The Gondoliers (The King of Barataria), operetta: Act 1. Overture
The Gondoliers (The King of Barataria), operetta: Act 1. List and Learn
The Gondoliers (The King of Barataria), operetta: Act 1. Good morrow, pretty maids
The Gondoliers (The King of Barataria), operetta: Act 1. For the merriest of fellows are we
The Gondoliers (The King of Barataria), operetta: Act 1. See, see at last they come
The Gondoliers (The King of Barataria), operetta: Act 1. Buon giorno, signorine
The Gondoliers (The King of Barataria), operetta: Act 1. We're called gondolieri
The Gondoliers (The King of Barataria), operetta: Act 1. And now to choose our brides
The Gondoliers (The King of Barataria), operetta: Act 1. Are you peeping?
The Gondoliers (The King of Barataria), operetta: Act 1. Thank you gallant gondolieri
The Gondoliers (The King of Barataria), operetta: Act 1. From the sunny Spanish shore
The Gondoliers (The King of Barataria), operetta: Act 1. In enterprise of martial kind
The Gondoliers (The King of Barataria), operetta: Act 1. O rapture when alone together
The Gondoliers (The King of Barataria), operetta: Act 1. There was a time
The Gondoliers (The King of Barataria), operetta: Act 1. I stole the Prince
The Gondoliers (The King of Barataria), operetta: Act 1. But, bless my heart
The Gondoliers (The King of Barataria), operetta: Act 1. Try we life-long
The Gondoliers (The King of Barataria), operetta: Act 1. Bridegroom and bride
The Gondoliers (The King of Barataria), operetta: Act 1. When a merry maiden marries
The Gondoliers (The King of Barataria), operetta: Act 1. Kind sir you cannot have the heart
The Gondoliers (The King of Barataria), operetta: Act 1. Do not give way
The Gondoliers (The King of Barataria), operetta: Act 1. Then one of us will be queen
The Gondoliers (The King of Barataria), operetta: Act 1. Now pray what is the cause?
The Gondoliers (The King of Barataria), operetta: Act 1. Replying we sing
The Gondoliers (The King of Barataria), operetta: Act 1. For everyone who feels inclined
The Gondoliers (The King of Barataria), operetta: Act 1. Come, let's away
The Gondoliers (The King of Barataria), operetta: Act 1. Farewell, my love
The Gondoliers (The King of Barataria), operetta: Act 1. Then away we go to an island fair
The Gondoliers (The King of Barataria), operetta: Act 1. Away we go to a balmy isle
Track Listings (19) - Disc #2
The Gondoliers (The King of Barataria), operetta: Act 2. Of happiness the very pith
The Gondoliers (The King of Barataria), operetta: Act 2. Rising early in the morning
The Gondoliers (The King of Barataria), operetta: Act 2. Take a pair of sparkling eyes
The Gondoliers (The King of Barataria), operetta: Act 2. Here we are at the risk of our lives
The Gondoliers (The King of Barataria), operetta: Act 2. After sailing to this island
The Gondoliers (The King of Barataria), operetta: Act 2. Dance a cachucha
The Gondoliers (The King of Barataria), operetta: Act 2. There lived a king
The Gondoliers (The King of Barataria), operetta: Act 2. In a contemplative fashion
The Gondoliers (The King of Barataria), operetta: Act 2. With ducal pomp
Ruddigore (The Witch's Curse), operetta: Act 2. I was once as meek as a new-born lamb
Ruddigore (The Witch's Curse), operetta: Act 2. Happily coupled are we
Ruddigore (The Witch's Curse), operetta: Act 2. In bygone days I had thy love
Ruddigore (The Witch's Curse), operetta: Act 2. Painted emblems of a race
Ruddigore (The Witch's Curse), operetta: Act 2. When the night wind howls
Ruddigore (The Witch's Curse), operetta: Act 2. He yields! He answers to our call
Ruddigore (The Witch's Curse), operetta: Act 2. I once was a very abandoned person
Ruddigore (The Witch's Curse), operetta: Act 2. My eyes are fully opened
Ruddigore (The Witch's Curse), operetta: Act 2. There grew a little flower
Ruddigore (The Witch's Curse), operetta: Act 2. Oh, happy the lily
Track Listings (23) - Disc #3
Ruddigore (The Witch's Curse), operetta: Act 1. Overture
Ruddigore (The Witch's Curse), operetta: Act 1. Fair is Rose as bright May-day
Ruddigore (The Witch's Curse), operetta: Act 1. Everyday as the days roll on
Ruddigore (The Witch's Curse), operetta: Act 1. Sir Rupert Murgatroyd
Ruddigore (The Witch's Curse), operetta: Act 1. If somebody there chanced to be
Ruddigore (The Witch's Curse), operetta: Act 1. I know youth who loves a little maid
Ruddigore (The Witch's Curse), operetta: Act 1. From the briny sea
Ruddigore (The Witch's Curse), operetta: Act 1. I shipped, d'ye see in a Revenue sloop
Ruddigore (The Witch's Curse), operetta: Act 1. My boy, you may take it from me
Ruddigore (The Witch's Curse), operetta: Act 1. If well his suit has sped
Ruddigore (The Witch's Curse), operetta: Act 1. In sailing o'er life's ocean wide
Ruddigore (The Witch's Curse), operetta: Act 1. Cheerily carols the lark
Ruddigore (The Witch's Curse), operetta: Act 1. To a garden full of posies
Ruddigore (The Witch's Curse), operetta: Act 1. Welcome gentry
Ruddigore (The Witch's Curse), operetta: Act 1. Oh why am I moody and sad?
Ruddigore (The Witch's Curse), operetta: Act 1. You understand?
Ruddigore (The Witch's Curse), operetta: Act 1. Hail the bride of seventeen summers
Ruddigore (The Witch's Curse), operetta: Act 1. When the buds are blossoming
Ruddigore (The Witch's Curse), operetta: Act 1. Hold, bride and bridegroom
Ruddigore (The Witch's Curse), operetta: Act 1. As pure and blameless peasant
Ruddigore (The Witch's Curse), operetta: Act 1. Within this breast there beats a heart
Ruddigore (The Witch's Curse), operetta: Act 1. Farewell! Thou hadst my heart
Ruddigore (The Witch's Curse), operetta: Act 1. Oh, happy the lily
The D'Oyly Carte Opera Company's postwar monophonic Gilbert and Sullivan recordings have largely fallen by the wayside, boasting neither the historical significance of the earlier, acoustic recordings nor the polish and ou... more »tstanding stereo sound of the later remakes. Rehearing these 1950 recordings, though, renews one's appreciation for both the operas and the company. The star is Martyn Green, here a terrific Duke of Plaza-Toro in Gondoliers and an equally witty Robin Oakapple, in Ruddigore. But others contribute mightily as well--prime among them D'Oyly Carte's veteran bass Darrell Fancourt, whose 21st baronet in Ruddigore makes one wish he'd been available for Gondoliers as well. Purists should be aware that the company makes little nips and tucks, conforming to the stage practice of the time; dialog is missing (not a bad thing for repeated hearings); and Pearl has cleaned up the original boxy sound about as well as can be expected. The recordings were made quickly, too (Gondoliers was recorded in one day), as the company rushed to get new recordings out before copyright expirations opened the floodgates to rival versions. That haste results in a raw quality to some of the singing that would otherwise have been redone. Finally, there's more subpar singing than anyone would want. But none of this will deter G&S fans, many of whom grew up with these recordings and have been impatient for their reissue. --Dan Davis« less
The D'Oyly Carte Opera Company's postwar monophonic Gilbert and Sullivan recordings have largely fallen by the wayside, boasting neither the historical significance of the earlier, acoustic recordings nor the polish and outstanding stereo sound of the later remakes. Rehearing these 1950 recordings, though, renews one's appreciation for both the operas and the company. The star is Martyn Green, here a terrific Duke of Plaza-Toro in Gondoliers and an equally witty Robin Oakapple, in Ruddigore. But others contribute mightily as well--prime among them D'Oyly Carte's veteran bass Darrell Fancourt, whose 21st baronet in Ruddigore makes one wish he'd been available for Gondoliers as well. Purists should be aware that the company makes little nips and tucks, conforming to the stage practice of the time; dialog is missing (not a bad thing for repeated hearings); and Pearl has cleaned up the original boxy sound about as well as can be expected. The recordings were made quickly, too (Gondoliers was recorded in one day), as the company rushed to get new recordings out before copyright expirations opened the floodgates to rival versions. That haste results in a raw quality to some of the singing that would otherwise have been redone. Finally, there's more subpar singing than anyone would want. But none of this will deter G&S fans, many of whom grew up with these recordings and have been impatient for their reissue. --Dan Davis