Search - Entombed :: Same Difference

Entombed
Same Difference
Genres: Rock, Metal

Track Listings (19) - Disc #1
1. Addiction King - Entombed, Cederlund, U.
2. The Supreme Good - Entombed, Cederlund, U.
3. Clauses - Entombed, Cederlund, U.
4. Kick in the Head - Entombed, Cederlund, U.
5. Same Difference - Entombed, Hellid, A.
6. Close But Nowhere Near - Entombed, Cederlund, U.
7. What You Need - Entombed, Hellid, A.
8. High Waters - Entombed, Cederlund, U.
9. 20/20 Vision - Entombed, Hellid, Alex
10. The Day, the Earth - Entombed,
11. Smart Aleck - Entombed, Cederlund, Ulf
12. Jack Worm - Entombed, Cederlund, U.
13. Wolf Tickets - Entombed, Cederlund, U.
14. Kick Out the Jams [*] - Entombed, Davis, Michael [MC5
15. 21st Century Schizoid Man [*] - Entombed, Fripp, Robert
16. Bursting Out [*] - Entombed, Bray
17. Under the Sun [*] - Entombed, Butler
18. Vices by Proxy [*] - Entombed,
19. Dagger [*] - Entombed,

1998 album for Music For Nations. A sonic blitzkriegdestined to conquer the metal world, it contains 13 tracks,including 'Addiction King', 'The Supreme Good' and 'Kick InThe Head'.

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CD Details

All Artists: Entombed
Title: Same Difference
Members Wishing: 0
Total Copies: 0
Label: Roadrunner Records
Original Release Date: 9/7/1999
Release Date: 9/7/1999
Album Type: Extra tracks
Genres: Rock, Metal
Styles: Alternative Metal, Death Metal
Number of Discs: 1
SwapaCD Credits: 1
UPC: 016861861629

Synopsis

Album Description

1998 album for Music For Nations. A sonic blitzkriegdestined to conquer the metal world, it contains 13 tracks,including 'Addiction King', 'The Supreme Good' and 'Kick InThe Head'.

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CD Reviews

Are people even listening to the same album I am?

Insert Pen Name Here | Louisville, KY | 11/21/2005

(5 out of 5 stars)

"I have often read reviews of this record on a number of on line mags and this is always as heralded as the beginning of the Entombed demise. I keep wondering what record they are listening. All their experimentation with actual singing, groove oriented riffs, and textures went beautifully right on this record. This record only stands a slight shade under "Wolverine Blues" for artistic unity. It is like all the greatest riffs and songs that were never used from before N. Andersson left the band all made it onto to a very potent blend of bluesy-groove stoner rock. (And I HATE that term by the way.) Whoever wants there bands to stay the same and resist evolution needs to listen to all their records after this one, which don't even come close to the beauty of this record. For fans of Karma to Burn, Kyuss, The Haunted, and Nailbomb, this will truly inspire."