A DISARMINGLY CASUAL SINGING STYLE
Barry McCanna | Normandy, France | 04/04/2010
(4 out of 5 stars)
"This is the tracklist:
Sweet So-and-So; Who?+; There's Always Tomorrow*; You Forgot Your Gloves; Alone with My Dreams; Goodnight, Vienna; Living in Clover; Oceans of Time*; Who Do You Think You Are?*; Weep No More, My Baby; The Sun is Round the Corner (ER solo); Fancy Our Meeting*; Now that I've Found You*; Yes, Mr Brown; Leave a Little Love for Me; Not Bad; Like Monday Follows Sunday*; One Good Tune Deserves Another; I Think I Can; So Green; Oh! La! La!; I'm in a Dancing Mood*; This'll Make You Whistle*; Without Rhythm; There Isn't Any Limit to My Love; Everything Stops for Tea; From One Minute to Another
With *Elsie Randolph, + Binnie Hale, $ Elsie Stuart
Jack Buchanan was described by Brian Rust as a "nonchalant singer-dancer", which strikes me as a pretty accurate description. Between 1931 and 1936 there were 15 recording sessions, eleven of which are represented here, either in whole or in part, plus a song apiece from 1926 and 1928. Where he dueted his usual partner was Elsie Randolph, and she's present on eight tracks, one of which she sings solo. The songs are all from either shows or films in which he appeared, and the languid characters he tended to portray were reflected in his disarmingly casual singing style. As for Elsie Randolph, her voice was perfectly suited to her role as the ingénue to his sophisticated romantic lead.
Although both had a different style from that of a dance band singer, yet Percival Mackey, Ray Noble, Debroy Somers and Geraldo number among the accompanists. Furthermore, many of the songs went into the dance band repertoire, and were recorded by other vocalists. So these well-mastered recordings provide a basis of comparison, and should appeal not only to devotees of the stage and screen, but also to dance band enthusiasts."