Concerti Grossi, Op. 6: Andante larghetto, e staccato
Concerti Grossi, Op. 6: Allegro
Concerti Grossi, Op. 6: Largo, e staccato
Concerti Grossi, Op. 6: Andante
Concerti Grossi, Op. 6: Allegro
Track Listings (31) - Disc #2
Concerti Grossi, Op. 6: Largo
Concerti Grossi, Op. 6: Allegro
Concerti Grossi, Op. 6: Largo, e piano
Concerti Grossi, Op. 6: Andante
Concerti Grossi, Op. 6: Hornpipe
Concerti Grossi, Op. 6: Larghetto e affettuoso
Concerti Grossi, Op. 6: Allegro, ma non troppo
Concerti Grossi, Op. 6: Musette
Concerti Grossi, Op. 6: Allegro
Concerti Grossi, Op. 6: Allegro
Concerti Grossi, Op. 6: Larghetto affettuoso
Concerti Grossi, Op. 6: Allegro
Concerti Grossi, Op. 6: Largo, e piano
Concerti Grossi, Op. 6: Allegro
Concerti Grossi, Op. 6: Largo
Concerti Grossi, Op. 6: Allegro
Concerti Grossi, Op. 6: Larghetto
Concerti Grossi, Op. 6: Allegro
Concerti Grossi, Op. 6: Menuet
Concerti Grossi, Op. 6: Gigue
Concerti Grossi, Op. 6: Allemande
Concerti Grossi, Op. 6: Grave
Concerti Grossi, Op. 6: Andante allegro
Concerti Grossi, Op. 6: Adagio
Concerti Grossi, Op. 6: Siciliana
Concerti Grossi, Op. 6: Allegro
Concerti Grossi, Op. 6: Largo
Concerti Grossi, Op. 6: Allegro
Concerti Grossi, Op. 6: Larghetto, e piano
Concerti Grossi, Op. 6: Largo
Concerti Grossi, Op. 6: Allegro
From the onset of the historical performances movement some years back, listeners have been subjected to a great many historically correct yet musically limp, passive and rudderless performances. So conductor Andrew Manze ... more »deserves real credit for the marvelous job he does here with the Academy of Ancient Music in the twelve Concerti Grossi, Opus 6, of George Frideric Handel. With great warmth as well as vigor he lets these felicitous, robust works come to life. What we hear is more color, more meat and more life than we are likely to get from a typical early music ensemble. Manze is a great musician. --Gwendolyn Freed« less
From the onset of the historical performances movement some years back, listeners have been subjected to a great many historically correct yet musically limp, passive and rudderless performances. So conductor Andrew Manze deserves real credit for the marvelous job he does here with the Academy of Ancient Music in the twelve Concerti Grossi, Opus 6, of George Frideric Handel. With great warmth as well as vigor he lets these felicitous, robust works come to life. What we hear is more color, more meat and more life than we are likely to get from a typical early music ensemble. Manze is a great musician. --Gwendolyn Freed
"This is a great recording of Handel's glorious op. 6 concerti. These players produce such an array of tone color that you forget that they're playing period strings. These performances are polished and exhibit impeccable intonation, with sweet-toned soloists and massed string textures standing out in terraced relief. Musically, these performances are most sensitive, as well, and the overall result is rich in grandeur and classic profile. It's worth noting that this complete set fits onto two discs instead of the usual three but the playing is uplifting and spirited rather than rushed. Beautifully recorded, too."
A recording of the century...really!
Gregory M. Zinkl | Chicago, IL | 04/09/2001
(5 out of 5 stars)
"Manze has outdone himself, as have the Academy of Ancient Music.There is life, there is magic, there is some beautiful playing, there is everything you could possibly want in a recording of this wonderful score. Even if you forego period instruments, you should really try these guys out! Forget Orpheus's attempt, and please ignore the bizarre recommendation for I Musici de Montreal on Chandos (great sound and cold playing). This recording really puts all those to shame.To top it all off, not only do you have wonderful music-making, but you also get intelligent and delightful notes that are humorous too.A first-class production. Maybe the classical music recording industry isn't dead quite yet!"
Handel's Op. 6 as Orchestral Theatre
Iter Facio hs7@umail.edu | Chevy Chase, MD | 11/30/1999
(5 out of 5 stars)
"Virtually every reviewer of this landmark performance has justifyably praised its sensitivity, power, precision, and brilliance. But it gives the listener far more, for like much of Mozart's instrumental music Handel's evokes opera in almost every bar in a way that throws off images of summer nights as backdrops to partings of lovers, battles, conspiracies and all the wonderous fol-de-rol of opera seria. Best of all the performances provides the psychological experience of Handlian theatre. One can praise this performance to the skies, but one cannot really grasp the wonder of this music as it is performed here unless one knows something of the operas."
A good recording of this work but there are better
Carolina Girl | Charlotte, North Carolina | 11/08/2001
(4 out of 5 stars)
"The playing is admirable and beautiful(especially the outstanding stylish playing from Manze and his soloist), and the use of period instruments is wonderful. But this recording is slightly bland in some movements(certain movements could be taken faster)if you want a recording with more passion I would opt for either the version from the Orpheus CO on DG or the one's from Iona Brown on Hanssler or Philips(I have listening to these recordings thousands of times and I warmly recommend them with 5 stars)"
Well Worth Having in Your Collection
M. Starke | Portland, OR USA | 09/29/2007
(4 out of 5 stars)
"Like Corelli's Op 6 concerti, every lover of Baroque music must also have
have at least one recording of Handel's Op 6 in his collection. This version, played by the Academy of Ancient music, along with another performed by The English Consort are my two favorites.
This is a very energetic performance. Andrew Manze has uniformly chosen
brisk tempi through these concerti. Things are never too rushed, though. Clarity of expression and melodic lines always come out clearly, but I sometimes wonder why some movements are taken so quickly. Perhaps it might be to cut down track lengths? I hope that is not the case. At any rate, it's a small matter considering the energy and ornamentation the soloists put into parts, even striking double and triple stops at the end of exciting solo passages. The contrast between soloist and ensemble is nicely brought out in this recording. That all makes for an exciting listening experience, and sets this recording apart from others that might be considered as more formal and polished performances.
I chose the digital download option for this purchase and was very pleasantly surprised at how smoothly the process went. After the downloader was installed, the tracks came down extremely quickly. So fast, in fact, I paused the download to look in the folder and see if the tracks were really there! The entire two CD set was done in under two minutes.The results in 225 VRB sound really great.
My only concern about the digital download is that while track number information is put into the files so that the Windows Media Player sorts out the correct track order, the filenames themselves will not cause the files to organize correctly in folders, hence, also not on my MP3 player, which does not use the track number data in the file. I either have to create playlists, or rename the files with 01...,02..., headers. Maybe
I need another Mp3 player!
Digital or CD, This recording is well worth the purchase price. Just listen to the samples. You will know what you are getting.