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Gustav Mahler: Das Lied von der Erde - Jessye Norman / Siegfried Jerusalem / Berliner Philharmoniker / James Levine
Gustav Mahler, James Levine, Berliner Philharmoniker
Gustav Mahler: Das Lied von der Erde - Jessye Norman / Siegfried Jerusalem / Berliner Philharmoniker / James Levine
Genre: Classical
 
  •  Track Listings (6) - Disc #1

This is one of the towering masterpieces of 20th-century music. It followed Mahler's Eighth Symphony, but to avoid the ominous, superstition-laden association evoked by the number nine, he called it "a symphony for contral...  more »

     
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Amazon.com
This is one of the towering masterpieces of 20th-century music. It followed Mahler's Eighth Symphony, but to avoid the ominous, superstition-laden association evoked by the number nine, he called it "a symphony for contralto, tenor, and orchestra." Yet the shadow of death hovers over it: Mahler had recently lost his beloved older daughter and had himself been diagnosed with a heart ailment that presaged a limited life span. The work, symphonic in its structure and masterful use of the orchestra, is a setting of six songs selected from "The Chinese Flute," a collection of Chinese poetry freely translated by Hans Bethge. Both words and music emanate a sense of the transience of human life in contrast to the permanence of the universe; their pervasive loneliness, sorrow, and resignation are lit up by flashes of drunken, hopeful oblivion and visions of beauty and companionship. The end fades into the everlasting blue distance. This live recording is terrific. Levine again proves his kinship with Mahler, following him from the depths of despair to the heights of sublime resignation. The microphones favor the singers, allowing the tenor to let his beautiful lyrical voice soar over the orchestra and bring out the songs' defiance, humor, and desperation. Jessye Norman, in peak form as a true alto, sings gloriously, with thrilling intensity and inward expressiveness, finally melting into the orchestra. --Edith Eisler
 

CD Reviews

A disappointing dud
Osvaldo Colarusso | 12/19/1999
(1 out of 5 stars)

"I have found Levine's Mahler to be of interest, but this is by far his weakest performance. Both singers are too operatic for this music, and the orchestral backing is lifeless. Avoid this one."
A powerful performance
Osvaldo Colarusso | 01/13/2001
(4 out of 5 stars)

"From the opening bars, Siegfried Jerusalem electrifies the listener. I found his performance absolutely magnificent, and it alone makes this CD worth having; yet by no means does Jessye Norman fail to hold up her end. Her voice is rich and lovely, and complements Jerusalem very well.I gather some have found Levine's conducting unsatisfactory; I found his tempi energetic and well balanced; certainly nothing to complain about, even if his interpretation does not stand out among his peers. But in any case, it's the singers that make this recording exceptional. I recommend it highly."
One fantastic recording
Osvaldo Colarusso | Curitiba, Paraná Brazil | 05/16/2009
(5 out of 5 stars)

"Das Lied von der Erde was always, since the time of Bruno Walter. abundantly recorded. Three great mezzos and one baritone are notable in this story: Kathleen Ferrier, Christa Ludwig, Jessye Norman and Dietrich Fischer-Dieskau.Ferrier recorded with Walter ( the first conductor of the work), Ludwig recorded with Klemperer (fantastic) and Karajan, and recorded on DVD with Bernstein, and Bernstein was also the conductor of Dieskau. Jessye Norman, unfortunately ,in her most famous recording of the work, sang with Colin Davis, in a very uninspired moment. Fortunately we have this forgot CD , when Mrs Norman sang with one fantastic conductor, James Levine.Levine is in general slow but very profound. The Orchestra sounds ( as ever)perfect, and I would know the names of the first flute, the first oboe and the first clarinet. The solos, specially in the last song are very beautiful.

The tenor part is too excellent hear .Mr Jerusalem , one of the best wagnerian tenor of his generation, sings , specially the first song in a fantastic way, with special attention to the accents.Far better than Patzak and Vickers ( one excellent singer, but recorded the work too old) .The only rival to Mr Jerusalem is Wunderlich.

I can't understand why Deutsche Grammophon hides this CD. Is by far superior of the recordings of Boulez and Giulini."