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Faiport Unconventional
Fairport Convention
Faiport Unconventional
Genres: Folk, International Music, Pop, Rock
 
  •  Track Listings (22) - Disc #1
  •  Track Listings (19) - Disc #2
  •  Track Listings (16) - Disc #3
  •  Track Listings (15) - Disc #4

A fascinating albeit slightly frustrating four-disc box set, Fairport Unconventional is, as the title suggests, a pretty exceptional collection of curiosities. Though it?s no place for the Fairport beginner to start, fans ...  more »

     
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CD Details

All Artists: Fairport Convention
Title: Faiport Unconventional
Members Wishing: 4
Total Copies: 0
Label: Free Reed Us Release
Original Release Date: 1/1/2005
Re-Release Date: 4/5/2005
Album Type: Box set, Original recording remastered
Genres: Folk, International Music, Pop, Rock
Styles: Traditional Folk, British & Celtic Folk, Folk Rock
Number of Discs: 4
SwapaCD Credits: 4
UPC: 020286009825

Synopsis

From Amazon.co.uk
A fascinating albeit slightly frustrating four-disc box set, Fairport Unconventional is, as the title suggests, a pretty exceptional collection of curiosities. Though it?s no place for the Fairport beginner to start, fans will find such an attractive assembly of rare and previously unreleased recordings hard to resist. Gamely organised into four thematically distinct discs, this 35th anniversary set spans the entire Fairport history and all the band?s myriad incarnations. Part 1 is a chronological trawl through the vast Fairport catalogue, using rare and alternative takes; Part 2 features even rarer and more obscure tracks (including Richard Thompson singing "The Lady Is A Tramp"); Part 3 collects the Fairport "British history" songs in chronological order of the events described in each song; Part 4 gives us the Top 15 favourite Fairport songs, but again in unfamiliar versions. Inevitably, given the disparate source material, recording quality varies hugely from track to track: some of it is good, some of it is frankly dire. And because it skips between live performances, radio sessions and studio outtakes, as well as placing new tracks side-by-side with 35-year-old recordings, the set can be a disorientating experience. But there are gems aplenty to be found, nonetheless, and it?s a pleasure to discover, for example, "Poor Will And The Jolly Hangman" live from Broughton Castle in 1982 or a barnstorming "Fiddlestix" from 1973 complete with banjo. The chunky box set comes with a vast 172-page illustrated book, which provides a full biography and the sources of all 72 tracks in exhaustive detail. Just to make the package irresistible there?s more besides, including posters, souvenir booklets and special limited-edition CD offers. Cropredy-goers should need no further persuasion. --Mark Walker
 

CD Reviews

Too Many Bootleg-Quality Recordings
D. A Campbell | Annandale, VA United States | 08/27/2006
(3 out of 5 stars)

"I am a huge Fairport fan, but am not a collector of low-quality, archival recordings. As such, this box was a major disappointment. Luckily, I got it used for about half price, but wouldn't buy it again. I keep it mainly for the very nice booklet (which I think you can buy separately from Free Reed). Way too many bootleg-quality archival recordings here for my taste. And because it is not chronologically compiled, the music keeps jerking back and forth from stuff that sounds like it was recorded off you big sister's transistor radio in 1968 to some fairly good stuff. They shoud congregated the low-quality stuff so you at least could have gotten used to it. These bootleg-type recordings should be compiled on a special CD and sold to the really hard-core collectors. Then create a nice box set for the rest of us that we will actually want to listen to more than once or twice. The sad thing is that such a fine job was done on Fairport's Heyday and House Full CDs of old radio & live recordings. Indeed, those are right at top of my favorite Fairport albums list. So did Free Reed just not want to put time and money into improving the archival recordings on this box, or were they beyond repair? If the later, very little of it should have been used. Compare this to the Fleetwood Mac Live in Boston 3-CD set, which knocks my socks off at how much better the CDs are than the old vinyl albums. Somebody actually invested a lot of love and care in that restoration project, taking the tapes into the studio and greatly improving them. Free Reed should take note.

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