"I BOUGHT THIS CD THE DAY IT WAS RELEASED BECAUSE I REALLY LIKED THE NEW SINGLE, DONT WANT YOU BACK. COME TO FIND OUT, THAT IS THE ONLY GOOD SONG ON THE ENTIRE ALBUM. THIS GUY TALKS ABOUT HIS BODY PARTS MORE THAN EMINEM. I LOVE R&B AND RAP,BUT I'M NOT SURE WHAT YOU WOULD CONSIDER THIS ALBUM TO BE. HE DEFINITLY HAS SOME BUILT UP EMOTIONS. HEY EAMON! CAN I SUGGEST ANGER MANAGEMENT!!?? AND CAN I GET MY 13.00 DOLLARS BACK FOR THE PURCHASE?? I'LL JUST BURN THE SINGLE OFF THE INTERNET."
Most Unusual NEW AGE/XMAS Album EVER!
Worthington J. Cromsbuckle III | 02/17/2004
(3 out of 5 stars)
"Eamon has certainly done it again! His sophmore album takes soulful trance music in an entirely new direction. This time around, it's very clear that his time growing up as a white boy in South Africa has directly influenced his musical taste.The album begins with an introspective, yet curious take on traditional Judeo-Christian symbolism, namely the secularization of Saint Nicholas. This is demonstrated on his song, "I Love Them Ho's" as he joyfully sings about all the childhood times he spent on Santa's lap. Interestingly, he follows this up with another Xmas song, "[Fuck] It," in which his growing maturity develops a distaste for the crass commercialism of the season. This is expressed through such statements as "the presents, might as well throw 'em out." And once more, he heaps his scorn upon that ubiqutious 'Ho,' or, in this case, his favorite one-word euphenism for Jolly Ol' St. Nick, known for very often declaring, "Ho-Ho-Ho!"His lyrical expertise, however, takes a bizarre political turn as he begins to defend the policies of ex-president Richard 'Dick' Nixon, on his song, "Get Off My Dick." One could argue that his swift rap skills could be applied elsewhere, yet there is no denying the attention-getting subject matter of his song. All-in-all, this is a worthy follow-up to his last album. Eamon once again proves that he's everybody's favorite lovable hoilday rascal. And in fact, a little wink-and-a-nod, self-deprecation never hurts as he admits himself on the upbeat pop hit, "[I'd Rather Fuck With You]." It's nice to finally see a hit artist who doesn't take his own tough-guy, street-slumming, life-sucks-so-I-gotta-curse-about-it persona so seriously. Fo' shizzle, bro, here's rooting for another #1 hit!"
EAMON CONFUSED CHILD.
Jennifer Kelly | 08/29/2004
(1 out of 5 stars)
"After i heard this album I nearly fainted that anyone could be so stupid in order to sign him to a record company, you dig.
Whoever signed him deserves to be shot when there so many talented peopie out there."
OMGGG
Jennifer Kelly | NC | 08/03/2004
(1 out of 5 stars)
"GOD WTF IS SOMEONE THINKING??????????????? THIS GUY SUCKS!!!!! While the whole "F*** You right back" and "F*** it i dont want you back" song wars are ENTERTAINing...... this "I love them ho's" video just came on launch.com and omg this guy sucks DO NOT NOT NOT NOT NOT NOT NOT WASTE YOUR MONEY ON THIS CRAPPPPPP! It isnt even worth 1 star! if this cd was one cent at wal mart i still wouldnt buy it. Crappiest CD of the um decade."
A Day In the Life Of A "Who?"
jeffrey christian | brooklyn ny | 01/10/2005
(1 out of 5 stars)
"At first I thought it was a joke in the vein of the much-missed Biz Markie. The off-key singing, the doo-wop arrangement, the falsetto mmmm's & no no no's...but as I listened further it struck me - the tone-deaf slavering of this talentless anomaly is for real, only `keeping it real' means degrading his ex-girlfriend with a slew of insults even Marshall Mathers would blush at. And that's just the first single. Other unbelievable, unrealistic boasts include `I Love Them Ho's [Ho-Wop]' in which he breaks his groupie's hearts every time he leaves for the next show; `My Baby's Lost' has him doing his girl's best friend, then crying foul [and other `F'' words] when she dumps the fool; the ironically titled `Get Off My @#$*' and his too-bad-to-be-good attempt at a love song, `All Over Love'. Oh, yeah...the final track has him feeling groovy by sexin' all night waking up smoking the dope. Vulgarity is not the offense here, though, and neither is his stupidity. The transgression is his seeming belief that what he actually says is not only important, but smug and funny too. The smirking in these fantasies is best kept to his [very small] circle of sycophants, not divulged for all of TRL to see.
For all the oral fixations sputtered about, you wonder just how this pretty-enuff boy had to perform for at Jive for his contract. If pride runneth over at the offices at Jive, when he starts crooning `4 The Rest Of Your Life' to their daughters at the family picnic, make sure I'm there with my video camera. My grade: E+"