The Classic 1975 Mac Album Finally Gets Remastered!
highway_star | Hallandale, Florida United States | 04/02/2004
(5 out of 5 stars)
"Released in 1975, Fleetwood Mac's self titled album was a complete change for the british blues rock group. With the addition of singer/songwriters Lindsey Buckingham and his girlfriend Stevie Nicks, Fleetwood Mac had their most successful album in years. No longer a blues rock group, they were now pop rock and the album "Fleetwood Mac" spawned three major hits in "Rhiannon", "Over My Haed" and "Say You Love Me". The album as a whole featured some excellent well written songs such as "Monday Morning", "Landslide", "Blue Letter", "World Turning" and the above mentioned hits. Also, included on this newly remastered cd are five bonus tracks "Jam #2" (a five and a half minute instrumental which features Christine McVie's keyboards and Lindsey Buckingham's guitars), "Say You Love Me" (Single Version) (This version is harder rocking than it's album version), "Rhiannon" (Single Version), "Over My Head" (Single Version), and "Blue Letter" (Single Version). The sound quality is excellent due to remastering and far surpasses the older version. If you enjoy listening to seventy's rock then you'll love this cd."
Even greater than Rumours
Odysseus | Virginia, USA | 01/03/2006
(5 out of 5 stars)
"It might help to emphasize the greatness of this record by noting that I'm the last person on the world who should love it; my genres are classical, jazz, and to the extent that I enjoy pop/rock, my tastes go in the opposite direction from the folk-influenced pop that Fleetwood Mac did well. If you buy a Fleetwood Mac album on Amazon (as I've discovered), the buying recommendations that start coming to you include James Taylor, the Eagles, Carly Simon, etc. Completely not my thing.
But hoo boy, is this a great record. It deserves to be considered one of the all-time rock/pop classics, and in my opinion is greater than its heralded follow-up, Rumours.
I base that on a view that the songs on this record are 1) just as catchy and infectious, but also 2) possessed of much greater emotional depth.
Consider first Stevie Nicks's timeless "Landslide," a poetic, haunting, acoustic jewel. I don't know why this song doesn't routinely come up atop those "all time 100 greatest songs" lists, but it really deserves to. It's hard to imagine a song that more beautifully captures the emotions it sings about: big life changes, relationship dissolution, feeling uncertain and scared, and trying to find the courage to move forward.
Immediately before "Landslide" on the record is another classic, Christine McVie's "Say You Love Me." It's basically a toe-tapping number good for singing along, but there's a subtext of poignancy to it that I've never been able to put my finger on. The lyrics don't really try to be profound. But there's something about the way McVie, Buckingham and Nicks sing the choruses together, especially in combination with the roving bass, and especially in the fadeout. When they get to the end and are repeating, "Fallin', fallin', fallin'" in three-part harmony, it just feels perfection.
And the album has other smash hits also: "Rhiannon" and "Over My Head" among them. "Over My Head" is prettier and more gentle in the album version than on the single version. "Rhiannon" isn't one of my favorite songs (I never really liked the whole Stevie Nicks persona where she seems to be narcissistically starring in her own fantasy novel) but it's an undeniably strong single.
So there you have four timeless hit songs that are at least as strong as the four best songs on Rumours. (Does anything on Rumours pack the emotional punch of "Landslide?"). But it's not just the headline numbers on this record but the supporting tunes that are fantastic.
"Blue Letter" is a wonderful song, could easily have been a hit of its own (it sounds as though it influenced the composition of "Say You Love Me," even on down to the affecting fadeout.) "Monday Morning," an energetic up-tempo number by Lindsey Buckingham, gets the album off to a terrific start. "Crystal" is really a beautiful, emotional, poetic piece, composed by Stevie Nicks, sung mostly by Buckingham. It's good for a lump in the throat; Nicks had a great gift for conveying powerful emotions in simple, understated composition.
The six-song sequence that runs: Blue Letter, Rhiannon, Over My Head, Crystal, Say You Love Me, and Landslide is about as strong a six-song run that any band has ever recorded (and the two that precede that run aren't bad either.)
In sum, Fleetwood Mac is at their hit-making best on this record, but there is a poetry and emotional power to this music that you don't hear on their later recordings. It paved the way for the phenomenal chart success of Rumours, but is in my opinion the greater of the two albums."
Buckingham-Nicks Join The Band
Thomas Magnum | NJ, USA | 05/14/2004
(5 out of 5 stars)
"When Fleetwood Mac was formed in the late 60's, they were a hardcore blues band. After Peter Green left and with the additions of Christine McVie & Bob Welch, they shifted away from blues music towards a more pop sound. In 1975, Bob Welch left the group and Mick Fleetwood enlisted an unknown duo of Lindsey Buckingham & Stevie Nicks in the band. The result is of course music history. This is the first effort by the new lineup and it is an excellent collection of songs. Lindsey Buckingham has one of the best ears in music and his hands are all over the album. From the album's opener "Monday Morning" and his own "Blue Letter" and the slow burning "World Turning" to Christine McVie's "Say You Love Me" and "Sugar Daddy", his presence is felt. "Crystal" is great song taken from the Buckingham-Nicks album and shows how well the band's voices meld together. Stevie Nicks carved out her witch persona with the ethereal and moody "Rhiannon". She also contributes one of most hauntingly beautiful songs ever recorded, "Landslide". Through constant touring and radio airplay, the album slowly climbed the charts and in its 53rd week on the charts, it finally reached number one. This album set the stage for one of the biggest albums in history, Rumours. While not as popular as that album, this album is it's equal in quality and sound. The extra tracks on this release do not really bring much to the table as they are just the edits of the singles from the album."
Great album, average sound quality
duggalolly | beyond the waterfall | 04/09/2005
(3 out of 5 stars)
"As any Fleetwood Mac fan already knows, this is an excellent, classic album filled with great songs. The album itself easily deserves five stars in my book. This is where the original version of "Landslide" first appeared, not to mention some of Christine McVie's best songs ever-- her love songs appear upbeat on the surface, but there are darker undertones to her writing on "Over My Head" and "Say You Love Me," which makes sense, considering that her marriage to bassist John McVie was about to end.
Unfortunately, the sound quality on this remastered edition simply isn't that good. The sound is fuller and there is more low end (bass) than on the original CD, but there isn't enough definition or volume, so the whole thing tends to sound murky. On the original CD release, at least everything was clear and consistent-- I almost think it sounded better that way. I felt the same way listening to the remaster of "Tusk"-- it just seems like they didn't go "all the way" with the remastering, which is a shame, because these could've been beautiful-sounding discs. If you want to hear good quality remastered Fleetwood Mac, get "The Very Best of Fleetwood Mac" 2-CD set. I wish they had put the same amount of care into the albums as they did with the Best-of CDs.
Don't get me wrong, this is still a great album, and most music fans won't have a problem with the sound-- BUT if you are a picky audiophile (as I am), you will probably be disappointed with the quality of this remaster."
Fleetwood, McVie & McVie meet Buckingham & Nicks and make an
Lawrance M. Bernabo | The Zenith City, Duluth, Minnesota | 08/27/2005
(5 out of 5 stars)
"The decision of Mick Fleetwood and John McVie to abandon Fleetwood Mac's blues-rock heritage to merge with the California soft-rock duo of Lindsey Buckingham and Stevie Nicks, with Christine McVie serving as the bridge between the two, is one of the more inexplicable masterstrokes in the history of popular music. The only thing that would have been stranger is if somehow things had been different enough that the two members for whom Fleetwood Mac was named had been the ones that departed rather than the pair that stayed the whole way through.
Fleetwood and McVie had never been the creative driving force behind their group, and it was Lindsey Buckingham and his devotion to the same sort of meticulously arranged music of the Beatles and the Beach Boys that created the Supergroup of the late 1970s. More than anything else it was the exquisite harmonies that gave the new and improved Fleetwood Mac its distinctive and popular sound. Buckingham's vision would come to fruition on "Rumours," where he was clearly the dominate force in terms of the songwriting, either by himself or in concert with the rest of the group. But on this self-titled 1975 debut album, it is really Christine McVie who shines forth.
Buckingham opens the album with "Monday Morning" to make it crystal clear that Fleetwood Mac is now something completely different and closes with "I'm So Afraid," and Nicks has the two fan favorites with her witchy "Rhiannon" and the elegantly simple ballad "Landslide." But McVie has her best pop-soul songs ever with her hits "Over My Head" (#20) and "Say You Love Me" (#11) ("Rhiannon" also hit #11 on the pop singles chart off of this album). Actually, that is a pretty decent balance between the old and the new for this first time out. The only real reason to mark this album down is that clearly "Rumours" is so much better. But if you compare "Fleetwood Mac" to what else was coming out in 1975 instead of the group's high water mark, then it stands up pretty well (at least a 4.5 and every reason to round up). Nobody else was singing harmonies like this, and when the group got back together for "The Dance" it was like they had never stopped singing together. This album hit #1 in 1976, which was 197 places better than the first "Fleetwood Mac" album by Fleetwood Mac did in 1968. So much for the verdict of history."