Nocturne, for harp (or piano) in E flat major, G. vi62
Fugues (3), for piano (or organ), G. vi147: Fugue in E-flat major
Fugues (3), for piano (or organ), G. vi147: Fugue in A minor
Fugues (3), for piano (or organ), G. vi147: Fugue in D major
Valse-Fantaisie, for piano in B minor, G. vi193
La separation, nocturne for piano in F minor, G. xvi204
A Greeting To My Native Land (Privet otchizne), suite (4) for piano, G. vi220: No. 1, 'Recollection of a mazurka' in B flat major
A Greeting To My Native Land (Privet otchizne), suite (4) for piano, G. vi220: No. 2, 'Barcarolle' in G major
A Greeting To My Native Land (Privet otchizne), suite (4) for piano, G. vi220: No. 3, 'Prayer' in A major
A Greeting To My Native Land (Privet otchizne), suite (4) for piano, G. vi220: No. 4, 'Variations on a Scottish theme' (actually on a
Ruslan and Lyudmila, opera in 5 acts, G. xiv: Act 2, Finn's Ballad in A major
Ruslan and Lyudmila, opera in 5 acts, G. xiv: Act 4, Chorus of the Magic Maidens in G major
Detskaya Polka (Children's Polka), for piano in B flat major, G. vi257
Variations on a theme of Mozart, for piano (or harp) in E flat major, G. vi13
Glinka found his true voice as a composer only after he began using Russian folk music as his inspiration. He then became the founder of the Russian national school and might have been the first nationalist composer anywhe... more »re. Most of this piano music was written before Glinka's great discovery, and despite Victor Ryabchikov's fervent program notes in support of the music, it isn't very significant. Until his great revelation, Glinka wrote talented, entertaining salon music, nothing more. If you're interested enough in the composer to want to hear these mostly early works, though, Ryabchikov is an outstanding advocate, playing with obvious commitment, a wide range of tonal color, and the kind of expression you'd want to hear in Chopin's music. Beautiful recorded sound quality, too. --Leslie Gerber« less
Glinka found his true voice as a composer only after he began using Russian folk music as his inspiration. He then became the founder of the Russian national school and might have been the first nationalist composer anywhere. Most of this piano music was written before Glinka's great discovery, and despite Victor Ryabchikov's fervent program notes in support of the music, it isn't very significant. Until his great revelation, Glinka wrote talented, entertaining salon music, nothing more. If you're interested enough in the composer to want to hear these mostly early works, though, Ryabchikov is an outstanding advocate, playing with obvious commitment, a wide range of tonal color, and the kind of expression you'd want to hear in Chopin's music. Beautiful recorded sound quality, too. --Leslie Gerber