Track Listings (10) - Disc #1| All Artists: Flim & Bb's Title: Tricycle Members Wishing: 0 Total Copies: 0 Label: Digital Music Products, Inc. Release Date: 10/25/1990 Genres: Jazz, Pop Style: Jazz Fusion Number of Discs: 1 SwapaCD Credits: 1 UPC: 089672044321 |
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Search - Flim & Bb's :: Tricycle
 | Flim & Bb's Tricycle Genres: Jazz, Pop
This album was originally recorded live to two track on a Mitsubishi X-80 Digtal Recorder at a sample rate of 50.4 KHz. This SACD sounds just like the original master tape. |
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Album Description This album was originally recorded live to two track on a Mitsubishi X-80 Digtal Recorder at a sample rate of 50.4 KHz. This SACD sounds just like the original master tape. Similar CDs
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CD ReviewsSpecial Memories for Myself & Daughter R. Lewis | 12/24/2007 (5 out of 5 stars) "I hope this CD never goes "out of print"! This was one of the original "high quality" CD's when CD's first came out, audio quality wise. This was one of the first CD's in my collection that I used to demonstrate my JBL 2245H subwoofer. A generation later it became special to my then first grade daughter as she loved to listen to it as I took her to her first grade school in my car. I am nearly in tears as I write this as I sincerly plan to give a copy of this CD to her on her wedding day as a memory of our special time together! I cannot articulate how timeless and special this CD is to myself and family. It has many memories for us that nothing else created can duplicate! Thank-you Flim & The BB's! Scott Lewis, Noblesville, IN" A jazz relic from the dawn of the digital age ILikeAmazon | Arlington, VA USA | 04/02/2007 (4 out of 5 stars) "Aside from its historic digital roots (and I should note a very limited number of artists were doing digital recordings in the late 70s / early 80s), is this disk really listenable (except for showing off your Krell/Wilson Audio system)? My answer is yes!...but... My major issue: Sometimes it's like Switched On Jazz meets Manheim Steamroller with cheezy synthesizer sound. In addition, the sax has what I call false studio echo (that electronicy-sounding decay that makes instruments or voices sound bigger than they are). It doesn't sound real. I suspect a bit of a false rigging to the sound engineering that shows up the very naissance of digital recordings (or onanistic digitalis). The other question regards how a recording sampled at 50.4Khz was transferred into redbook CD at 44.1Khz without leaving the digital domain..." Ground Breaking Music J. Wright | Saint Louis, MO | 12/13/2008 (4 out of 5 stars) "When (for many people), music on compact disks was new, a pioneer group of musicians embraced the superior format and produced jazz in a way that let people appreciated the richness and beauty of their work. Even though it been more than 20 years since I first heard the music, it is a timeless classic and a worthy investment.
Tricycle" |
