"Marriner and the Academy have turned out an A+ performance. The quality of the players, the chorus, and the soloists is unmatchable. The interpretations of the movements are also right on. The entire ensemble gels perfectly under the direction of one of the world's best and most recorded conductors. While classical reviewers have pinned the J. E. Gardiner recording as tops, I think they have overlooked this gem."
And He Shall Reign Forever and Ever, Amen.
Peter Ming | Indonesia | 12/31/2001
(5 out of 5 stars)
"This recording ranks itself on the top of the greatest recordings of Handel's Messiah. Being a live recording, it surpasses every other studio recordings of this piece in terms of interpretation and drama. The soloists are superb, the chorus are crisp and vital, and the ensemble plays with great virtuoso. My special remark goes to Miss McNair, I simply cannot grow tired of her! Her lyrical voice is simply destined for this work, especially in aria no 16 `Rejoice greatly, o daughter of Zion' - rejoice indeed! It is to Marriner we should all be grateful for producing this remarkable recording in the first place. Known mainly for his stupendous recordings of Mozart, it is not surprising that he's able to interpret in a true Handelian way. It's a pity that he seldom records works by Handel - I don't know if he performs them unrecorded.
There are actually two versions of this live performance, the one here and the other is available on LaserDisc. I believe that they were recorded on two different performance time, for on some arias the soloists have different style in singing the cadenza. Whichever you prefer, this is a recording you must simply own - even when your music library boasts a dozen or so of Handel's Messiah!!"
Soaring, Moving, Breathtaking
W. F. Spencer | Dana Point, CA USA | 12/24/2001
(5 out of 5 stars)
"This performance does for The Messiah what European cathedrals do for churches. The other reviewers are right: "unmatchable ... gem", "wildly entertaining", "treat", "perfect ... blend". But, for me, as when lost in the experience of those vast, ancient, rainbow-lit spaces hewn of massive rock, it is the soaring renditions that take me, entirely beyond earthly cares!At times it dances delicate as lace caressed by a breeze, resonates in the gut from one of Lloyd's recitatives, or simply leaves one lying breathless and exhausted after a gloriously wrenching chorus.What God has made through Handel, Sir Neville has made for us. This is not a performance, it is transportation...(Performed live in Dublin, in 1992, commemorating the 250th anniversary of its first performance.)"
Thoroughly satisfying
George Peabody | 10/24/1999
(5 out of 5 stars)
"I waffled between purchasing this one and the recording by John Eliot Gardiner. I have no doubt they're both excellent, but as I'm already biased in favor of Sir Neville, I bought this one. As the reviewer from New Jersey says, it is definitely an A+ performance, very moving and satisfying."
A voice teacher and early music fan
George Peabody | Planet Earth | 10/21/2006
(5 out of 5 stars)
"A COLLECTIBLE FOR SURE!
The "Messiah" was composed by Handel at his London home in the late summer of 1741..Charles Jennens described his libretto for the 'Messiah' as a "Scripture Collection", because it consists of a cleverly-arranged selection of biblical texts
In his Messiah Handel combines the sheer grandeur and power of his Germanic roots with the color of his Italian experience, joining with the unique flavor of the English language. His music can thus be powerful, like the tenor arioso 'Thou shalt break them with a rod or iron', or it can be colorful and skippy like the wonderful 'For unto us a child is born'. Or it can be stirring and majestic like the 'Hallelujah' and 'Amen' choruses.
Musically speaking, the recitatives and arias are definately in a style derived from opera, supplemented by choruses of the type Handel has developed in his English odes and oratorios-the presentation of the story was unconventional. The work is divided into three acts or parts, but the narrative is largely confined to Part Two: Part One is mainly concerned with prophecy and its fullfilment and Part Three with commentary on the importance of the previous story.
This recording of the famous 1992 performance at Dublin took place at the Point Theatre on the 250th anniversary of the work's premeire which took place in Dublin on April 13th 1742.
It is an outstanding performance, especially chorally and instrumentally. The soloists: Sylvia McNair(soprano)-Anne Sofie von Otter(mezzo)-Michael Chance (alto) were superb!!! Personally I was not pleased by Jerry Hadley's interpretation of Handel; I have a recording of him singing show tunes, and I think he does that best! Robert Lloyd's (bass) diction was most peculiar and annoyed me. However, the last 2 comments may not be universally accepted. All in all, it's one of the best 'Messiahs' I have heard, and is actually my favorite of many that I own."