String Quartet No. 29 in G major, Op. 33/5, H. 3/41: 1. Vivace assai
String Quartet No. 29 in G major, Op. 33/5, H. 3/41: 2. Largo e cantabile
String Quartet No. 29 in G major, Op. 33/5, H. 3/41: 3. Scherzo. Allegro
String Quartet No. 29 in G major, Op. 33/5, H. 3/41: 4. Finale. Allegretto
String Quartet No. 30 in E flat major ('Joke'), Op. 33/2, H. 3/38: 1. Allegro moderato
String Quartet No. 30 in E flat major ('Joke'), Op. 33/2, H. 3/38: 2. Scherzo. Allegro
String Quartet No. 30 in E flat major ('Joke'), Op. 33/2, H. 3/38: 3. Largo e sostenuto
String Quartet No. 30 in E flat major ('Joke'), Op. 33/2, H. 3/38: 4. Finale. Presto
String Quartet No. 31 in B minor, Op. 33/1, H. 3/37: 1. Allegro moderato
String Quartet No. 31 in B minor, Op. 33/1, H. 3/37: 2. Scherzo. Allegro di molto
String Quartet No. 31 in B minor, Op. 33/1, H. 3/37: 3. Andante
String Quartet No. 31 in B minor, Op. 33/1, H. 3/37: 4. Finale. Presto
Track Listings (12) - Disc #2
String Quartet No. 32 in C major ('Bird'), Op. 33/3, H. 3/39: 1. Allegro moderato
String Quartet No. 32 in C major ('Bird'), Op. 33/3, H. 3/39: 2. Scherzo. Allegretto
String Quartet No. 32 in C major ('Bird'), Op. 33/3, H. 3/39: 3. Adagio ma non troppo
String Quartet No. 32 in C major ('Bird'), Op. 33/3, H. 3/39: 4. (Finale) Rondo. Presto
String Quartet No. 33 in D major, Op. 33/6, H. 3/42: 1. Vivace assai
String Quartet No. 33 in D major, Op. 33/6, H. 3/42: 2. Andante
String Quartet No. 33 in D major, Op. 33/6, H. 3/42: 3. Scherzo. Allegretto
String Quartet No. 33 in D major, Op. 33/6, H. 3/42: 4. Finale. Allegretto
String Quartet No. 34 in B flat major, Op. 33/4, H. 3/40: 1. Allegro moderato
String Quartet No. 34 in B flat major, Op. 33/4, H. 3/40: 2. Scherzo. Allegretto
String Quartet No. 34 in B flat major, Op. 33/4, H. 3/40: 3. Largo
String Quartet No. 34 in B flat major, Op. 33/4, H. 3/40: 4. (Finale) Presto
The natural, unforced quality that characterizes the playing of the Tatrai Quartet comes as a welcome reprieve from the supercharged intensity of many younger (and not much younger) groups. The Hungarians address the Opu... more »s 33 quartets with a sense of long familiarity, yet their accounts are in no sense routine. The effortless gathering of the lines at cadences, the dovetailing of voices and transparency of texture, and the complete absence of excessive rhetoric make for elegant, warmly persuasive readings. If one could distill the essence of classicism, it would come out sounding much like this. The recorded sound, however, is typical Eastern bloc--somewhat better than radio quality but still slightly blanched at the top. --Ted Libbey« less
The natural, unforced quality that characterizes the playing of the Tatrai Quartet comes as a welcome reprieve from the supercharged intensity of many younger (and not much younger) groups. The Hungarians address the Opus 33 quartets with a sense of long familiarity, yet their accounts are in no sense routine. The effortless gathering of the lines at cadences, the dovetailing of voices and transparency of texture, and the complete absence of excessive rhetoric make for elegant, warmly persuasive readings. If one could distill the essence of classicism, it would come out sounding much like this. The recorded sound, however, is typical Eastern bloc--somewhat better than radio quality but still slightly blanched at the top. --Ted Libbey