"If you think your collection of American composers is complete without this CD, you are sadly mistaken. The music of Don Gillis is just as interesting and enjoyable to listen to as any of the top American composers, such as Copland. Don Gillis has too long been overlooked, which is a shame since his stuff is really a joy to listen to. Too bad there isn't more of his work generally available, as this CD only covers a small part of his work. A must have for any serious classical collector!"
Don Gillis: Remembering Mid-America at Mid-Century
Neil Cotiaux | North Canton, Ohio United States | 11/02/2001
(5 out of 5 stars)
"Long before Timothy McVeigh and the Murrah Federal Building became household words, and long before patriotic music was played over a backdrop of terrorism, a man named Don Gillis smoothly and meticulously crafted some of the most delicious yet awe-inspiring sounds to emanate from the Heartland of our country.
This oft-overlooked American composer obviously loved our land. His highly evocative creations brilliantly capture the rhythms, vistas, and humanity of everyday life west of the Mississippi. It's all here: The street bustle, the solemnitude, the honkey-tonk, the steam locomotive, the wayfarer on the plains at sunset ... or at least that's what I heard.
The vote for showstopper goes to "Symphony 5 1/2", one of the finest light classics written in the 20th Century. "Encore Concerto", which Gillis shelved after a single performance, rivals the best of Morton Gould's work, especially in the Second Movement (Listen closely as Gillis takes Bartok out for a spin in the Third.)
These richly textured, difficult to play pieces are executed with a beautiful combination of verve, syncopation, tenderness and frivolity by the Albany Symphony Orchestra under the direction of David Alan Miller. I had never before heard the Albany Symphony; but I now have the highest respect for its artistic capabilities. It's obvious Maestro Miller has a real affinity for this music.
If you want to remember what America was -- and know what it still is at heart -- snatch up this CD before it's gone. It's glorious."
At last
Buff Skidmark | The World's Egg Basket, CA USA | 01/17/2002
(5 out of 5 stars)
"I have waited 33 years to find a recording of Symphony 5 1/2 I could play over and over, and now not only can I, I get other wonderful Gillis works to boot. Here is a tuneful composer with a sense of humor and irreverence who appeals to all ages. Run, don't walk, to your shopping cart!"
Great American Music
Brett A. Kniess | Madison, WI | 06/06/2001
(5 out of 5 stars)
"I now consider Don Gillis the most exciting American composer who ever lived. Gershwin & Copland have excellent music, but even their music isn't as truly American sounding as this.Don Gillis, a forgotten American composer who composed for the radio and the NBC Radio Orchestra, wrote thrilling music for audiences in the early 20th Century, a type of grand music that John Williams has reinvigorated in movies (Star Wars, Indiana Jones, Superman, The Cowboys). Gillis' music sounds American (nearly "Old West" or Bonanza sounding) through his extensive use of brass, especially great horn licks and trumpet calls, syncopated percussion, including great timpani lines, as well as flourishes of woodwinds and strings. Harmonies include a lot of open fifths and a technique I call the telegraph theme, where trumpets, high winds, or high strings quickly repeat a note over accompanying brass and percussion, giving an impression of Americana. While his music might be considered a bit trite, he displays great musicality and virtuosity in some very difficult music to perform. This recording includes two symphonies, a short ballet, and a fabulous piano concerto with jazz and folk influences recalling Gershwin, all totaling over 70 minutes of music. Plus it is truly very exciting music.In addition, the Albany symphony plays this sometimes difficult music with great ease, great sound, and great excitement. The brass is flashy and pull off licks with no difficulty, woodwinds and strings give equally fine performances. Insightful liner notes and remarkable digital sound, I can not say enough of this recording and this unknown American composer."