"I am a prolific fan of Ida and have been since Will You Find Me, and I have to say that this album is the best to come out since that album. Every Ida album has its own sound to it, and this one is no different; it's genuinely Ida but with a twist. It's a bit louder than most of their albums all around, but doesn't really have any rock tracks like "Turn Me On" from Will You Find Me or "Blizzard of '78" from the Braille Night. "Laurel Blues," "Honeyslide," and "Mine" are the highlights on this one. It's not as good as Will You Find Me, but it blows away The Braille Night.
Once again, I tip my hat to Karla Scheckle.
Now if we can open our minds, forget the fact that Ida has released albums in the past, and just listen to this one, we can understand why it deserves all five of the stars I gave it. It is wonderfully composed, transitioned, and is a great album to wind down a night with."
This is good writing and good listening
Helen Kim | Seoul Korea (South) | 08/10/2005
(5 out of 5 stars)
"I feel a bit sorry for the group, considering some of the bizarre and unjustified reviews herein but let me say these guys make good music and are above average musicians. Some of the writing is ingenious, such as "What Can I Do?" which uses very sparse accompanment to great affect and a bit of odd turn in the melody that actually fits the lyrics instead of just plodding along in time. Speaking as a musician, I give them respect; all else is taste and theirs is pretty good."
This alt-folk-country-rock stuff doesn't stink...
superinkygrrl | Portland, OR | 03/10/2005
(4 out of 5 stars)
"I admit that I'm resistant to bands that challenge my notions of what 'indie music' is all about. I was worried that Ida would be too country, too folksy, too cheesy, too something for me to enjoy. Yet I find myself completely enthralled with Ida. In fact, I'm almost embarrassed to say that I only ever heard of Ida just 3 weeks ago for the first time.
There is something simple and gorgeous about each track of this cd. The female/male harmonies are perfect and moving. I will say that I am much more partial to the tracks sung by the woman in the band. The male vocals tread dangerously into that headachey-alt rock lilt that gets my hackles up, but still, they're not terrible.
I'm impressed with the lyrics and overall instrumentation of this album. Keep in mind that I am pretty much a rocker who would choose Brian Jonestown Massacre over Rilo Kiley, but I can't stress enough what a refreshing surprise this album is for me."
Title of review
pancake_repairman | gfjdhgfjhgj | 03/11/2005
(4 out of 5 stars)
"This band isn't much about rhythm or melody, they're all about harmony. Their songs are mostly driven by the dense harmony of the guitar chords, and the chords that drive these songs just sound like I've heard them all before. They have nothing new to offer, no new ideas, they're just rehashing and going through the motions. It's lovely pleasant music, but for someone who's familiar with the band's discography, I don't see this release being very worthwhile."
Addicted to Ida
Waterman Gap | New York, NY | 10/16/2006
(5 out of 5 stars)
"The first three times I heard this album, it didn't sound like much. Now I'm addicted to this band. (So, Ida, if you're reading this, thanks for playing the Knitting Factory on New Year's Eve.) What makes this CD unusual and sublime is that all the songs maintain about the same intensity and tone, and all the instruments are blended together at equal volume, so the effect is kind of like the continuous hiss of a winding metal tape or perhaps the seamless flow of the river in the title. This is not rock music, although the band is indie. It's also hilarious and impressive that Karla Schickele sometimes sounds like Karen Carpenter."