Grand Duo concertant sur la Romance de 'Le Marin' (I & II), for violin & piano, S. 128 & S. 700h (LW D4): Lento assai-Animato, quasi
Grand Duo concertant sur la Romance de 'Le Marin' (I & II), for violin & piano, S. 128 & S. 700h (LW D4): Andantino
Grand Duo concertant sur la Romance de 'Le Marin' (I & II), for violin & piano, S. 128 & S. 700h (LW D4): Variation 1 (un poco piů an
Grand Duo concertant sur la Romance de 'Le Marin' (I & II), for violin & piano, S. 128 & S. 700h (LW D4): Variation 2
Grand Duo concertant sur la Romance de 'Le Marin' (I & II), for violin & piano, S. 128 & S. 700h (LW D4): Variation 3. Allegretto pas
Grand Duo concertant sur la Romance de 'Le Marin' (I & II), for violin & piano, S. 128 & S. 700h (LW D4): Variation 4. Tarantella. Pr
Grand Duo concertant sur la Romance de 'Le Marin' (I & II), for violin & piano, S. 128 & S. 700h (LW D4): Finale. Animato marziale
Valse Triste, for violin & piano
Romanian Folk Dances (6) (Román népi táncok), for piano, Sz. 56, BB 68: Allegro Moderato
Romanian Folk Dances (6) (Román népi táncok), for piano, Sz. 56, BB 68: Allegro
Romanian Folk Dances (6) (Román népi táncok), for piano, Sz. 56, BB 68: Andante
Romanian Folk Dances (6) (Román népi táncok), for piano, Sz. 56, BB 68: Molto moderato
Romanian Folk Dances (6) (Román népi táncok), for piano, Sz. 56, BB 68: Allegro
Romanian Folk Dances (6) (Román népi táncok), for piano, Sz. 56, BB 68: Allegro - Piů allegro
Scenes From Czardas No. 4 for violin & piano ('Hejre Kati'), Op. 32: Lento ma non troppo - Allegro moderato
Scenes From Czardas No. 4 for violin & piano ('Hejre Kati'), Op. 32: Allegro molto
Adagio for violin (or viola or cello) & piano
Pizzicato Waltz, for pops orchestra
Czárdas No. 1
Track Listings (22) - Disc #2
Gopak (Hopak), for violin & piano, transcribed by Dushkin from the opera Sorochintsď Fair
Danza Espanola, for orchestra (from 'La Vida Breve')
Daisies, song for voice & piano, Op. 38/3
It Ain't Necessarily So
La capricieuse -- morceau de genre, for violin & piano, Op. 17
Suite Populaire Espagnole, for violin & piano (arr. from 'Popular Spanish Songs' by Kochanski): El pańo moruno
Suite Populaire Espagnole, for violin & piano (arr. from 'Popular Spanish Songs' by Kochanski): Nana
Suite Populaire Espagnole, for violin & piano (arr. from 'Popular Spanish Songs' by Kochanski): Canción
Suite Populaire Espagnole, for violin & piano (arr. from 'Popular Spanish Songs' by Kochanski): Polo
Suite Populaire Espagnole, for violin & piano (arr. from 'Popular Spanish Songs' by Kochanski): Asturiana
Suite Populaire Espagnole, for violin & piano (arr. from 'Popular Spanish Songs' by Kochanski): Jota
Marche Miniature Viennoise, for violin & piano
Syncopation, for violin & piano
Playera, for violin & piano, Op. 23/1
Kujawiak, for violin & piano in C major
Pičce en forme de Habanera, arrangement(s) for solo instrument & keyboard
Im Stile von Albéniz, for violin & piano
Prelude for piano, in F sharp major, Op. 34/13
Prelude for piano in A flat major, Op. 34/17
Allegro
Romance, for violin & piano
Sabre Dance
During the first part of the 20th century, short characteristic pieces that these days are almost only performed as encores played an important part for the violinist. Following a mostly Baroque "warm-up piece" and a well ... more »known violin sonata from the classical or romantic repertoire, artists such as Jascha Heifetz, Fritz Kreisler, and Mischa Elman arranged the second part of their recitals with those charming, artistic, and expressive pieces characterized by a uniform, concise musical atmosphere. This recording was made on the occasion of a 12-part concert series for violin and piano, which the artists performed in the Reiss-Engelhorn-Museums in Mannheim in 1997 and 1998. The idea was to introduce one musical cultural region at each concert. The first CD here presents the Hungarian concert, while the second combines selected works from the other programs.« less
During the first part of the 20th century, short characteristic pieces that these days are almost only performed as encores played an important part for the violinist. Following a mostly Baroque "warm-up piece" and a well known violin sonata from the classical or romantic repertoire, artists such as Jascha Heifetz, Fritz Kreisler, and Mischa Elman arranged the second part of their recitals with those charming, artistic, and expressive pieces characterized by a uniform, concise musical atmosphere. This recording was made on the occasion of a 12-part concert series for violin and piano, which the artists performed in the Reiss-Engelhorn-Museums in Mannheim in 1997 and 1998. The idea was to introduce one musical cultural region at each concert. The first CD here presents the Hungarian concert, while the second combines selected works from the other programs.