La Traviata, opera: Lunge da lei...De' miei bollenti spiriti
La Traviata, opera: Annina, donde vieni?...O mio rimorso!
Aida, opera: Se quel guerrier io fossi!...Celeste Aida
Don Carlo, opera: Io l'ho perduta!...Io la vidi, e il suo sorriso
Don Carlo, opera: Fontainebleau! For?t immense et solitaire!
Don Carlo, opera: Je l'ai vue, et dans son sourire
Don Carlo, opera: C'est elle!...J'avais fait un beau r?ve!...Au revoir dans un monde
Don Carlo, opera: Oui, pour toujours!
Un ballo in maschera, opera: S'avanza il re...La rivedra nell'estasi
Un ballo in maschera, opera: Di' tu se fedele
Un ballo in maschera, opera: E scherzo od ? follia
Un ballo in maschera, opera: Forse la soglia attinse...Ma se m'? forza perderti
Il Trovatore, opera: Quale d'armi fragor poc'anzi intesi?
Il Trovatore, opera: Ah! si, ben mio
Il Trovatore, opera: L'onda de'suoni mistici
Il Trovatore, opera: Di quella pira
Rigoletto, opera: Questa o quella per me pari sono
Rigoletto, opera: Ella mi fu rapita!...Parmi veder le lagrime
Rigoletto, opera: La donna ? mobile
La forza del destino, opera: La vita ? inferno all'infelice
La forza del destino, opera: Oh, tu che in seno agli angeli
La forza del destino, opera: Qual sangue sparsi!...S'affronti la morte
Track Listings (21) - Disc #2
Ernani, opera: Merc?, diletti amici...Come rugiarda al cespite
Ernani, opera: Dell'esilio nel dolore...O tu, che l'alma adora
Ernani, opera: D'Ernani i fidi chiedono...Odi il voto...Sprezzo la vita
I Lombardi alla prima Crociata, opera: O madre mia, che fa colei?
I Lombardi alla prima Crociata, opera: La mia letizia infondere...Come poteva un angelo
I Lombardi alla prima Crociata, opera: Come poteva un angelo (alternative version)
I Lombardi alla prima Crociata, opera: Componi, o cara vergine...In cielo benedetto
J?rusalem, opera: L'Emir aupres de lui m'appelle...Je veux encore entendre
Luisa Miller, opera: Il foglio dunque?
Luisa Miller, opera: Quando le sere al placido
Luisa Miller, opera: Di me chiedeste?
Luisa Miller, opera: L'ara, o l'avello apprestami
Giovanna d'Arco, opera: Il re!...Nel suo bel volto
Giovanna d'Arco, opera: Sotto una quercia parvemi
Giovanna d'Arco, opera: V'ha dunque un loco simile
Giovanna d'Arco, opera: Pondo ? letal, martiro
Giovanna d'Arco, opera: Di novel prodigio
Giovanna d'Arco, opera: Quale piu fido amico
I Vespri siciliani, opera (Les v?pres siciliennes): ? di Monforte il cenno!
I Vespri siciliani, opera (Les v?pres siciliennes): Giorno di pianto
I Vespri siciliani, opera (Les v?pres siciliennes): Ah, toi que j'ai ch?rie (alternative version)
Track Listings (22) - Disc #3
Otello, opera: Esultate! L'orgoglio musulman
Otello, opera: Tu?! Indietro! Fuggi!!
Otello, opera: Ora e per sempre addio
Otello, opera: Pace, signor...Era la notte, Cassio dormia
Otello, opera: Oh! mostruosa colpa!
Otello, opera: Si, pel ciel marmoreo giuro!
Otello, opera: Dio! mi potevi scagliar
Otello, opera: Niun mi tema
Macbeth, opera: O figli, o figli miei!...Ah, la paterna mano
Macbeth, opera: Dove siam? Che bosco ? quello?...La patria tradita
Nabucco, opera (Nabucodonosor): Che si vuol?...Il maledetto non ha fratelli
Stiffelio, opera: Non ha per me un accento!...Vidi dovunque gemere...Ah! v'appare in fro
Aroldo, opera: Sotto il sol di Siria ardente
Simon Boccanegra, opera: O inferno! amelia qui!...Sento avvampar nell'anima...Cielo pietoso
La battaglia di Legnano, opera: O magnanima, e prima delle citt? lombarde...La pia materna mano
Un Giorno di regno, opera (Il finto Stanislao): Buoni amici!...Pietoso al lungo pianto
Un Giorno di regno, opera (Il finto Stanislao): Deh, lasciate a un'alma amante
Attila, opera: Oh tutto di navicelle
Attila, opera: Ella in poter del barbaro!...Cara patria, gi? madre e reina
Attila, opera: Qui del convegno ? il loco
Attila, opera: Che non avrebbe il misero
Attila, opera: O dolore! ed io vivea (alternate aria)
Track Listings (22) - Disc #4
I due Foscari, opera: Qui ti rimani alquanto
I due Foscari, opera: Dal piu remoto esilio
I due Foscari, opera: Del consiglio alla presenza vieni tosto...Odio solo, ed odio atroce
I due Foscari, opera: Si, Io sento, iddio mi chiama (alternative cabaletta)
I due Foscari, opera: Notte, perpetua notte
I due Foscari, opera: Non maledirmi, o prode
I Masnadieri, opera: Quando io leggo in Plutarco
I Masnadieri, opera: O mio castel paterno
I Masnadieri, opera: Ecco un foglio
I Masnadieri, opera: Nell'argilla maledetta
I Masnadieri, opera: Come splendido e grande il sol tramonta!...Di ladroni attorniato
Il Corsaro, opera: Come liberi volano i venti...Tutto parea sorridere
Il Corsaro, opera: Si: de' corsari il fulmine
Il Corsaro, opera: Eccomi prigioniero!
Falstaff, opera: Dal labbro il canto estasiato vola
Oberto, conte di San Bonifacio, opera: Son fra voi!...Gia parmi udire il fremito
Oberto, conte di San Bonifacio, opera: Ciel, che feci! Di qual sangue ho macchiato il brando mio!
Alzira, opera: A costoro quel nume perdoni
Alzira, opera: Un Inca...eccesso orribile!...Dio della guerra
Alzira, opera: Amici!..Ebben?
Alzira, opera: Irne lungi ancor dovrei...Non di codarde lagrime
Requiem Mass, for soloists, chorus & orchestra (Manzoni Requiem): Dies Irae: Ingemisco tamquam reus
There is only one word for this four-CD set: glorious. Released to commemorate the 100th anniversary of Verdi's death, it presents arias from every one of his 28 operas, a comprehensive overview of his work. It is also a ... more »tribute to Placido Domingo, one of his foremost present-day interpreters. An extraordinarily versatile artist, Domingo is heard in selections from his signature roles, like Otello, Radames, and Don Carlo, taken from recordings made between the 1960s and the '90s. He's also heard in new recordings of arias from the earliest, unfamiliar operas he has not performed on stage, and alternate arias Verdi wrote for different versions of his operas. Thus, he sings I Lombardi in Italian, Jérusalem in French, and Don Carlo and I Vespri Siciliani in Italian and French. There are also extended scenes with illustrious colleagues, including Leontyne Price, Katia Ricciarelli, Nicolai Ghiaurov, and Sergei Leiferkus, whose Iago is an exquisitely insidious villain. He is accompanied by the greatest orchestras and conductors. For the new recordings, his partners are Myung-Whun Chung and Valery Gergiev, whose Mariinsky Theater musicians contribute some beautiful string solos. The matchless beauty of Domingo's voice seems untouched by the years, and he can change and vary it to suit the musical and dramatic requirements. His top notes never lose their clarion ring, yet the final B-flat of "Celeste Aida" tapers off, as Verdi demands. Even more remarkable, he can create real characters. Even without the texts, the mood, emotion, and meaning always come through. In this incomparable treasure trove, all opera lovers will find their own favorites, and many new gems besides, all performed to utter perfection. --Edith Eisler« less
There is only one word for this four-CD set: glorious. Released to commemorate the 100th anniversary of Verdi's death, it presents arias from every one of his 28 operas, a comprehensive overview of his work. It is also a tribute to Placido Domingo, one of his foremost present-day interpreters. An extraordinarily versatile artist, Domingo is heard in selections from his signature roles, like Otello, Radames, and Don Carlo, taken from recordings made between the 1960s and the '90s. He's also heard in new recordings of arias from the earliest, unfamiliar operas he has not performed on stage, and alternate arias Verdi wrote for different versions of his operas. Thus, he sings I Lombardi in Italian, Jérusalem in French, and Don Carlo and I Vespri Siciliani in Italian and French. There are also extended scenes with illustrious colleagues, including Leontyne Price, Katia Ricciarelli, Nicolai Ghiaurov, and Sergei Leiferkus, whose Iago is an exquisitely insidious villain. He is accompanied by the greatest orchestras and conductors. For the new recordings, his partners are Myung-Whun Chung and Valery Gergiev, whose Mariinsky Theater musicians contribute some beautiful string solos. The matchless beauty of Domingo's voice seems untouched by the years, and he can change and vary it to suit the musical and dramatic requirements. His top notes never lose their clarion ring, yet the final B-flat of "Celeste Aida" tapers off, as Verdi demands. Even more remarkable, he can create real characters. Even without the texts, the mood, emotion, and meaning always come through. In this incomparable treasure trove, all opera lovers will find their own favorites, and many new gems besides, all performed to utter perfection. --Edith Eisler
"This cd box is an important and deserved homage, both to the singer and his admirers, besides the new impeccable material that shows the tenor in a fresh and admirable voice and style... I took out one star of the five because I found that the edition of the material has a grave error that is not at the level of the importance of the work: Just at the first number, in the Alfredo's cabaleta, the final note (not even written) sounds terrible edited and totally false; one would think that this is not even Domingo's voice... I know that this fake display comes from the original Traviata (with a great Cotrubas as Violeta); but there was not any need of pointig at this Domingo's disadvantage again when they were willing to record some new material... I would wish they had recorded once again the scene or corrected the end of the past version, just in order to give this exceptional singer the clean presentation he deserves. After all, this release is, more than anything, a tribute to one of the most important and beloved singers of the past and present century."
Amazing "young" Domingo of 60 on Verdi!
operamaryc | 10/14/2001
(5 out of 5 stars)
"What a wonderful challenge for Placido Domingo in the maturity of his age and career to do all those "early" Verdi's arias, with such power, passion,energy, and also this style of "Bel Canto" which is his way to sing so beautifully some melodic lines..I was almost exhausted by myself when I had finished to listen to all the four discs ( here, in Belgium, I was able to purchase the 4CDs Box on Thursday September 27, so you understand why I'm able to review it very deeply because of the long hours to listen to them again and again...since more than two weeks... when it is available for you, only since October 9th !)
He shows a fresh sound like few young tenors could have for so many different pieces, and I was so excited to hear so much "new" Verdi for my ears, with such glorious heroic tone and presence of emotion.
I was specially surprised for the last CD which is completely for new material during 70 minutes, and suddently, the last aria is the "Ingemisco" of the Requiem...from 1970 (with Bernstein) and he sounds just like it was recorded on the same session with the "new" material...so, we can really say that it is a very successful Placido Domingo's achievement, and he could be proud of himself to have now this unbelievable set for all his lovers, all the Verdi's lovers...and, let's say, all the music's lovers."
The Greatest Verdi Tenor of our time
Matthew Coffey | Front Royal, VA USA | 01/26/2002
(5 out of 5 stars)
"There are two words to describe this performance: The Greatest. Placido Domingo, at age 60, sounds glorious in the newly recorded material. His ringing b naturals and gutsy high c's are just what the listener is looking for. The french aria from Les Vespri Siciliana is outstanding, contrasting his fortes and pianos, with a most wonderful top b flat to end with. Placido Domingo has recently transposed many live performances, but in this set, he proves that he still can sing like a real Tenor. Any Opera fan should buy this set so that they can listen to the greatest Opera tenor in the world. Ramon Vargas is also very good, but he does not have the power that Domingo demonstrates. One should buy both these cd's. VIVA DOMINGO!!!"
Required Collection if you love Verdi!
operamaryc | DIAMOND BAR, CA United States | 10/18/2001
(5 out of 5 stars)
"This is a truly wonderful collection by one of the best Verdi tenors ever! I thought the recordings rich and again, struck by Domingo's consistent performance standard. Some of the high notes in the later recordings aren't as easy as the earlier ones but who cares the timbre is so wonderful! The only detraction is in the packaging: Discs seem to be assembled backwards and the individual cd photos often cut off the top of his head which I though was pretty bad photography anyway. However, the libretto and bio book with interesting photos were a very welcome inclusion. This is definitely worth the price! Highly recommended to any Domingo fan or opera lover! Truly memorable performances on all and reminds you of how great his Otello has been as well as many of his other roles. How many international singing stars have a heritage this rich spanning over 30 years!"