Search - E-40 :: Revenue Retrievin: Graveyard Shift

Loved and respected by both seasoned rap veterans such as Snoop Dogg to entry level giants such as YG; without question E-40 continues to reign supreme. From his impressionable trendsetting habits, E-40 has proven to the masses he can redirect music traffic upon release of his albums. Exactly 20 years ago E-40 began to generate his first fan base as a member of "the Click," the group released an album in 1991 entitled "Down and Dirty." Immediately to follow, E-40 released two additional albums entitled "Federal" and "Mail Man" on his very own label Sick Wid It Records. The domino-effect of these successful albums inspired major record label Jive Records to sign E-40 where they soon introduced his first solo effort "In A Major Way." During the course of the multi-album deal, he produced three gold albums and one platinum album while on Jive Time. Then in 2005, the music Macgyver partnered with the everlasting King of Crunk aka Lil Jon and signed with Warner/BME. In 2006, not only did E-40 reposition himself, the Northern California music scene struck gold with the release of E-40's "My Ghetto Report Card." A swift 2 years later, he released his last album on Warner Brothers entitled the "Ball Street Journal." With proven successes while absorbing a weath of knowledge over the years E-40 simultaneously motivated his immediate offspring. In 2010 he surpassed a new benchmark when he signed to Heavy on the Grind owned by his first son also Artist/Producer Droop-E. Together they released E-40's 13th and 14th albums entitled "Revenue Retrievin' Day Shift" and Revenue Retrievin' Night Shift." That very effort spun the Bay Area's famed Ambassador as on of the hottest commodities in Hip-Hop with the smash hit record "Bitch" featuring Too Short and 50 Cent. Empowering a familiar cliché that states, "If it's not broke, don't fix it" E-40 returns with yet another 2 album entrée entitled "Revenue Retrievin' Overtime shift" and Revenue Retrievin' Graveyard Shift"