Ein deutsches Requiem (A German Requiem), for soprano, baritone, chorus & orchestra, Op. 45: 'Selig sind die da Lied tragen', Chorus
Ein deutsches Requiem (A German Requiem), for soprano, baritone, chorus & orchestra, Op. 45: 'Denn alles Fleisch es ist wie Gras', Ch
Ein deutsches Requiem (A German Requiem), for soprano, baritone, chorus & orchestra, Op. 45: 'Herr, lehre doch mich', Baritone & Chor
Ein deutsches Requiem (A German Requiem), for soprano, baritone, chorus & orchestra, Op. 45: 'Wie lieblich sind deine Wohnungen', Cho
Ein deutsches Requiem (A German Requiem), for soprano, baritone, chorus & orchestra, Op. 45: 'Ihr habt nun Traurigkeit', Soprano & Ch
Ein deutsches Requiem (A German Requiem), for soprano, baritone, chorus & orchestra, Op. 45: 'Denn wir haben hier keine bleibende sta
Ein deutsches Requiem (A German Requiem), for soprano, baritone, chorus & orchestra, Op. 45: 'Selig sind die Toten', Concluding Choru
Sergiu Celibidache, a controversial Romanian conductor whose idiosyncratic interpretations are always fascinating, leads a moving performance of one of Brahms's greatest works. Despite slow tempos, this disc compels att... more »ention through the conductor's dynamic contrasts, unique insights, and Hans Hotter's great singing. Not to slight Agnes Geibel, a good soprano who excels in oratorio, but it's Hotter who steals the show with his glorious voice and profound understanding. The chorus and well-prepared orchestra are fine; the mono sound from a live 1957 performance, adequate. Not a first choice among recorded Brahms Requiems, but recommended to the adventurous as a supplement to the classic Otto Klemperer on EMI. --Dan Davis« less
Sergiu Celibidache, a controversial Romanian conductor whose idiosyncratic interpretations are always fascinating, leads a moving performance of one of Brahms's greatest works. Despite slow tempos, this disc compels attention through the conductor's dynamic contrasts, unique insights, and Hans Hotter's great singing. Not to slight Agnes Geibel, a good soprano who excels in oratorio, but it's Hotter who steals the show with his glorious voice and profound understanding. The chorus and well-prepared orchestra are fine; the mono sound from a live 1957 performance, adequate. Not a first choice among recorded Brahms Requiems, but recommended to the adventurous as a supplement to the classic Otto Klemperer on EMI. --Dan Davis
CD Reviews
The most musically significant recording!
John Marks jmrcds@jmrcds.com | Rhode Island USA | 10/29/1998
(5 out of 5 stars)
"The only interpretation that shows Brahms' conscious debt and homage to Heinrich Schutz and J.S. Bach. The slow outer sections are more than compensated for in the crisp inner sections that really move with a total lack of self-consciousness. Except for the dated mono sound, it would be the best all-round; it remains the most musically revealing."