Few albums are rich enough with a sense of place that they transport you to a different landscape. Engineered by famed producer Steve Albini, the Frames' fourth full-length release, For the Birds, is such an album. But ins... more »tead of dropping you in Ireland, the band's home, or in any other physical location, For the Birds lures the listener to an interior terrain both familiar and remote. Without a single throwaway track, this album deftly escapes pathos, despite its focus on clichéd indie-pop themes of heartache and loss. A slow pulse-like bass line, rueful violin, mesmerizing guitar, and precise percussion underscore but never underplay Glen Hansard's stripped-bare vocals and lyrics. Hansard asks, "So what happens when the heart just stops / Stops caring for anyone?" He answers, "The hollow in your chest dries up / And you stop believing," a response dispelled as too facile by subsequent tracks. "Headlong" and "Santa Maria" nosedive into torment while "Early Bird," "Fighting on the Stairs," and "Friends and Foe" pull out. You're left in the middle of a swirl of conflicted emotions. What's remarkable is that For the Birds, rife with mental rifts and ditches, somehow convinces you that you want to stay there. --Cintra Pollack« less
Few albums are rich enough with a sense of place that they transport you to a different landscape. Engineered by famed producer Steve Albini, the Frames' fourth full-length release, For the Birds, is such an album. But instead of dropping you in Ireland, the band's home, or in any other physical location, For the Birds lures the listener to an interior terrain both familiar and remote. Without a single throwaway track, this album deftly escapes pathos, despite its focus on clichéd indie-pop themes of heartache and loss. A slow pulse-like bass line, rueful violin, mesmerizing guitar, and precise percussion underscore but never underplay Glen Hansard's stripped-bare vocals and lyrics. Hansard asks, "So what happens when the heart just stops / Stops caring for anyone?" He answers, "The hollow in your chest dries up / And you stop believing," a response dispelled as too facile by subsequent tracks. "Headlong" and "Santa Maria" nosedive into torment while "Early Bird," "Fighting on the Stairs," and "Friends and Foe" pull out. You're left in the middle of a swirl of conflicted emotions. What's remarkable is that For the Birds, rife with mental rifts and ditches, somehow convinces you that you want to stay there. --Cintra Pollack
Dougal Parsons | Sydney, NSW Australia | 02/26/2003
(4 out of 5 stars)
"Having never heard of this band, and buying this album on the back of hearing a snippet of "lay me down" (the single from the album) I had reason to be concerned for the [money]I shelled out.Yet this album repayed me in full, and will do the same for all who buy. Swinging from melancholy to cheery folk (Irish folk it seems) the tunes are meticulously created and yet the themes and emotion of the lyrics are not lost in the production. I guess its polished and raw all in one. Curious aren't you.Many of the songs have a relationship-theme base to them, but they are still beautiful, and all unique. "What Happens when the heart just stops" and "disappointed" are the real heartbreak anthems, while "early bird" will catch you immediately, as will the occasionally-played-on-radio ticket "lay me down".A mature and praiseworthy effort by a band that (as i only found out recently) has been together for some time. Buy it."
Album of the year 2001 -no question.
bríd mcgrath | cork, ireland | 02/06/2002
(5 out of 5 stars)
"the frames are a best-kept-secret type of band. your friend lends you one of their albums, you wonder why you've never heard of them before, and you go to see a gig. usually, at the point where you've been to the gig, you realise, whoaaaa.... believe me, this is not some dull-indie-rock-experience, that you have to pretend you orgasmed at, just to keep your underground credibility: this is the real 'it'.
'for the birds' is the high point in a series of albums that didn't look like they could be surpassed. each song is remarkable. this is one of those rare albums that don't leave you occasionally motioning towards the 'skip' button. the sheer craft and tension and balance of everything in it, renders it one of those simply as-close-to-perfect experiences. from the tenderness of 'what happens when the heart just stops', to the edginess of 'early bird', or the bruised tone of 'friends and foe', to the slow-building dynamics of 'santa maria', this album is singularly capable of articulating every emotion, with just the right mixture of truth, reality and dreaming.
in short, when you buy this album, you're not (just) doing the band a favour, and you're not choosing something on mere grounds of it being underground: instead, you're making a decision that will give you something to REALLY listen to, and in a weird way, these songs will almost listen back."
Best Frames album so far?
Leigh | 10/31/2001
(5 out of 5 stars)
"In the liner notes, the Frames say that this is the first album they've done where they didn't have to "cater" to anyone outside the band. The result is a brilliant record that maintains the high points of the previous albums, while pushing the envelope a bit with longer songs, less "commercial" arrangements, etc. Their previous album, 'Dance the Devil,' was one of my faves of last year, fitting well under the generic Radiohead/Doves/Coldplay umbrella. With 'For the Birds' they've taken the general feel of the last record and expanded it, making it a bit more adventurous, if less radio-friendly. They've crafted something that manages to be sometimes noisy, sometimes sedate, but always beautiful. In fact, on this record the Frames often achieve a blend of both 'noise' and beauty in the same song, a feat that not many bands can boast of. Several of the tunes start small and gentle, and build to big and strident, but the wonderful thing is that they don't lose their beauty in the process. (This aspect of "For the Birds" reminds me in some ways of Red House Painters, and I think that fans of that band will find much to like here.) Other tunes start small or big and stay that way. That's one of the fun things about this record -- trying to predict from the opening bars where each song is going to go. In any case, it's a great record and one that all fans of any of the above-mentioned bands, and anyone else for that matter, should give a listen to. The song "Headlong" is one of the best songs of the year, in my opinion, and it alone is worth the price of the album."
Why hasn't the rest of the world heard this band?
Keith Hayasaka | Los Angeles | 12/06/2002
(5 out of 5 stars)
"Where FITZCARRALDO marked their coming of age and DANCE THE DEVIL proved they can rock, FOR THE BIRDS reveals an emotional and songwriting depth which should have elevated The Frames to the critical and commercial acclaim bands such as Coldplay, Travis, and Radiohead enjoy. So why do so few outside the U.K. and isolated parts of the Czech Republic and Australia know about this album? Or this band, for that matter? With help from Steve Albini, but mostly self-produced and recorded, The Frames' For the Birds begins with the dreamlike "In the Deep Shade" with Rachel Grimes (of The Rachels) providing exquisite piano work. Their single "Lay me Down" proves infectious while "What Happens When the Heart Just Stops", "Headlong", and "Disappointed" explore some of the less warm and fuzzy aspects of love. The songs alternate from delicate and wistful ("Friends and Foe") to hard-hitting and uplifting ("Early Bird"). The glue that holds it all together is Glen Hansard, whose voice alternates from an intimate whisper to a defiant howl. This is a great album, and its music indicates The Frames, no matter how many people ultimately hear them, have fulfilled their artistic potential on their own terms. And from what it looks like, they'll be around for a long time. Highly recommended."