Steven Phillips | Ada, OK United States | 01/13/2005
(5 out of 5 stars)
"George Olsen (originally from Oregon) went from being drum major of the University of Michigan marching band to leading successful pit orchestras for some of the most famous Broadway musical productions of the 1920s. He appeared in numerous Ziegfield follies, George White scandals, etc. His orchestra began recording for Victor records in 1924 and soon became a rival to the top-rated orchestras of Paul Whiteman and Fred Waring. Olsen's most successful recording was the 1925 smash hit, Who?, and was followed by many others including, Lucky Day, Do Do Do, Varsity Drag, and Doin' the Racoon. Olsen appeared in the Eddie Cantor talking picture, Whoopee, in 1930. He also was Jack Benny's first orchestra leader when Benny began his weekly show on radio in 1931.
Olsen's recordings were generally up-tempo renditions of Broadway or other popular tunes. The arrangements were complex, musically "busy", and featured a rotation of lead instruments on repetitions of the main theme, driven by a relentless rhythm section of the "boom-chick" variety. The music reflects and embodies the carefree spirit and hyperactivity of the "jazz age". The vocals are remarkably good and surprisingly understated, for the period. The lead singer was usually Fran Frey who had an unpolished-but-effective-and-charming, relaxed, baritone delivery. (Frey was later musical director for the Ice Capades.) Other songs were tastefully and satisfactorily performed by a vocal trio. Several songs on this CD were sung by Olsen's wife, Ethel Shutta, who had an almost angelic, etherial, soprano voice.
Although Olsen's popularity waned in the 1930s, he continued leading some form of orchestra until he retired in 1951. In his later years, he was a successful restaurateur in Paramus, NJ. His popular restaurant, Olsen's, featured his 1920s and 1930s recordings as background music. He remained active until his death in the early 1970s.
The British label, ASV, has an extensive catalogue of reissued recordings from the 1910s into the 1950s. I have at least twenty ASV releases and all of them are of excellent quality. These Olsen recordings are a pleasure to hear. If you like 1920s music, you will find this CD to be indispensable!"
Great twenties/thirties music!
Jmark2001 | Florida | 10/25/2004
(5 out of 5 stars)
"George Olsen had a HUGE hit with "Doin' the raccoon." It is an infectious little number celebrating the raccoon coat fad with the college crowd back in the twenties. There was more to this band than just a novelty number, however. They played fantastically, had a great lead singer, and knew how to mix the then-new jazz beat with some melodic dancing music. This is a fun band and the cd is well worth getting."
Nobody Does It Better
M. G. McTigue | New York | 01/03/2007
(5 out of 5 stars)
"For music of the 20's nobody does it better than George Olsen and his Orchestra. "A Precious Little Thing Called Love" is done so well. In fact his wife sings the chorus, Ethel Shutta, and if I am not mistaken sang the song "Broadway Baby", in the original Sondheim show "Follies", when she was well into her 70's. Again, a thank you to Living Era Records in England for putting all the "older" music on CD."
A delight, but not flawless
J. C Clark | Overland Park, KS United States | 10/16/2007
(4 out of 5 stars)
"George Olsen was an excellent bandleader whose musicianship and taste were exemplary. Playing was solid and the arrangements were excellent. It was the vocals that made the difference. Twenties vocalists were a very hit and miss proposition. They were not nearly as important as they became later, and the technology and recording equipment demanded singers with a specific range. So the tracks that work best on this CD are those with solid vocals; the ones that stink have the bored vocals by any number of second string performers.
Tops on the first list are three songs with vocals by Ethel Shutta, who was George's wife at this time. She was funny with a silly German accent, languid singing of Lou'siana, and charming with the Precious Little Thing Called Love. Great stuff, though the years between the first two and the last one show the improvement both in her voice and in recording. The suddenly important college world, popular through much of Twenties music, was represented here by Doin' The Raccoon and The Varsity Drag. Both are highlights of this, or any, collection. Splendid and fun. Less successful are the songs made famous by others; Makin' Whoopee and Do-Do-Do are major drags, and not of the varsity variety.
Overall, far more good than bad. A quality transfer and selection makes this a fine addition to any shelf of music from the early days."