They earned wide acclaim with the double-disc Southern Rock Opera, a sprawling concept album about Lynyrd Skynyrd. Their three-guitar lineup and greasy look signify big, dumb rock in the minds of many, but their songwritin... more »g is relentlessly whip-smart. And what may be their greatest song, "The Living Bubba," is an ode to a righteous, hard-rocking redneck felled by AIDS. No, the Drive-By Truckers never do anything by the book, so it's no surprise that with Decoration Day, the band's first release for indie New West Records, Patterson Hood and his mates take another rewarding left turn. The album boasts a handful of crowd-pleasing, party-starting cuts, like the brash, cranky rocker "Hell No, I Ain't Happy" and the Stones ringer "Marry Me." Yet more common are moments of startling beauty (the steel solos on "The Deeper In" and "Loaded Gun in the Closet" and the jangling guitars, rolling melodies, and soulful fiddle breaks of "Heathens" and "My Sweet Annette") and heavy doses of recrimination and regret, as in the back-to-back suicide tunes "When the Pin Hits the Shell" and "Do It Yourself." --Anders Smith Lindall« less
They earned wide acclaim with the double-disc Southern Rock Opera, a sprawling concept album about Lynyrd Skynyrd. Their three-guitar lineup and greasy look signify big, dumb rock in the minds of many, but their songwriting is relentlessly whip-smart. And what may be their greatest song, "The Living Bubba," is an ode to a righteous, hard-rocking redneck felled by AIDS. No, the Drive-By Truckers never do anything by the book, so it's no surprise that with Decoration Day, the band's first release for indie New West Records, Patterson Hood and his mates take another rewarding left turn. The album boasts a handful of crowd-pleasing, party-starting cuts, like the brash, cranky rocker "Hell No, I Ain't Happy" and the Stones ringer "Marry Me." Yet more common are moments of startling beauty (the steel solos on "The Deeper In" and "Loaded Gun in the Closet" and the jangling guitars, rolling melodies, and soulful fiddle breaks of "Heathens" and "My Sweet Annette") and heavy doses of recrimination and regret, as in the back-to-back suicide tunes "When the Pin Hits the Shell" and "Do It Yourself." --Anders Smith Lindall
Joshua B. (littleborge) from ATHENS, GA Reviewed on 11/4/2020...
This is good for what it is and some people might like it. Others might not. It's country-ish rock and/or southern rock. It was not my cup of tea.
Len S. (3) Reviewed on 5/30/2017...
Having worked my way into the Drive By Truckers in a backwards fashion... John Prine to Jason Isbell to DBT, it's no surprise that I gravitated to the tracks "Decoration Day" and "Outfit"--two Isbell concert standards.
This was DBT's initial offering with Isbell in the band and the two previously mentioned songs surely opened many eyes to his songwriting talent. However, this CD was also Mike Cooley's time to shine. "Sounds Better In The Song" and "When The Pin Hits The Shell" are two masterfully written songs that fit Cooley's voice perfectly. There's plenty to enjoy from the band's fearless leader as well... Patterson Hood really stepped up his game when pulled by Isbell and Cooley.
Finally, Isbell fans will appreciate comparing his older tracks to modern-day renditions of the same songs. His leaving the bottle behind and getting in shape have clearly produced better lyrical pacing and much-improved lung power.
I highly recommend this CD.
Dwight M. (Dewey) from RUTLAND, MA Reviewed on 1/28/2007...
Never played.
0 of 1 member(s) found this review helpful.
CD Reviews
A Great Follow-Up to an All-Time Classic
James F. Colobus | Pittsburgh, PA United States | 08/03/2003
(5 out of 5 stars)
"You can call Patterson Hood and Mike Cooley a lot of things, but insecure isn't one of them. Not since Lynyrd Skynyrd brought in a young Okie by the name of Stevie Gaines has a great rock band suppressed their egos and added a talented guitarist and songwriter of the caliber of Jason Isbell. Isbell, the new addition to the Drive-By Truckers' three-guitar attack, is absolutely spectacular, a fact to which anyone who has seen him shine on lead guitar duties during their current tour can attest. Based on the evidence from Decoration Day, the kid can write songs and sing 'em too. Coming on the heels of the all-time classic, Southern Rock Opera, Decoration Day had a lot to live up to. The DBT did the smart thing and seemingly wrote Decoration Day to please only themselves. It initially comes across as less accessible than its predecessor, but repeated listens reveal it to be a richly rewarding album. More than any DBT record before it, Decoration Day feels utterly anachronistic, like it was recorded before the CD era and should ideally be listened to on LP with all the attendant hisses and pops. The stark opening cut, "The Deeper In" recalls Springsteen's Nebraska album both in mood and lyrical content. "Sink Hole" is a rave-up focusing on an issue near and dear to the heart of Patterson Hood, the collapse of family farms. "Hell No, I Ain't Happy" is typical ornery DBT. Patterson finally relinquishes vocal duties to the Stroker Ace, Mike Cooley, for a classic Skynryd- and Stones-inflected romp on "Marry Me". Songs like "Marry Me" just leave you shaking your head as to how the DBT fail to get airplay on your local rock radio station. "My Sweet Annette" is a pretty little song, even with Patterson and his delightful gravel-throated vocals up front. Isbell makes his first appearance on vocals on the arresting "Outfit" - a few listens to that song and you'll realize that this kid is amazing."Sounds Better in the Song" is another of the many highlights on Decoration Day. Cooley referred to it as a "love song" at a recent concert in Pittsburgh, even though it is about a woman who once shared his goals in life but eventually outgrew him and moved on. It's a wonderfully depressing song and hope for Cooley's sake that it is not based on something that happened to him. "Your Daddy Hates Me" recalls those classic Skynyrd blues ballads like "Cheatin Woman" and "I Need You". "When the Pin Hits the Shell" is where Decoration Day peaks. Cooley's on vocals again and, surprise, he's singing about something depressing - this time it's suicide. There's an extraordinary earnestness to his voice and the simple guitar solo after the first verse is one of the most beautiful musical passages I've heard in a long time. "Do It Yourself" is another suicide-themed song, though more upbeat with Patterson on vocals. "Decoration Day" features Isbell's second turn on vocals and again hints at the staggering potential this guy has as a singer and songwriter. To close the album, Cooley obliterates any chance that you aren't depressed yet by turning in yet another suicide-related song, "Loaded Gun in the Closet". It is a very fine closing track and even leaves some hope that the suicide won't occur, which you'll definitely appreciate by this point.Whereas Southern Rock Opera is the sort of album you can blast at parties, Decoration Day is far more introspective. The best I've ever heard Decoration Day sound was on a recent sweltering Sunday evening while I was relaxing on the couch with the ceiling fan circling overhead. I worry a bit that with the addition of Jason Isbell, there is now too much songwriting talent in the band for everyone to get their chance in the spotlight. Hopefully, the DBT are good enough friends to overcome any inherent tensions related to the number of songs each guitarist gets to write for future albums. I'm sure every DBT fan has his or her own opinion on the topic, but I think that Cooley is the premier songwriter in the band (by just a shade). However, if you sit down and listen to Patterson's "The Deeper In", Isbell's "Outfit", and Cooley's "When the Pit Hits the Shell", you'll immediately grasp why there are three reasonable opinions on this matter. I'm just thankful that there is a band out there as great as the DBT and urge you to support them and their uncompromising brand of rock music."
A Must Have
James Carragher | New York | 03/29/2004
(5 out of 5 stars)
"Brash and brilliant as Decoration Day is, Drive By Truckers sound on it like a band in transition. When they rock, hard and often, their sound comes straight from the muscle and rowdy tradition of the Allman Brothers, Lynyrd Skynyrd and the mostly overlooked Georgia Satellites. Hell No, I Ain't Happy is the template and while it is a great sing-a-long bar line of resentment, it's also probably the weakest of the CD's very generous fifteen cuts. Decoration Day excels because where the Truckers were previously mostly a vehicle for front man Patterson Hood, they now showcase two more major writing talents, Mike Cooley and Jason Isbell. With their contributions and Hood's own better compositions, it's as if the Truckers have mainlined some William Faulkner and Flannery O'Conner, put a whole new true twist on all those tired Southern traditions and cliches. So we get Hood's sympathetic tale of incest, The Deeper In ("..but you took to his jawline and his long sandy hair. How he made you feel like none of the others."), Cooley's rocking Marry Me ("rock and roll means well but it can't help telling young boys lies" or "there's a fool on every corner, on every street, in everyone/and I'd rather be your fool nowhere than go somewhere and be no one's"), Isbell's Outfit (a father's lesson in pride to a son), back to back songs of survivor anger at suicides (When the Pin Hits the Shell and Do It Yourself) and, finally, the spare acoustical Loaded Gun in the Closet. In each of these songs and several others, the scenes and characters are so quirkily and sharply drawn that you feel them alive right beside you. An even more interesting question than the accomplishment of Decoration Day is what happens next for the band. If the creative egos can co-exist and not implode in their competition, Drive By Truckers are likely to become the standard by which all future hard-rocking Southern bands will be judged.Aside -- if you're impressed, as I clearly am, see the Drive By Truckers live. They clearly inherit the Stones and James Brown crowns of hardest working band in show business. They, with their female bassist a recent addition, played nearly three hours at the Tractor Tavern in Seattle where I saw them and it was some of the best twelve bucks I'd ever spent. Not least because of their Play It All Night tribute to Warren Zevon -- "play that dead man's song/Turn the speakers up full blast, Play it all night long." They did, they did, and they damn near did."
Rock N' Roll is alive again
dj_wacker | Seattle, WA United States | 09/27/2003
(5 out of 5 stars)
"Incredibly talented band. This, their newest album, is their best yet. All three of the band's songwriters, Patterson Hood, Mike Cooley, and Jason Isbell, are great. I like Jason Isbell's song, Outfit, the best on this album, but they are all fresh. His guitar playing is monumental. Mike Cooley has a great deep voice and writes songs that would read well as short stories. Patterson Hood, a natural frontman, kicks the album off with a rolling story song that grabs me every time I hear it. This band has been appropriately compared to Lynard Skynard. The suprising thing is that they pull off that southern feel without sounding cheesy, sarcastic, or imitative. This is the logical extension of southern influenced rock and punk that should of came out of the seventies. These guys may have even been capable of saving music in the eighties. Too bad they were too young. If you like guitars and good songs without any of the bs spandex eighties nonsense, buy this album, pop open a beer, and rock the hell out."
Quite simply...
Don't need no stinkin' badge | somewhere in middle America | 07/31/2004
(5 out of 5 stars)
"...the best rock band in America today. Hear me now and believe me later: Brilliant on record, and utterly phenomenal live, the DBT's have revived the art of rock (Southern and otherwise), with heart, soul, humor, intelligence, and venom. The first band to have truly awed me in a very long time. Having started out with "Decoration Day", I've been working my way through their back catalog, and the more I hear the more hooked I become. They just can't seem to do any wrong. And the forthcoming "The Dirty South", which I've heard in its entirety, finds the band continuing along the same stellar path. Whatever preconceived notions you might have about "Southern Rock", do yourself a favor and forget about them. Buy every one of their records, and see them live. It will change your life. Trust me."