"On Guided by Voices' "Propeller" album, Robert Pollard sang, "we conjure ghosts." On "Vampire on Titus" he actually does. Melodies materialize out of ominous white noise, shamble about for a few seconds, then dissipate again. "Vampire"'s structure is similar to "Bee Thousand" and "Alien Lanes," but it is weirder, darker, and less accessible. That is its strength though; as another reviewer said, even after hundreds of listens, this album still has the power to surprise, perplex, and disturb.
The other GBV albums mentioned above are better starting points for the band's lo-fi era, but you may find yourself, as I have, coming back to the shadowy "Vampire on Titus" most often.
To Bob (and Tobin) be the glory."
The Beginning of It All
judascat | Cambridge, MA United States | 02/24/2002
(4 out of 5 stars)
"Looking at the history of Guided by Voices, Vampire on Titus was the first in a string of four albums to really capture the sound that the GBV purist has been after ever since. Most of us outside the Dayton, Ohio rock scene didn't discover the band until 1993's Bee Thousand, an album which was an incredible blend of uplifting songs that were instantly catchy but fleetingly brief. Vampire on Titus is a much darker album than the three that would follow (Propeller, Bee Thousand and Alien Lanes) and it's brilliance is often overlooked. I consider it to be much like the Stones' Beggars Banquet, an album that was the start of a string of albums that captured a sound that marked the band's high point. Although Beggars Banquet is considered by some to be the Stones finest, the same cannot be said of GBV's Vampire on Titus. I would never recommend a newcomer begin with Vampire on Titus, but instead listen to it after digesting Propeller, Bee Thousand and Alien Lanes. There are some gems here, to be sure!!"
Flowing-just like the days of early GBV
S. R Robertson | Oh Henry? | 04/13/2001
(5 out of 5 stars)
"GBV has always been a sailor into the depths of confused and hallucinatory imagery melted down into its spectral essence, and Vampire On Titus represents the earliest stages of their 'unstable journey'. About half of the tracks have the worst sound production they've ever recorded, but also posess some of the most coherent and intellectual lyrics ("Dusted", "Wished I Was A Giant", "Unstable Journey", etc). Meantime, the rest have the trademark lofi medium, shifting between beautiful ballads of melancholy august ("Gleemer", "Jar Of Cardinals", "Wondering Boy Poet") and creppy lapses into nightmarish lost thought ("E-5", "What About It?", "#2 In The Model Home Series", etc). This album is also the shortest of their albums, but that hardly means a thing in their universe...say Fertile Jim, shall we contemplate existence?"
Early GBV has bootleg sound but a heart of platinum
S. R Robertson | 07/03/1998
(3 out of 5 stars)
"Vampire on Titus marks Robert Pollard's (and Guided by Voices') big jump from local heros to college cult band. Paving the way for the superior Bee Thousand the next year, Vampire still has much to recommend it. "Wished I Was A Giant" sounds like it was recorded in a bathroom on a wire mike, but still wins you over. It also sets you up for the strange sounds ahead: "No. 2 In the Model Home Series" is a creepy thing about automated spouses and sons with guns and it just keeps going... "Unstable Journey" has a killer riff... "Perhaps Now the Vultures" is all out brashness and "Non-Absorbing" remains the penultimate ending track... just one of their best overall songs. If you're new to the band, start with Mag Earwhig! or Bee Thousand... depending on how DIY you like it. But don't avoid Vampire, especially if you're a fan. It has some slow moments, some throw aways and a lot to be desired in sound quality, but it's a winner all the same."