A superlative performance ruined only by ONE small bemish
Yi-Peng | Singapore | 07/08/2000
(4 out of 5 stars)
"With this first digital Mikado recording, and the second digital one by the D'Oyly Carte Opera Company, we are in for an unforgetable musical experience. This recording presents a strong performance, with excellent crisp orchestral playing and ppowerful choral singing, capped by excelelntly wide-ranging digital sound. The one weak link is Michael Ducarel's portrayal of the eponymous title character. Even though he sings in tune, his voice is a little bit weak and small. The role of the Mikado is supposed to be firm and powerful, but this Mikado lacks a lot of the satanic glitter present in Donald Adams' portrayal. Also, Ducarel's cackle is rather weak. The rest of the cast is tremendously strong, even the minors. Bonaventura Bottone's portrayal of Nanki-Poo draws on experience from playing the role in the English National Opera production. Eric Roberts makes a light and airy Ko-Ko, giving a crisp performance, ruined only by a new verse in the Little List song. Malcolm Rivers makes a sonorous haughty Pooh-Bah, and he is joined by Deborah Rees' silken and seductive Yum-Yum and Susan Gritton's commanding Katisha. Overall, I would say that you should buy this recording, and that despite the minor flaw, this is a praiseworthy performance."
A vibrant rendition !
bunthorne | Bristol, UK | 02/13/2000
(4 out of 5 stars)
"This recording from the late 1980's is a fresh interpretation of a much recorded operetta. This 'Savoy Opera' is the most popular of the 14 Savoy Opera canon and certainly the most widely quoted in the English speaking world. Many elements of this recording are worth the purchase, but my prefrence is for Susan Gorton as Katisha. Her interpretation of this role gives new impetus to what is usually an uninspired performance. Memories of the late Ann Drummond-Grant (1958 Decca, D'Oyly Carte recording) and the performance on stage by Christene Palmer (1960's-70's)are at last realised in a modern recording. The performer of the title role,is not that 'special' in fact, quite lack-lustre. to hear the best peformer of this role collect the recording with Donald Adams (1958, Decca or 1993, Telmarc) and/or Darrell Fancourt (1949, Decca - Ace of Clubs) Otherwise, enjoy this with recently found composer-autograph music sections, as a bonus."
Libretto would be helpful
Ron Parker | Minnetonka, MN USA | 04/23/2000
(3 out of 5 stars)
"This CD is about G&S's crown jewel: The Midado. The music is great. The musicianship is great. Now we hear from the curmudgeon. I'm sure that there are those who could not care less if the CD came with or without a libretto. I happen NOT to be one of them. And unfortunately this album comes without one.Gilbert's machine-gun poetry needs to be read at the time that Sullivan's music is being sung. For me, not having a libretto is like getting only half a loaf. Sullivan's music is sublime, but Gilbert's poetry needs to be read and savored. You can't do that without a libretto."
Fairly Decent
alienfrmla | New York, NY | 09/27/2001
(3 out of 5 stars)
"In this recording, Pooh-Bah (Malcolm Rivers) is the most entertaining voice to listen to, sounding extremely haughty, as he ought to, and all the songs which he sings in are my favorites on the CD. Also, though his part in this operetta is small, I also enjoyed Pish-Tush (Gareth Jones). However, I was quite disappointed with the performances of Ko-Ko (Eric Roberts), who sounded too confident with his excessive use of vibrato, and Nanki-Poo (Bonaventura Bottone), lacking the typical smooth tenor voice, thus mauling the "Wand'ring Minstrel."
Concerning the songs, Ko-Ko's "List" song was completely ruined; the third verse is replaced with text that is "contemporary," with references to yuppies, cell phones, and walkmans. Also, in the duet "Were you not to Ko-Ko Plighted," an extra verse with Yum-Yum is added in the beginning; though the booklet the CD comes with states this was cut from the original music, I didn't enjoy it very much. I also missed the kissing sounds.
In general, I didn't like this CD too much. Many of the songs are not pleasant to listen to because most of the singers treat the material as a serious opera."
Outstanding
mercat37 | Philadelphia, PA | 01/16/2006
(4 out of 5 stars)
"This is the definitive Mikado, or at least as close as it gets. The voices are superb - Nanki-Poo in particular has a lovely strong tenor - the pacing excellent, and the diction clear. My only quibbles are the lack of dialogue and the "updating" of the list song. Although such modernization is usually tolerable in a live production, it is less forgivable in a recording. Verses about Walkmans may have been amusing in 1990, but in 2006 they are jarring rather than fresh. In a recording that will stand the test of time, I'd rather have the anachronisms of 1885 than 1985. (Minus the racism and anti-Semitism.) However, since most Mikados suffer from this flaw, it's best to overlook it here and focus on the rest of the songs, which are superbly executed."