Chanson Louis XIII And Pavane (In The Style Of Couperin)
The Rosary
The King Steps Out: Stars In My Eyes
RCA Victor Orchestra: Viennese Rhapsodic Fantsietta
A Fritz Kreisler recording can always be recognized by the violinist's beefy, baritonal sonority, inimitable portamento, and communicative warmth. Most of the repertoire here consists of the short, encore pieces that pre... more »vailed in the era of 78rpm records, many penned or arranged by Kreisler, who was always on the lookout for memorable tunes. Familiar classics like the duets with John McCormack, and Schubert, Beethoven, and Grieg sonata collaborations with Rachmaninoff turn up alongside rare alternate takes and Kreisler's lone recording as a piano soloist in Dvo?ak's Humoresque. One should savor these musical sweetmeats in small portions, rather than wolfing down each disc in chronological gulps. Ward Marston's transfers are beyond praise. -- Jed Distler« less
A Fritz Kreisler recording can always be recognized by the violinist's beefy, baritonal sonority, inimitable portamento, and communicative warmth. Most of the repertoire here consists of the short, encore pieces that prevailed in the era of 78rpm records, many penned or arranged by Kreisler, who was always on the lookout for memorable tunes. Familiar classics like the duets with John McCormack, and Schubert, Beethoven, and Grieg sonata collaborations with Rachmaninoff turn up alongside rare alternate takes and Kreisler's lone recording as a piano soloist in Dvo?ak's Humoresque. One should savor these musical sweetmeats in small portions, rather than wolfing down each disc in chronological gulps. Ward Marston's transfers are beyond praise. -- Jed Distler
CD Reviews
Absolutely Incredible!
12/09/1999
(5 out of 5 stars)
"I would give this set a 10 stars, if I were allowed to. Kreisler has been my favorite violinist as far as I can remember, and have never gotten tired of his playing (and never will be either!) His playing has deceptive ease and elegance that makes people forget how phenominal his technique was(just listen to his crystalline trills and amazing articulation of fast runs). And even at his sweetest moments, his performance always had strong backbone and never sank into tasteless sentimentality. Kreisler's playing was really one of the kind and anyone who loves violin should listen to his recordings. I cannot recommend this set highly enough! The CD transfer is excellent."
Absolutely Ravishing!
Brian Conatser | 03/24/2001
(5 out of 5 stars)
"Ever since he first toured The U.S as a child in 1888 with pianist Moritz Rosenthal Fritz Kreisler's musical talents have left us spellbound. His playing combines a searching intelligence with intense and delightful musicality, his mellow honey-like tone appeals to the heartstrings, and awakens enthusiasm in his listeners. He was a great violinist who at the same time could touch and charm his audience. I highly reccomend this set to all lovers of the violin!"
Almost painfully beautiful music/playing
Paul J. | USA | 05/08/2005
(5 out of 5 stars)
"It is one of the real advatages of modern life that we can still hear and be moved by artists from the early 20th century. As listners, there are probably psychological factors that predispose us to be touched by the original rather than someone imitating a style from the past. Part of the psychological impact for me is the nostalgia element and connections this music has to memories of my ancestors who where alive when this music was being played and recorded. But beyond the listener's psychological factor(s) the artists from the early 20th century had a completely different set of musical and non-musical experiences from our contempory artists. A contemporary artist trying to duplicate the style from another era often sounds false and affected. Regardless, ultimately performances have to stand on their own musical merit. These most definately do."
First releases, unissued takes and concerto excerpts make th
music lover | Los Angeles | 08/26/2007
(5 out of 5 stars)
"I was delighted to hear the many never-before-available recordings in this set. While Kreisler's name is obviously eternally linked with his masterful, unique and inimitable approach to encore peices (in which he consistently demonstrates unerring rhythmic control), he also remains singularly engaging in the weightier sonata repertoire also represented in this collection. Especially intriguing are excepts (w/piano) from the Tchaikovsky Violin Concerto and Lalo's Symphonie Espagnol. (I had no idea he'd recorded these.) Kreisler's eternally youthful readings make this a set to grow old with. Every aspiring violinist deserves to apprehend the possiblity, to awaken the dream, of making an individual imprint through what they re-create as well."