Search - Fred Hersch Pocket Orchestra :: Live at Jazz Standard

Live at Jazz Standard
Fred Hersch Pocket Orchestra
Live at Jazz Standard
Genres: Jazz, Pop
 
  •  Track Listings (10) - Disc #1

For more than two decades, the Grammy nominated pianist/composer/educator Fred Hersch has produced musical magic in a myriad of settings, from solo, duo, and trio, to small and large ensembles, that encompass the change an...  more »

     
?

Larger Image

CD Details

All Artists: Fred Hersch Pocket Orchestra
Title: Live at Jazz Standard
Members Wishing: 3
Total Copies: 0
Label: Sunny Side Records
Original Release Date: 1/1/2009
Re-Release Date: 4/21/2009
Genres: Jazz, Pop
Styles: Modern Postbebop, Bebop
Number of Discs: 1
SwapaCD Credits: 1
UPC: 016728122221

Synopsis

Product Description
For more than two decades, the Grammy nominated pianist/composer/educator Fred Hersch has produced musical magic in a myriad of settings, from solo, duo, and trio, to small and large ensembles, that encompass the change and continuity of the jazz tradition. On Live at the Jazz Standard, his return to Sunnyside, where he released some seminal recordings in the eighties (and in 2003), Hersch unveils his Pocket Orchestra: a quicksilver assemblage of outstanding musicians: drummer Richie Barshay (Herbie Hancock, Chick Corea, Kenny Werner), trumpeter Ralph Alessi (Steve Coleman, Ravi Coltrane) and Australian vocalist Jo Lawry (Renee Rosnes, Lewis Nash) recorded at New York s Jazz Standard in May, 2008. Ralph has been my trumpeter of choice for many years now, Hersch says. He is a creative improviser and has a great sound and he reacts so quickly to what is going on. I heard Jo about a year and a half ago, and was really knocked out by her musicianship, her pure sound, her improvisational skills and her secure way with a lyric. I heard Richie play with some other pianists, and played some sessions with him and it just clicked. He has a great jazz feel as well as being a very personal and diverse percussionist.

You may notice that there is no bassist on this recording. The omission is intentional, and it defines the band s concept. I had done some playing/touring with a group of this same instrumentation in the UK with Kenny Wheeler, Norma Winstone and Paul Clarvis so I knew that the combination would work with the right people, Hersch says. In this context, I can be the orchestra and use the full range of the piano to shape the music. And it frees up my left hand not having a bassist. This group plays my compositions exclusively, and the instrumentation allows for a huge range of styles and vibes.

Indeed, the CD s ten tracks all written by the leader showcase the diverse styles and vibes that Hersch and company so easily and emphatically explore and expound on. Stuttering is a spirited, Monk-like, three-beat 32-bar number, contrasted by Child Song, Down Home, and Lee s Dream (based on You Stepped Out of a Dream ); three songs dedicated to Charlie Haden, Bill Frissell, and Lee Konitz, that are imbued with hues of bop, folk and the blues. Light Years is a beautiful art song about light and photography, featuring the poetry of Mary Jo Salter. Winstone contributed lyrics to A Wish [Valentine], the Wayne Shorter, infant-eyed, Invitation to the Dance [Sarabande], and the Latinesque Songs Without Words #4: Duet, a track Hersch describes as a duet between different parts of my right hand... The last two selections are new versions of songs originally released in 1986 and 2001. Canzona is another lilting and lyrical ballad written with the phenomenal Belgian guitarist/harmonica virtuoso Toots Thielemans in mind, and Free Flying soars with South American syncopations inspired by the great Brazilian multi-instrumentalist Egberto Gismonti.

Similar CDs

 

CD Reviews

A Milestone Live Performance
Rainer Noch | Unkel near Bonn, Germany | 09/12/2009
(5 out of 5 stars)

"The CD "Fred Hersch Pocket Orchestra Live at Jazz Standard" sets a milestone in the artwork of Fred Hersch. The live-performance is very energetic, intensive, diversified, and in a way eventful. The instrumentaion, which is characterized by the missing "bass" is unusual, but original, and - for my view - the listener does not miss this "standard-instrumentation". The solos perfectly fit together, and especially the trumpeter Ralph Alessi and singer Jo Lawry make a very good "job", if one could use this word in this context.

According to the fact, that one of the performed pieces is called "Song without words", the whole CD indeed speaks for itself. Live performances with muscic of and performed by Fred Hersch are always a big event."