Mrs Brigide fleetwoods paven alias Solus sine sola
Dowlands Galliard
Farwell (As
Captain Candishe his Galyard
Aloe
Can she excuse
A Coye Joye
Mrs vauxes Gigge
Mrs vaux Galliarde
Sir Henry Guilforde his Almaine
Mignarda
Lachrimae
Sir John Souch his galliard
Fantasia
Track Listings (21) - Disc #3
The most high and mightie Christianus, the fourth King of Denmark, his Galliard
Sir John Langton his Pavin
Mr. Langtons galliard
A Fancy
A Pavan
The most sacred Queene Elizabeth, her Galliard
Mrs. Cliftons Allmaine
The Right Honourable the Lady Cliftons Spirit
tarletones riserrectione
Tarletons Willy
fortune my foe
The Queenes galliard
Wallsingham
A Galliard (on Walsingham)
Dowlands Adew for Master Oliver Cromwell
The Right Honourable Ferdinando Earle of Darby, his Galliard
Lord Strangs March
Mistresse Nichols Almand
forlone Hope fancye
Mr. Dowlands Midnight
Semper Dowland semper dolens
Track Listings (20) - Disc #4
Preludium
A Fancy
Lachrimae
Galliard to Lachrimae
A Fantasia
An Almand
Pavana
The Right Honourable Robert, Earl of Essex, his Galliard
A Galliard (on a galliard by Daniel Bachelar)
My Lord Wilobies Welcom Home
The Shoemakers Wife. A Toy
The Right Hounourable The Lord Viscount Lisle, his Galliard
Coranto
A Galliard
The Lady Russells Paven
Galliard (on Awake sweet love, set by Fr. Cutting)
The Frog Galliard
Come Away
La mia Barbara
Loth to Departe
Track Listings (21) - Disc #5
A Fancy
Pavana Dowlandi Angli (Mylius #2)
Doulands rounde battell galyarde
Pavin
The Erle of Darbies Galiard
Mistris Norrishis Delight
A Jig
The Erle of Essex Galliard
Galliard
Une Jeune Fillette
Gagliarda
Pavana Lachrimae
Squires Galliard
A Fancy
Hasellwoods Galliard
Sir Thomas Monson, his Pavin
Sir Thomas Monson, his Galliard
Almande
Sir Henry Umptons Funerall
Captayne Pipers Galliard
A fantasie
Dowland did for lute music what Haydn did for the string quartet and Beethoven the piano sonata. The finest lutenist and songwriter of his age--he composed several of the greatest hits of the late 16th and early 17th cen... more »turies--the surviving lute works constitute a sort of encyclopedia of the possibilities of the instrument. There are song arrangements, dance pieces, tributes to the composer's friends, even a musical self-portrait. Much of the music is fashionably sad. Lute songs generally deal with the agony of lost love, and Dowland's most popular tune was called Lachrimae (Tears). Paul O'Dette is simply the best lutenist alive. These five discs are available together at a special price, or separately. A reference edition. --David Hurwitz« less
Dowland did for lute music what Haydn did for the string quartet and Beethoven the piano sonata. The finest lutenist and songwriter of his age--he composed several of the greatest hits of the late 16th and early 17th centuries--the surviving lute works constitute a sort of encyclopedia of the possibilities of the instrument. There are song arrangements, dance pieces, tributes to the composer's friends, even a musical self-portrait. Much of the music is fashionably sad. Lute songs generally deal with the agony of lost love, and Dowland's most popular tune was called Lachrimae (Tears). Paul O'Dette is simply the best lutenist alive. These five discs are available together at a special price, or separately. A reference edition. --David Hurwitz
CD Reviews
Musical Perfection from the Elizabethan Era
Shaw N. Gynan | Bellingham, WA USA | 03/17/2000
(5 out of 5 stars)
"First, I should provide a disclaimer. I am only an amateur classical music buff, and a beginning classical guitarist, so I cannot provide the definitive critique of this five-disc set; however, I am unable to resist praising this work. I was already familiar with and a fan of Dowland's music, but I hesitated getting this set, thinking that over five hours of music for the lute and the opharion (a metal-stringed instrument similar to the lute) would be overkill. Instead, I find myself wishing Dowland had lived another lifetime to provide us with even more of his tremendously varied and always exquisite music. Paul Odette's playing is technically impeccable and unfailingly inspired by creativity. Dowland's manuscripts leave much to the imagination and intepretative genius of the player, and Odette combines faithful rendering with sparkling and virtuoso improvised ornamentation. What is most important, naturally, is the result: 400 year old music that sounds remarkably contemporary, fresh. This is not to say that Dowland's music is modern, but rather that the composer captures universal qualities of human emotion and aesthetic sensibility. The many moods range from spritely, happy melodies to deeply contemplative and moving meditations. The careful engineering of this recording (typical of Harmonia Mundi releases) lends the performances a crystalline realism that fills the room with shimmering resonance.This is music to gladden and soothe the soul in these complex and highly technological times, a gift from the past that will thrill and enlighten generations to come."
A pinnacle of music
Frank C. | Huntington, NY United States | 12/14/2002
(5 out of 5 stars)
"Dowland was a genius, and when you have another genius of the lute (Paul O'Dette) playing his music, this music transcends all words that could possibly describe it.
My life is a better and richer one because I own these recordings and THAT is not an exaggeration. These lute works should be heard by every person at least once in their lifetime - they are that vital. In my opinion, they are as important as Bach's Cello Suites, although if I had to choose between these and the Cello Suites, I would choose the Dowland without hesitation.
Dim the lights, enjoy your favorite wine and become lost in a world that is richer and deeper than all of the money in the world could possibly buy. Thank you Mr. O'Dette for your incredible gift for our ears."
As Good As It Gets
James Skrydlak | Pella, Iowa | 08/27/2002
(5 out of 5 stars)
"This five-volume set of all John Dowland's lute music, including several pieces that may have been composed by others, is as close to perfect as any recording ever made.Paul O'Dette is a leading Elizabethan music scholar. Faced with the task of creating his own editions for many of these works and selecting the proper edition for others, he has succeeded in using editions that are historically accurate and musically pleasing.The same goes for his playing. Every phrase is exquisitely shaped, and fits perfectly into each piece. Dynamics, tone production, intonation, and phrasing are impeccable. All in all, O'Dette's playing is both authentic and, at the same time, vital.I have been learning some of these pieces on classical guitar, and I learn something new about each of them every time I listen."
Flawless, definitive.
Daniel T. Gianola-Norris | Cotati, CA | 01/15/2005
(5 out of 5 stars)
"Dowland's lute music is one of the great treasures of western music. These performances are both expressive and technically flawless. The sound quality is insanely good, and the fat booklet included is a great resource of information. This is indispensible to any music lover."
Highly recommended
Lindsay Ball | Brisbane, Australia | 10/23/2005
(5 out of 5 stars)
"I bought Volume 1 of this set a couple of years ago. It has become one of my favorite CDs, so I thought I would enjoy the full set. I have not been disappointed. I find the sound quality excellent, the playing superb. The included booklet has a lot of interesting background material. The music is great as background for a dinner party or intimate conversation, but has depth aplenty for concentrated listening. I often listen to it while working at the computer where I swear it improves concentration and productivity!
A few tunes appear more than once as Dowland reused some work, but the arrangements are sufficiently different to be interesting. It is his complete lute works, after all. Some might criticise the set for sounding too much in the same style. It is the work of one composer, and if you happen to like the style, as I do, this is a pro rather than a con.
Another reviewer mentioned obtrusive breathing on the recording. I had listened to Volume 1 for two years before reading the review and had not noticed this. On listening carefully, there is breathing audible, but I do not find it a problem. Perhaps it depends whether one listens to the music or the background.