Album DescriptionThe baryton is a member of the gamba family and a relation to the modern-day cello dating from the early 17th century. It was quite a handful to play, having one manual with 6 or 7 bowed gut strings, and another with anything up to 20 further "sympathetically resonating" metal strings lying under the finger board. Haydn's profilic output for this instrument was the result of his patron - Prince Nikolaus Esterhazy I. The Prince was himself a skilful musician and the Baryton was his instrument of choice. With an insatiable appetite for new compositions for the instrument, the Prince commissioned 160 works from Haydn. Today 90% of these still survive, the 126 trios dating from 1762 - 1775 being the most important. The remarkable fact is that many of these trios resemble the greater paino trios - proof that Haydn lavished as much care on these "private" works as he did on his published ones. The Octets featuring Baryton include some virtuoso writing for wind, and the horns often reach stratospheric heights - a tribute to the virtuosity of the Esterhazy players Haydn had at his disposal. The represents the most comprehensive and only survey of Haydn's output for baryton on record, most works here receiving world premiere recordings.