Remastered reissues of this pair of early '70s albums by theBritish cult band Help Yourself, who combined West Coast acid-flash electric guitar with a gentle, folk style. Contains all 16 tracks from the LPs combined onto o... more »ne disc, including 'I Must See Jesus For Myself' and 'Alabama Lady'. Also features additional sleeve notes and faithfully restored artwork. 1998 BGO release. The full titles are 'Help Yourself' and 'Beware The Shadow'.« less
Remastered reissues of this pair of early '70s albums by theBritish cult band Help Yourself, who combined West Coast acid-flash electric guitar with a gentle, folk style. Contains all 16 tracks from the LPs combined onto one disc, including 'I Must See Jesus For Myself' and 'Alabama Lady'. Also features additional sleeve notes and faithfully restored artwork. 1998 BGO release. The full titles are 'Help Yourself' and 'Beware The Shadow'.
"A British early 70's rock group with a cult following then and now. The Helps became known to a wider audience when they became connected to Welsh psychedelic rockers, the Man band. They joined them on a tour of Switzerland in 1971, called 'All good clean fun.' But whereas Man were often rambling and improvisational the Helps pinned their music to plaintive, almost country rock harmonies. They, too used a dual guitar approach to melody and their first eponymously titled album relies on wistful picking and tight rhythms. Malcolm Morley wrote and and sang many of the songs and played guitars and keyboards, while Richard Treece pulled out some exceptional lead solos. Their duelling is delicate and intricate but never self-indulgent. Ken Whaley's bass lines dance lithely, (Ken's replaced by Paul Burton on their 3rd album, Beware the Shadow,) and Dave Charles keeps a tight beat going on drums. Like Man's (and on Dire Straits' "Alchemy")Terry Williams, Charles' subtle tempo shifts and climactic runs help announce pace shifts. The 1st album's outstanding track, "Old Man" - not Neil Young's classic-stands comparison with its well-known namesake. The 3rd album,"Beware the Shadow", which shares space on this great value CD, allegedly reflects Morley's period of melancholia and depression. The songs don't! Here's a broad sweeping canvas: "Reaffirmation" conjures up broad vistas and adds mellotron to the other keyboards and guitars. Starting with an ironic vocal line and soft piano and guitar accompaniment, this track soars into a warm ethereal guitar-filled golden Western sky. "American woman" is another stand-out track : a sardonic Morley opus about the ubiquitous American mom, going way further in her debauches than Mrs Robinson! If you like the country rock of the Burritos, Poco, New Riders, CSNY or just any good (but not heavy) guitar music then go ahead and, "Help yourself!""
I am not gonna
Brad | Clinton, Tn United States | 02/02/2005
(5 out of 5 stars)
"write a long review about this band, becuase what I want to say is simple. This is my first listen to this group, and I just want to say this is EXTREMELY enjoyable rock. Lots of styles here, lots of views. This was a very talented band.
The guitar work and musical content here is exquisite. Its easy to forget they were a 70's band.
This is headphone music. I give it my strongest recommondation for purchase.
Rememeber all reviews are the opinion of the writer, and past performance is no indication of future returns.
"
An absolutely great two-fer cd from a little known UK band
G. C. Todd | Memphis | 10/29/2003
(5 out of 5 stars)
"Everyone who remembers this band admired the unique musical style which might be compared to an English equivalent of Workingman's/American Beauty period Grateful Dead. (The other 2 lp's are now available too - also superb). A real bonus are the Liner notes detailing the band's history."
Help Yourself
Brett Basler | Johnston City, IL United States | 01/29/2003
(5 out of 5 stars)
"I love these guys. This is one of the many under appreciated bands of the early 70's. All their songs are great, and alot of them should have been hits. The radio is missing out by not playing these guys. I beleive this is some of the best mellow rock you will ever hear. And some of their songs are pretty hard rocking too. I think the song She's my Girl is one of the best mellow kind of rock song in the world. I don't beleive there is anything better. Anybody that got to see these guys live is very lucky, I beleive. All the old bands should be playing live today, and they should all be played on the radio. That's the way it should be. I recommend this to anybody that likes good classic rock."
From humble beginnings to musical trips
Jan Wiberg | Helsinki, Finland | 09/26/2004
(4 out of 5 stars)
"Malcolm Morley had obviously overdosed on Buffalo Springfield and early Neil Young when he wrote the material for Help Yourself's debut. Of the nine first tracks, which comprise this eponymous album, "Your Eyes Are Looking Down" in particular sounds like a Young cover, and the following four tracks should also please any BS/NY fan. The best moments, however, come when the band really display their originality. "To Katherine They Fell" is a quiet mood piece flavored by Morley's guitar echoing in the background and Ken Whaley's bass adding sounding board to Dave Charles' free-form drumming. "Deborah" is the other highpoint, a sad, simple piano ballad where Morley really sounds heartfelt. The more forceful "Running Down Deep" and the drowsy closer "Street Songs" are also worth mentioning. This debut, while not a great album, still pleases and serves well as a harmless introduction to Help Yourself.
"Beware the Shadow", the band's third album, shows the originality in full bloom. "Alabama Lady" was the first HY song I ever heard, and it's still a favorite, an easy-to-get-into and easy-to-like cheerful song wonderfully played. "Reaffirmation" is the album's centerpiece. Flute and guitar drift out from nowhere, Morley utters a series of short lines, once interrupted by an instrumental part where drums also join in. After three minutes Morley stops singing, the tempo picks up and the band starts drifting off into a musical stratosphere. The tone shifts to a funky rhythm laced with multi-layered guitars, and soon the whole band starts chanting "reaffirmation" for about a minute, and the rest is dedicated purely to an instrumental extravaganza that soothes and amazes you, and you feel pleasantly exhausted when the whole thing finally is wrapped up at 12:35. "Calapso" is a small section of an obvious studio jam, but at 1:11 it's criminally short, you hardly even manage to pick up the catchy calypso beat. We want three minutes!
"She's My Girl" is possibly the HY song that's closest to my heart. What might sound like an innocent love song is actually a very sad song, Morley possibly singing about a loved one who has left him, or whom he has mistakenly hurt in some way. This should have been a single - why wasn't it? The humorous and deliberately messed-up "Molly Bake Bean" sounds like a fireside chant late one night after a few too many beers, but the background noises sound like coming from a kitchen or a small workshop during lunch hour. A guy named Sean Tyla co-wrote the bitter "American Mother", which appeared on Tyla Gang's 1978 "Moonproof" album as a growling three-minute hard-rocker. Help Yourself's version is a spacey, pompous, impressive seven-minute symphony where Morley shouts out the lyrics with a clear, crisp voice. "Passing Through" closes this album non-distinctively with simple acoustic guitar backing and nothing more. No matter, the listener has already got his stomach full and could hardly take any more.
Morley might have suffered from depression at the time of "Beware the Shadow", but it produced the best HY album ever!"