse. It is also to miss seeing Reed Mathis strap on a cello and play it as if it were an electric bass. Do yourself a favor - buy this CD and GO SEE THEM LIVE! Or, if you prefer, stick to Mayer-Matthews and to the confines of all that is safe and boring. The choice is up to you."