El Sombrero de tres picos, ballet in 2 parts, G. 53: Introduction
El Sombrero de tres picos, ballet in 2 parts, G. 53: Part 1. L'aprés-midi
El Sombrero de tres picos, ballet in 2 parts, G. 53: Part 1. Danse de l'aprés la Meunière (Fandango)
El Sombrero de tres picos, ballet in 2 parts, G. 53: Part 1. Les raisins
El Sombrero de tres picos, ballet in 2 parts, G. 53: Part 2. Les voisins (Seguidilla)
El Sombrero de tres picos, ballet in 2 parts, G. 53: Part 2. Danse du Meunier (Farruca)
El Sombrero de tres picos, ballet in 2 parts, G. 53: Part 2. Danse du Corrégidor
El Sombrero de tres picos, ballet in 2 parts, G. 53: Part 2. Danse finale (Jota)
Chout (The Tale of the Buffoon), ballet, Op. 21: Le bouffon et sa bouffonnes
Chout (The Tale of the Buffoon), ballet, Op. 21: Danse des bouffonnes
Chout (The Tale of the Buffoon), ballet, Op. 21: Les bouffons tuent leurs bouffonnes (Fugue)
Chout (The Tale of the Buffoon), ballet, Op. 21: Le bouffon travesti en jeune femme
Chout (The Tale of the Buffoon), ballet, Op. 21: Troisième entr'acte
Chout (The Tale of the Buffoon), ballet, Op. 21: Danse des filles des bouffons
Chout (The Tale of the Buffoon), ballet, Op. 21: L'arrivé du marchand, la danse des réverénces
Chout (The Tale of the Buffoon), ballet, Op. 21: Dans la chambre à coucher du marchand
Chout (The Tale of the Buffoon), ballet, Op. 21: La jeune fille est devenue chèvre
Chout (The Tale of the Buffoon), ballet, Op. 21: Cinquième entr'acte at l'enterrement de la chèvre
Chout (The Tale of the Buffoon), ballet, Op. 21: La querelle du bouffon avec le marchand
Chout (The Tale of the Buffoon), ballet, Op. 21: Danse finale
When de Falla wrote "The Three-Cornered Hat" in 1916-1919 (after a story by Pedro Antonio de Alarcón), he was already a well-known composer. The first version, developed as a Pantomime, Diaghilev saw in Madrid and the... more »n commissioned de Falla to develop his score into a ballet. The ballet was first performed in 1919 in London, conducted by Ernest Ansermet with set designs and costumes by Pablo Picasso. The final score was a marvelous work, one of de Falla's most beautiful, and it is presented here in its entirety. Prokofiev's "Chout" received its first performance in Paris 1921, where it was well received. The score, calling for a large orchestra, is richly melodic and has a typical Russian folkloric quality as well as the burlesque elements that would appear in many of Prokofiev's most famous works.« less
When de Falla wrote "The Three-Cornered Hat" in 1916-1919 (after a story by Pedro Antonio de Alarcón), he was already a well-known composer. The first version, developed as a Pantomime, Diaghilev saw in Madrid and then commissioned de Falla to develop his score into a ballet. The ballet was first performed in 1919 in London, conducted by Ernest Ansermet with set designs and costumes by Pablo Picasso. The final score was a marvelous work, one of de Falla's most beautiful, and it is presented here in its entirety. Prokofiev's "Chout" received its first performance in Paris 1921, where it was well received. The score, calling for a large orchestra, is richly melodic and has a typical Russian folkloric quality as well as the burlesque elements that would appear in many of Prokofiev's most famous works.