Search - Iron Maiden :: Live After Death

Live After Death
Iron Maiden
Live After Death
Genres: Alternative Rock, Pop, Rock, Metal
 
  •  Track Listings (13) - Disc #1
  •  Track Listings (5) - Disc #2

Digitally remastered reissue of their first live album, originally released on EMI in 1985 & now as a double CD set with the five bonus tracks recorded in England that were previously only available on the double vinyl...  more »

     
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CD Details

All Artists: Iron Maiden
Title: Live After Death
Members Wishing: 4
Total Copies: 0
Label: Raw Power
Release Date: 9/29/1998
Album Type: Enhanced, Import, Live
Genres: Alternative Rock, Pop, Rock, Metal
Styles: New Wave & Post-Punk, British Metal
Number of Discs: 2
SwapaCD Credits: 2
UPC: 602923013220

Synopsis

Album Description
Digitally remastered reissue of their first live album, originally released on EMI in 1985 & now as a double CD set with the five bonus tracks recorded in England that were previously only available on the double vinyl LP format. 18 tracks total. An enhanced release, it also contains the CD-ROM videos to '2 Minutes To Midnight' (Live) & 'Powerslave' (Live), plus excerpts from 'Revelations' and 'Churchill's Speech & Beginning Of Aces High'. Also containsthe original cover art. 1998 Raw Power release.

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CD Reviews

The beast live!!!!!!!!
Lord Chimp | 10/30/1999
(5 out of 5 stars)

"In the early eigthies, while most of America listen to dumb radio songs, a metal band from East London, England, quietly began its rise to glory. That rise resulted in an apex known as "The Worldslavery Tour" of 1984. Along time ago, but classics always withstand the test of time much like Beethoven is still heard, and appreciated today, five hundred years after his time. This album not only presents some of Maiden's best songs ever - their live versions are well preserve here. They are mainly taken from a four-night stint at the Long Beach Arena which Maiden became the first recording artist to sell out four consecutive nights1 An amazing accomplishment since they had no media attention, no radio air play, no true MTV support (thank God!), and did not fit the mold of a major band by the standards of the press. So they were ignored, and to this day they are mainly forgotten in this country. Fans here are goo-goo for the new sound of Metallica which they think brings new stuff to the front, but in reality Maiden has been doing it, and playing it since their club days at the Ruskin Arms (a place that has been made the spiritual representation of the NWOBHM as Maiden's legend has grown). More importantly they've been doing it with much more originality and heaviness than any current Metallica release. Songs like "Powerslave" and the epic "The Rhyme of the Ancient Mariner" showcase the then line-up's ability to change tempos, play smooth rythmn sections, imaginative guitar playing, and above all, a lead singer with singing ability! These are not your run-of-the-muck metal cohorts. This is the band that has delivered musical quality for years. Sticking to their promise of giving their fans value for money. And indeed, you get lots of value here. The songs average a running time of at least five minutes, and "The Rhyme of the Ancient Mariner" is a whopping thirteen minute opus. Now there is a sure sign of willingness! Willing to push the envelope to go where few fear to tread. On the ECD there are added bonus tracks on a second disc which include "Children of the Damn", "Phantom of the Opera", "22 Acacia Avenue", "Wrathchild", and "Die with your boots on". These only add to the fine experienced already provided with the re-released titled that also icludes a different live verison of "Running Free" not available on the original release. In this version Bruce, the frontman, has a little shouting contest with the crowd which is what playing live is really all about. An interaction with the fans preserved here for all etenity or until some nuke falls from the sky on top of our heads! If you seek music to a higher standard, this album is a definite for you. The rich textures of each song will become very apparent and you'll be asking yourself "This band is from the eighties?". After Sabbbath, this is the next signifiacant band in metal history. The rythmn sections: melodic and heavy at the same time - what Metallica is trying to accomplish, but really have become a band that sounds like any other band. This is the sound they are after. This is the complete package of metal music. If there's talent, there's an ocean of it here!!"
Classics from maiden's first 5 albums played to perfection!
metalbeast | 10/24/1999
(5 out of 5 stars)

"This album is awesome!If you are thinking of buying your first Iron Maiden album then this is the one to get. Were the songs not live, this would be 'The best of Iron maiden' at the time at which it was recorded. The fact that it is live just makes it even better because iron maiden play with such energy live. The live versions of the songs are almost Perfect and sound awesome.All the songs are superb. Bruce and the boys cover not only some of the highlights of the early 'Bruce dickinson era' such as 'Powerslave' and 'Number of the beast' but also play amazing versions of some songs maiden recorded with Paul Dianno before bruce joined like 'Running free', 'Wrathchild' and of course'Iron Maiden' the title track of their self titled album. I would reccommend this album to anyone who likes heavy metal and even to people who don't. If you like maiden you WILL like this album I guarentee!Up the Irons!"
Live heavy metal at its best.
Lord Chimp | Monkey World | 03/13/2001
(5 out of 5 stars)

"A live recording cannot capture the intensity of a heavy metal concert. Comparatively speaking, however, Live After Death does it better than any other live metal album. The impeccable sound quality belies the fact that this album was recorded in the mid-80s (it sounds better than 99% of all modern live recordings). Even better though, is the fact that this concert comes from a time when Iron Maiden, the quintessential metal band, was young and full of energy. I wasn't there, but I can tell that this show was a blast. Song selection is perfect, encapsulating most of the band's best songs from their preceding studio albums, and each one is impeccably performed, often better than the studio counterparts. The mini-epic "Powerslave" definitely gains something special when the crowd screams at Bruce's stylish entry. "Hallowed Be Thy Name's" main riff is played faster and the song gains more intensity as a result. This version of "The Trooper" makes the studio version seem tepid in comparison. Then there's "Phantom of the Opera," which is simply incredible with Bruce's sinister intonations. It's awesome. If you don't buy it, you suck."