"Dvo?ák's piano music is generally ignored in the classical music world. His spectacular symphonies and Slavonic dances are what people would rather listen to. His beautiful Serenades are more interesting. His piano music is considered bad, and not as good.
So it's nothing amazing. Dvo?ák's music is pretty, but not incredible. It does not compare to some of the great piano masters, and it doesn't compare to his great orchestral works. On the other hand, does it have to be so unrecognized as it is?
Maybe it's not brilliant, but it's nice to listen to. The little dances are fun to hear, and while maybe they don't excite deep emotions in me like his symphonies do (especially the 8th), they make me happy. I enjoy listening to them. Most of the pieces are very short and light, but they're pleasant.
It also doesn't hurt that this is very cheap (or is when Amazon offers it up...). They may not be masterpieces, but as a Dvo?ák lover, I can say that I'm satisfied, and recommend it to any other lover like me."
INSTANT GRATIFICATION
Melvyn M. Sobel | Freeport (Long Island), New York | 09/05/2007
(4 out of 5 stars)
"With such keyboard repertoire conspicuously and unfairly absent from record bins and concert halls, the availability of this set is indeed a welcome surprise. Although not the most subtle of pianists, Poroshina's advocacy is nonetheless arresting, her eager charm and ruddy spontaneity winningly suffusing these works with an unabashed palette awash with signature traits wholly Dvorak: melody, rhythm, color, wit, introspection. There is quite an indubitable and exhilarating sense that she feels as if these compositions are hot off the press. Nothing is static. Most successful is familiar Dvorak (Humoresques, Op. 101, Mazurkas, Op. 56, Waltzes, Op. 54, Poetic Tone Pictures, Op. 85, Silhouettes, Op. 8 and the Theme and Variations, Op. 36), all of which Poroshina seems to rethink and recast in the moment, giving the music an altogether unhampered naturalness. However, and not to be slighted, the lesser-known pieces (Eclogues, B. 103, Album Leaves, B. 109, Piano Pieces, Op. 52, Suite, Op. 98, et. al.) likewise receive remarkably comparable weight and sagacious treatment in this pianist's hands; in fact, they as well blossom with imagination, vibrant lyricism and unpretentious expression. To be sure, there is never a dull moment here, even when the composer is less than inspired, and Poroshina makes a good case for the majority of this music. It is substantially better than one might expect.
[Running time--- CD 1: 50:35 CD 2: 56:42 CD 3: 48:22 CD 4: 57:35 CD 5: 58:53]