Search - Eric Johnson :: Ah Via Musicom

Matthew L. from FORESTVILLE, CA
Reviewed on 2/9/2010...

i got this CD for Cliffs of Dover, the Guitar Hero piece and discovered some other really nice guitar work

The most stunning electric guitar playing I've ever heard.

Mark J. Fowler | Okinawa, Japan | 12/08/2001

(5 out of 5 stars)

"Eric Johnson is the MAN. His guitar technique is second to none. Now, take THAT technique and imagine a studio perfectionist who takes the time to record, over and over again, so that he can get down the PERFECT take. That is THIS album. Cliffs of Dover is the most unbelievable electric guitar instrument ever recorded, in my humble opinion. The other cuts on this CD represent a large variety of different musical styles, including some country pickin' and lovely acoustic blues. We are not worthy."

Rides the kife-edge between cheesy and intensely cool

Poser P | SGV, California | 08/21/2004

(5 out of 5 stars)

"What do I say about this record? Can I possibly express how it's shaped me through all my various stages, from rock and jazz to funk to hip-hop to psychadelic trance and breaks? I guess one has to be familiar with the mountains, and do lots of solo hikes to really dig the magnitude of "High Landrons", as that song was made for sitting on top of a mountain and contemplating the world. In the town where I grew up, you could hear the trains pass at night even though the tracks were miles away -- "Forty Mile Town". And I dare you to sit outside (or in a house with lots of glass) and look at the stars and the moon and listen to "East Wes" without feeling a thousand deep emotions at once.



If ever an album rode that mile-high razor's edge between pure cheese and deeply moving rock-and-roll, this is it. "Cliffs of Dover" is the song most folks cite as their first Eric Johnson experience, and to hear it in context with Nirvana, Pearl Jam, and all the other stuff coming out in the early 90's is to realize just how different a cat Eric really is. Here he has washy reverb all over the track, high-falutin' guitar pyrotechnics, and a myriad of swooshes and swirls and shimmering cymbals. All the makings of a Kurt Bestor or Yanni song, yet the depths here reach to the very bottom of your soul and there's only one word which adequately describes the feeling you get -- stately, regal, as if you were blessed to be king for a day and the best musicians in the land made music in your honor.



And despite all that it's an excellent record. Not only does it not dive into rock dumbness or Yanni cheese, it also manages to use every smooth jazz effect and _still_ not sound like crap. Witness "East Wes", Eric's tribute to Wes Montgomery. You could almost hear this song on a smooth jazz station (the antithesis of good music), but if you did it'd make everything else sound like the consumer plastic it is. Eric isn't trying to do straight-ahead Jazz, instead he's showing us this whole other world where none of these genre references really make sense.



It's not often that someone makes a really great record. It's even more rare when almost all the songs stand outside the accepted limits of hipness and make the rest of music look so unnecessary. Highly recommended."