Not many highlights, but still a nice album to groove to (ha
C. Cross | 01/01/2006
(4 out of 5 stars)
"Groove Armada isn't a great group, but they do manage to deliver some quality tunes every now and then. I don't think "Goodbye Country (Hello Nightclub)"'s best tunes are as good as "Vertigo"'s, but they're still really good (and it's nice to hear a cameo appearance by Jeru The Damaja in "Suntoucher". Also, "Suntoucher" and "My Friend", especially, sound like they could be hits). However, some of the songs do sound a bit cheesy, and overall the album is pretty uneven. If you're a fan of Groove Armada or if you're looking for some groovy tunes, though, you should be at least satisfied with "Goodbye Country (Hello Nightclub)" (get "Vertigo" too!). Slightly recommended.
Highlights include:
"Suntoucher"
"Superstylin'"
"Little By Little"
"My Friend"
"Lazy Moon"
"Edge Hill"
"Tuning In (Dub Mix)" (Though this one more as background music)"
Another Successful Album For The Groove
CloudMan | Vancouver, BC | 08/02/2007
(4 out of 5 stars)
"I bought this album at its release in 2001. Six years later and I'm still playing the entire album or some of its choice tracks on a regular basis. This is a very good album by Groove Armada. I'm sure it would sound just as fresh today for someone who is not overly familiar with its tracks.
Noteable mentions are "Superstylin'" and "Edge Hill" with the remaining tracks being completely dud-free.
One of the best performers to catch live, prove that they can do the studio thing too with Goodbye Country (Hello Nightclub).
4/5 stars."
Hellooooo, Groove Armada
Mark Eremite | Seoul, South Korea | 03/30/2007
(5 out of 5 stars)
"Long after proving themselves to be maestros of analogue-driven club-roots pyrotechnics with the quaking "I See You Baby" and the lackadasical "At The River," Groove Armada put out "Goodbye Country," proving that their versatility has no limits. This album proves that the definitions of "house" or "groove" or "chill" or "dance" are only as constricted as the artist who aspires to them.
Findlay and Cato partner with a classy conglomeration of collaborators (Celetia Martin, Jeru the Damaja, Richie Havens, et. al.) to form an album of music that is at times excruciatingly sweet ("My Friend"), at times deep and deliberate ("Fogma"), and sometimes just plain air-slappingly ecstatic (you must've heard "Superstylin'" by now).
Whether they're weaving herbal folk rhythms into something sunny and gorgeous ("Little by Little") or pumping out minimalist hip-hop sewn tightly to exquisitely looped musical murals ("Raisin' the Stakes" and "Suntoucher"), they're redefining the meaning of Good Music. Their sound here is lankier and lazier than in album's past, but it is certainly just as wonderful as ever."