Part One: Son - Les Musiciens Du Louvre/Marc Minkowski
Part One, Scene 1. Aria: 'Disserratevi, O Porte D'Averno' - Annick Massis
Part One, Scene 1. Recitativo Accompagnato: 'Qual'Insolita Luce' - Laurent Naouri
Part One, Scene 1. Aria:'Caddi, E Ver, Ma Nel Cadere' - Laurent Naouri
Part One, Scene 1. Recitativo Accompagnato: 'Ma, Che Veggio?' - Laurent Naouri/Annick Massis
Part One, Scene 1. Recitativo: 'Chi Sei? Dhi E Questo Re?' - Laurent Naouri/Annick Massis
Part One, Scene 1. Aria: 'D'Amor Fu Consiglio' - Annick Massis
Part One, Scene 1. Recitativo: 'E Ben, Questo Tuo Nume' - Laurent Naouri/Annick Massis
Part One, Scene 1. Aria: 'O Voi, Dell'Erebo' - Laurent Maouri
Part One, Scene 2. Recitativo Accompagnato: 'Notte, Notte Gunesta' - Jennifer Smith
Part One, Scene 2. Aria: 'Rerma I'Ali, E Sui Miei Lumi' - Jennifer Smith
Part One, Scene 2. Recitativo: 'Concedi, O Maddalena' - Linda Maguire/Jennifer Smith
Part One, Scene 2. Aria: 'Piangete, Si, Piangete' - Linda Maguire
Part One, Scene 2. Recitativo: 'Ahi, Dolce Mio Signore' - Jennifer Smith/Linda Maguire
Part One, Scene 2. Aria: 'Dolci Chiodi, Amate Spine' - Jennifer Smith/Linda Maguire
Part One, Scene 2. Recitativo: 'O Cleofe, O Maddalena' - John Mark Ainsley/Jennifer Smith
Part One, Scene 2. Aria: 'Quando E Parto Dell'Affetto' - John Mark Ainsley
Part One, Scene 2. Recitativo: 'Ma Dinne, E Sara Vero' - Linda Maguire/John Mark Ainsley/Jennifer Smith
Part One, Scene 2. Aria: ' Naufragando Va Per L'Onde' - Linda Maguire
Part One, Scene 2. Recitativo: 'Itene Pure, O Fide' - John Mark Ainsley/Jennifer Smith
Part One, Scene 2. Aria: 'Cosi La Tortorella' - John Mark Ainsley
Part One, Scene 2. Recitativo: 'Se Maria Dunque Spera' - Jennifer Smith
Part One, Scene 2. Aria: 'Ho Un Non So Che Nel Cor' - Jennifer Smith
Part One, Scene 3. Recitativo: 'Uscite Pur, Uscite' - Annick Massis
Part One, Scene 3. Coro: 'Il Nume Vincitor' - Annick Massis
Track Listings (26) - Disc #2
Part Two: Intro - Les Musiciens Du Louvre/Marc Minkowski
Part Two, Scene 1. Recitativo: 'Di Quai Nuovi Portenti' - John Mark Ainsley
Part Two, Scene 1. Aria: 'Ecco Il Sol, Ch'Esce Dal Mar' - John Mark Ainsley
Part Two, Scene 1. Recitativo: 'Ma Ove Maria Dimora' - John Mark Ainsley
Part Two, Scene 2. Aria: 'Risorga Il Mondo' - Annick Massis
Part Two, Scene 2. Recitativo Accompagnato: 'Di Rabbia Indarno Freme' - Annick Massis
Part Two, Scene 2. Recitativo: 'Misero! Ho Pure Udito?' - Laurent Naouri/ nnick Massis
Part Two, Scene 2. Aria: 'Per Celare Il Muovo Scorno' - Laurent Naouri
Part Two, Scene 2. Recitativo: 'O Come Cieco Il Tuo Furor Delira!' - Annick Massis
Part Two, Scene 2. Aria: 'Impedirlo Io Sapro' - Laurent Naouri/Annick Massis
Part Two, Scene 3. Recitativo: 'Amica, Troppo Tardo' - Jennifer Smith/Linda Maguire
Part Two, Scene 3. Aria: 'Per Me Gia Di Morire' - Jennifer Smith
Part Two, Scene 3. Recitativo: 'Ahi, Abborito Nome' - Laurent Naouri
Part Two, Scene 4. Aria: 'Vedo Il Ciel Che Piu Sereno' - Linda Maguire
Part Two, Scene 4. Recitativo: 'Cleofe, Siam Giunte Al Luogo' - Jennifer Smith/Linda Maguire/Annick Massis
Part Two, Scene 4. Aria: 'Se Per Colpa Di Donna Infelice' - Annick Massis
Part Two, Scene 4. Recitativo: 'Mio Gesu, Mio Signore' - Jennifer Smith
Part Two, Scene 4. Aria: 'Del Ciglio Dolente' - Jennifer Smith
Part Two, Scene 4. Recitativo: 'Si, Si, Cerchiamo Pure' - Linda Maguire
Part Two, Scene 4. Aria: 'Augelletti, Ruscelletti' - Linda Maguire
Part Two, Scene 5. Recitativo: 'Dove Si Frettolosi' - John Mark Ainsley/Linda Maguire
Part Two, Scene 5. Aria: 'Caro Figlio!' - John Mark Ainsley
Part Two, Scene 5. Recitativo: 'Cleofe, Giovanni, Udite' - Jennifer Smith/John Mark Ainsley/Linda Maguire
Part Two, Scene 5. Aria: 'Se Imassibile, Immortale' - Jennifer Smith
Part Two, Scene 5. Recitativo: 'Si, Si, Col Redentore' - John Mark Ainsley/Linda Maguire/Jennifer Smith
Part Two, Scene 5. Coro: 'Diasi Lode In Cielo, In Terra' - Les Musiciens Du Louvre
Handel's first oratorio (a sacred opera seria, really) is loaded with goodies that excite musicians and audiences alike: glittering coloratura spectaculars, showy boasts for Lucifer, grave laments, sweet elegies, plenty ... more »of pictorial instrumental effects, and the tuneful, emotionally complex, central role of Mary Magdalene. Marc Minkowski and his forces have stiff competition, especially from Christopher Hogwood's old L'Oiseau-Lyre recording (grab that if it's reissued), featuring Kirkby and Kwella at their very best. Unfortunately, while Smith is unlistenable as Magdalene--she is way past her prime--everyone else is stunning. Massis as the Angel is Kirkby's equal; Maguire and Naouri fill their music with skill and passion; Ainsley makes the potentially sleepy role of St. John mouth-wateringly beautiful. The performance isn't flawless, but it's extraordinary--buy it. --Matthew Westphal« less
Handel's first oratorio (a sacred opera seria, really) is loaded with goodies that excite musicians and audiences alike: glittering coloratura spectaculars, showy boasts for Lucifer, grave laments, sweet elegies, plenty of pictorial instrumental effects, and the tuneful, emotionally complex, central role of Mary Magdalene. Marc Minkowski and his forces have stiff competition, especially from Christopher Hogwood's old L'Oiseau-Lyre recording (grab that if it's reissued), featuring Kirkby and Kwella at their very best. Unfortunately, while Smith is unlistenable as Magdalene--she is way past her prime--everyone else is stunning. Massis as the Angel is Kirkby's equal; Maguire and Naouri fill their music with skill and passion; Ainsley makes the potentially sleepy role of St. John mouth-wateringly beautiful. The performance isn't flawless, but it's extraordinary--buy it. --Matthew Westphal
CD Reviews
Brilliant performance
Anonym | München | 07/31/2000
(5 out of 5 stars)
"After reading a rather negative review of this recording, I just had to post another review saying that in my opinion this is one of the best Handel recordings on the market - the singers are excellent, especially Jennifer Smith and Linda Maguire and Minkowski's conducting is absolutely brilliant. The structure of the work is like that of an opera seria (including the da capo arias) - so if you are a fan of baroque opera, this one is an absolute must!"
Awesome and amazing perfomance and recording
HIFVB | Barcelona, Spain | 08/15/2004
(5 out of 5 stars)
"This Haendel's Oratorio or sacred opera is absolutely a must for all baroque fans, and specially in this superb Mark Minkowski version. If you own a good hi-fi audio system you will perhaps find it as the perfect recording: tremendous soundstage, amazing natural and real presentation of all singers and instruments, perfect tonal balance, ......... almost unbeliavle.
The version itself is very warm, full of virtuosism by all singers and the orchestra. A true and superior musical enjoyment experience."