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Bruckner: Symphony No. 5
Eugen Jochum
Bruckner: Symphony No. 5
Genre: Classical
 
  •  Track Listings (4) - Disc #1

Eugen Jochum's 1938 Bruckner Fifth, reissued here for the first time since the early LP era, documents the first of the conductor¹s five published recordings of a symphony particularly close to his heart. The engineer...  more »

     
   
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CD Details

All Artists: Eugen Jochum
Title: Bruckner: Symphony No. 5
Members Wishing: 0
Total Copies: 1
Label: Music & Arts Program
Original Release Date: 1/1/2006
Release Date: 1/1/2006
Genre: Classical
Style: Symphonies
Number of Discs: 1
SwapaCD Credits: 1
UPC: 017685108624

Synopsis

Amazon.com
Eugen Jochum's 1938 Bruckner Fifth, reissued here for the first time since the early LP era, documents the first of the conductor¹s five published recordings of a symphony particularly close to his heart. The engineering is unusually refulgent and well-balanced for its vintage, conveying a more cogent and proportioned orchestral image than the close-up immediacy distinguishing Karl Böhm's pioneering Bruckner Fifth with the Dresden Staatskapelle from two years earlier. The Hamburg State Philharmonic may have been considered a second-string orchestra in relation to their first-tier Dresden colleagues in the late 1930s, but Jochum consistently secures richer, more expressive string playing and better-blended brass (especially in the Finale's chorale) from his Hamburg forces. More significant, Jochum's spacious conception and his penchant for organlike instrumental blends are similar to his later readings. His carefully plotted tempo changes cover a slightly wider parameter here, although the conductor eschews doubling the wind parts as he did in his later commercial recordings (but not in his valedictory 1986 Concertgebouw broadcast on Tahra). Finicky historic-CD collectors may carp at the high degree of surface noise and inelegant side joins at times, yet Music and Arts' transfer is thankfully true to the timbre of the original 78s. Mark Kluge's superb annotations offer well-researched and lucid perspectives on the performance in hand. While Jochum's radiant 1980 Dresden EMI Bruckner Fifth benefits from ravishing stereo sound and the Dresden Staatskapelle at their full-throated apex, specialist collectors interested in Jochum, Bruckner, or both will find much to admire in the conductor's 1938 Fifth. --Jed Distler

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CD Reviews

Warning - ponderous performance, dull sound.
Rod Ball | London United Kingdom | 04/30/2004
(2 out of 5 stars)

"I must caution readers against the previous misleading review. Only the scherzo is brisk in the Furtwängler tempo. The 3 big movements are all slower than Jochum's later recordings (except the final 1986 Concergebouw) and slower still than Furtwängler, with which it scarcely bears comparison. In this '35 version Jochum whips up the last 1½ minutes of the first movement in the way Furtwängler did, but the previous twenty are comparatively stodgy. The sound doesn't help matters as the dull, slightly muffled quality robs the music of much textural detail.
The best representatives of Jochum in this work are the 1958 DG Bavarian RO and the 1964 Philips Concertgebouw recordings. This issue is for "completists" and Jochum fans only !"
An important reissue
Ralph J. Steinberg | New York, NY United States | 03/30/2002
(5 out of 5 stars)

"Bruckner's Fifth Symphony was reportedly a work especially close to Eugen Jochum; this is he first of four commercial recordings which he did of this work. The latter recordings all have the advantage of modern stereo sound. However, from what I remember of the second recording with the Bavarian Radio Symphony Orchestra, this earlier effort is more impulsive, less sleek and streamlined than the latter version. The Hamburg State Philharmonic may not have been a name orchestra like the Berlin or Concertgebouw, but under Jochum they play with tremendous drive and momentum. The conductor begins with the broadest of Introductions and follows with a fiery First Movement which is almost as furious as Furtwaengler's devastating 1942 account. Jochum then provides the most spacious of Adagios, and a Scherzo that goes like the wind. This sense of drive is carried to its greatest lengths in the Fugal Finale, with a huge broadening for the Chorale in the Coda. The recorded sound is somewhat more distant than most of the Telefunkens of this period (Telefunken 78's must have been the best of all time!), but is otherwise very clear and full, with rich string and brass sound. As a performance, I place this alongside the aforementioned Furtwaengler as a "must" for every lover of this symphony."
Jochum's 1938 Bruckner 5
Patrick McCarthy | Cobh , Ireland | 07/19/2008
(5 out of 5 stars)

"Does this recording move me ? Yes enough to write this . Admittedly there is surface noise but the sound is far better than I was led to believe . Speeds are faster than the1986 Concertgebouw account ( TAHRA ) which I have loved . Now I look at these performances as bookends to my Bruckner 5 collection and I wouldn't be without both . The notes and presentation are the usual Music and Arts standard ; great ! I'm glad I bought it and I'm listening now ."