Search - Grant-Lee Phillips :: Walking in the Green Corn

History and legend have often found their way into my songs reflects Grant-Lee Phillips. But sometimes, I don t have to look quite so far to find inspiration. Walking in the Green Corn, is the newest album by Grant-Lee Phillips. It s ten songs are drawn from Phillips intensive investigations into his native lineage. Phillips, who is Muskogee (Creek), elliptically explores the intersection of past and present, personal and political. While the songs delve deeply into the subconscious mystery of his own back-story, they simultaneously reveal the resonance and insight of ancient myth in parallel to contemporary man s emotions, actions, and errors. Composed in a concentrated burst over the course of a few winter months, Walking in the Green Corn came about almost too quickly to censor the unfiltered sum of years of rumination and discovery. As the days became shorter, the nocturnal Phillips became more productive. I m pretty good in the morning, he says, a smile emerging, which for me is about 2pm. I find that in a half-awake state, I can make a little bit of headway. Then I become more conscious as the day goes on...I have to wait until the evening and the rest of the world has quieted down to resume. What initially began as off-the-cuff home recordings, designed to capture the songs at the moment of conception, soon took on a life of its own. Initially I figured that, somewhere down the road, I d get some musicians together in a cathedral-like space and re-record these songs, Phillips explains. But the disarmingly warm, bioluminescent quality of his simple home recordings had the certain weathered elegance that, in Phillips words, would have driven me mad if I attempted to recreate them in a professional studio environment. With the exception of violin and vocals by Sara Watkins (formerly of Nickel Creek) and an understated vibraphone part by Alexander Burke, everything on Walking in the Green Corn was performed, sung, and engineered by Phillips. I do my best work when nobody s paying attention including myself, he recalls. That s what happened: it really snuck up on me. By the end of the year, I had most of the album written and recorded. Little by little I d play the songs back for my wife, Denise (Siegel), on long drives up the San Joaquin Valley. She s an artist and writer with uncanny ears and instincts. She kept me aimed in the right direction, brought a lot of objectivity to the project. Denise was my co-producer here. The mix of euphoria, wonder, and caution brought about by fatherhood a heady emotional cocktail that fueled Phillips last album, the critically lauded Little Moon also played a hand in this projects, as his thoughts turned to his own mixed heritage. He has always found his ancestry, which encompasses both Native American peoples European settlers to be a fertile source. Connecting to my ancestry is like having this deep trunk that s embedded in the earth, with deep roots. It was always something that was important to my grandmother, who was Creek, and to my mother. So, after becoming a father, I wanted to be able to answer all those questions I know I ll be asked one day, when my daughter takes an interest in where we come from.