Search - Prokofiev, Sokolova, Putilin :: Ivan the Terrible

Ivan the Terrible
Prokofiev, Sokolova, Putilin
Ivan the Terrible
Genres: Soundtracks, Classical
 
  •  Track Listings (23) - Disc #1

If more movie music were like Prokofiev's film scores, there wouldn't be nearly the objection to programming it that there is with the pretentious, derivative drivel typically produced by today's composers of background mu...  more »

     
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CD Details

All Artists: Prokofiev, Sokolova, Putilin, Gergiev
Title: Ivan the Terrible
Members Wishing: 0
Total Copies: 0
Label: Philips
Release Date: 2/10/1998
Genres: Soundtracks, Classical
Style: Opera & Classical Vocal
Number of Discs: 1
SwapaCD Credits: 1
UPC: 028945664521

Synopsis

Amazon.com
If more movie music were like Prokofiev's film scores, there wouldn't be nearly the objection to programming it that there is with the pretentious, derivative drivel typically produced by today's composers of background music. The score is given a powerful reading by Valery Gergiev, leading the Rotterdam Philharmonic Orchestra and the Chorus of the Kirov Orchestra; this is very much a chorus work, and the Kirov finds the right blend of classical polish and folk raucousness. Mezzo-soprano Liubov Sokolova finds the essential Slavic mournfulness of Yefrosiniya's lullaby; Nikolai Putilin wields his rough-edged baritone like the axes of the Oprichniks' song. The libretto is of limited usefulness to the average Western listener, since it prints the Russian words in Cyrillic, rather than phonetically in Latin letters; and anyone who tries to cue up a section while relying on the libretto will quickly discover that the musical numbers and the CD cuts are not quite the same. --Sarah Bryan Miller
 

CD Reviews

Great Film Music
D. A Wend | Buffalo Grove, IL USA | 08/06/2003
(5 out of 5 stars)

"Ivan the Terrible is actually an unfinished work of Sergei Prokofiev. The music was written for the films of Sergei Eisenstein (simply called Ivan the Terrible parts one and two) that was filmed from 1942-44 (part one) and 1946-48 (part 2). Eisentstein was at odds with the Soviet government over
his depiction of Ivan. Stalin saw himself as a latter day Ivan and wanted the image of the Tsar sanitized; Eisenstein did not want to be so artistically inhibited. The hounding the director received from the Soviet government most likely contributed to his death in 1950. The first part of
Ivan received a Stalin prize but the second part was not shown until 1958.Prokofiev began to arrange a cantata based on his music for the film but had not finished it when Eisenstein died. The composer found Abram Stassevich completed it impossible to continue work and the cantata. Although Ivan is not as well known as Alexander Nevsky, the music is equally powerful and evocative. Valery Gergiev has chosen to omit the spoken dialogue, which explains the story but is more of a distraction.
This performance by the Rotterdam Philharmonic and Kirov Opera Chorus, with Liubov Sokolova and Nikolai Putilin singing the solos, is a powerful performance of this cantata. Those interested in Prokofiev will want this disc."
Good music, but not very original
Geers | Netherlands | 12/23/2005
(4 out of 5 stars)

"the music is good, but it sounds like Alexander Nevsky, which is another sort of opera from the genial Prokofiev. Ofcourse that ius not a problem for the music, `cause the singing as well as the orchestra perform above average. In the opera are some sketches which add Russian feel to it. They are not rich or exuberant but they are there. In the booklet, which is comnplete, by the way, those intermissions are made clear. Just those intermissions are important and make/made me think 4 or 5 stars. 4 stars almost 5"