Better than anything else Neil or Tim has ever done
MDC | Campbell, CA USA | 08/08/2004
(5 out of 5 stars)
"I'm quite a Neil Finn fan; I own all his solo albums and saw him live in San Francisco a couple years ago, and it was a great show, but the fact of the matter is that nothing that either Finn has ever done in their entire musical careers (whether it be Crowded House, Split Enz, or their respective solo works) matches the beauty of this wonderful album. It feels smoky and low-key...like it was recorded in some backroads bar on a slow wedneseday night. It may not be as polished as Finn's remarkably clean studio work, but it also lacks the sterile feel of his pop music. Every song is cozy and warm like an old blanket; you just envelope yourself in the album until it runs out way too soon, in which case you're forced to listen to it again and again and again. This album is one of the greatest and most underappreciated works I've ever come across, and it was singlehandedly responsible for steering my impressionable young ears away from the din of MTV-friendly music. For that, I am eternally grateful. Now to go listen to it again."
Close to Affinity
gnagfloW | Rosa Barks | 05/26/2009
(1 out of 5 stars)
"This album was released almost in secrecy, following the release of Crowded House's Together Alone. The Finn Brothers had intended to release an album together at an earlier stage but that material wound up on Woodface and Tim joining the group for a brief period.
Being a Crowded House fan, I wish I could say some positive things about this set. It is a lo-fi production with meandering melodies throughout. Most songs flow without notice but a couple of tracks are simply bad. Mood Swinging Man, Angels Heap and especially Last Day of June are worthwhile to listen to.
This project sounds more like experimental stuff which should have been left in the vaults to be used as starting points for real projects. Even the album sleeve indicates that the project is more for family albums then the public at large. They released another album called Everyone Is Here a few years later which is a much more solid set with some great tracks. This album and Try Whistling This are, however, low points in Neil Finn's career.
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