Search - High Tide :: Sea Shanties

Sea Shanties
High Tide
Sea Shanties
Genres: Folk, Pop, Rock, Metal
 
  •  Track Listings (6) - Disc #1

Continuing in its ongoing mission to return underappreciated vintage psychedelic gems to the marketplace, Sundazed presents High Tide's beloved 1969 British cult-classic, Sea Shanties--as it was originally meant to be hear...  more »

     
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CD Details

All Artists: High Tide
Title: Sea Shanties
Members Wishing: 5
Total Copies: 0
Label: Repertoire
Original Release Date: 1/1/2005
Re-Release Date: 1/19/1994
Album Type: Import
Genres: Folk, Pop, Rock, Metal
Styles: Progressive, Progressive Rock
Number of Discs: 1
SwapaCD Credits: 1
UPC: 400991044142

Synopsis

Album Description
Continuing in its ongoing mission to return underappreciated vintage psychedelic gems to the marketplace, Sundazed presents High Tide's beloved 1969 British cult-classic, Sea Shanties--as it was originally meant to be heard, in the 12" vinyl LP format. A one-of-a-kind collision of psychedelia, prog and heavy rock, Sea Shanties embodies the darker edge of psychedelic rock, while presaging the wave of heavier combos that would soon emerge in Britain. Although it's been out of print in the United States for decades, Sea Shanties has attracted a fervent cult following in recent years, making this release a particularly timely one. Originally issued in the heady musical atmosphere of 1969, Sea Shanties, was the first album by High Tide, a quartet fronted by guitarist/singer/songwriter Tony Hill, formerly of the legendary garage combo The Misunderstood. High Tide embodied the eclectic attitude of its era, combining psychedelic influences with a harder, darker edge that's reflected in Hill's ominous lyrics and the band's raw, punchy sound. High Tide's most distinctive sonic trademark was the unique interplay between Hill's slashing, effects-laden guitar and the aggressive, distortion-heavy playing of violinist Simon House (who subsequently joined Hawkwind and recorded with David Bowie). For this LP reissue, Sea Shanties has been meticulously mastered from the original stereo analog masters to faithfully preserve the sound of the original album. In keeping with the high standards for which Sundazed has become known, the album is pressed on high-quality, high-definition vinyl, with complete original cover art that reproduces artist Peter Whitehead's elaborate gatefold design.

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CD Reviews

Really wanted to like this better than I did
Michael J. Melton | Pulaski, Wi United States | 02/17/2009
(2 out of 5 stars)

"I was intrigued that this group was an off shoot of an excellent group, The Misunderstood, and the reviewer descriptions of the guitar and violin interplay had promise. I have listened to the CD several times and sorry it is just too frentic and not that interesting. Playing fast is not a substitute for substance. The violin in Kansas played an important role in the sound, here for the most part, it is a novelty. Vocals are muddy and buried and not that interesting when they surface anyway. When they slow down and avoid the screech factor you see what might have been, then they kick the bombast in again. Sadly I found myself checking my watch too frequently during the long songs. The comparisons with metal rock fit if you love em loud and bland. This is more than 1 star as there are some interesting moments, it is two stars because these are moments."
You want this
Bill Your 'Free Form FM Handi Cyber | Mahwah, NJ USA | 05/13/2009
(4 out of 5 stars)

"This is really great hard rock from 1969. The songs are extended, though the chord structures pretty chunky and basic, and low and behold, they have a violin.



The violin is not used the way it is in King Crimson or Curved Air. It is more comperable to East Of Eaden, where the violin just locks in with the guitar riff, almost to create a shrill feedback effect.



And the guitars are heavy, heavy, heavy, almost like a Nirvana album from the early 1990s. The singing is great too: a lot of people I have played this for say it reminds them of Jim Morrison, but what came to my mind was Ringo Star, singing very hard rock. (It;s too bad this never happened, but if Ringo had done the vocals on Yer Blues or Helter Skelter, it might sound a little like this.)





The mix is great--nothing really stands out, and so everything gets wonderfully mashed up in the wall of guitar distoration. This creates a chaotic effect, and you have to work to hear all that is going on in this music, and there is a lot.



Obviously, I am reccomending this, highly. You are going to be listening to this, often"