In a year that saw the release of many fabulous archival 78s and field recordings, it's great to hear music that creates new, vibrant art from similar, contemporary source material. With Dok, Oval music ceases to be about ... more »manipulating existing CDs and instead is made from the manipulation of field/travel recordings by Tokyo-based artist Christophe Charles. Markus Popp's software does some pretty, narcoleptic, nifty things to the source material, recordings of bells heard in public spaces throughout the world. --Mike McGonigal« less
In a year that saw the release of many fabulous archival 78s and field recordings, it's great to hear music that creates new, vibrant art from similar, contemporary source material. With Dok, Oval music ceases to be about manipulating existing CDs and instead is made from the manipulation of field/travel recordings by Tokyo-based artist Christophe Charles. Markus Popp's software does some pretty, narcoleptic, nifty things to the source material, recordings of bells heard in public spaces throughout the world. --Mike McGonigal
"This full-length effort, a collaboration between Oval and sound artist Christophe Charles, marks a shift in Oval's style. Previous releases by the trio were characterized by a often-brittle sound, majorly revolving around a sound not too unlike that of a malfunctioning CD player. This often yielded fascinating results, particularly on "Diskont" and "Wohnton", but after a few discs full of this, the novelty tends to grow thin. However, here the group ventures into seamless structures that often have a terse, nervous feel in addition to their obvious ambience. But unlike 'dark ambient' releases, this set of pieces is an ambience of digital environs...sort of a "Music for PCs", if you would. Very hard to categorize this, to be sure, but at every turn this is an interesting release, and an important move for computer music from the lab-like environs of academia into the electronic music forefront. Very recommended, especially for those in the New Music scene as well as those looking for a 'twist' to their ambient collection."
Art-damaged world music for the early 00's
DAC Crowell | 03/30/2000
(4 out of 5 stars)
"In a time when grammy-nominated, self-proclaimed "artists" are obssessing over "roots music," it always is a relief to expereince folks like Oval and Mr. Charles thinking forward and approaching music as exactly what it is: artifical noise composed of altered air molecules.Similiar to the other works by Oval, "Dok" seems to exhibit the sounds of a 22nd century city that's overpopulated with commerical images and computers choking on excess data. Christophe's samples of crowd noise and bells paints the Old World being swallowed up in hyper modernization. Overall, I sense that Oval is mainly trying to figure itself out with "Dok," which does have its momments of tentativeness and cold redundancy. But thankfully, they have greatly improved their art with "SzenarioDISC." To their merit, Oval has added great warmth and motion to Christophe's work. By the way, if you digged "Dok" I reccomend Christophe Charles's "Undirected 1986-1996" CD, since it takes the samples of "Dok" into truly alien territories."
Brilliant
animade | Toronto, Canada | 12/30/2000
(4 out of 5 stars)
"I listened to Christophe Charles' interpretation of the sounds(Undirected/Dok, 2000) before listening to this album. This is a interesting twist on the samples. This album presents a more repetative and filtered sound, which is a contrast to Christophes 2000 album. The bare organic complexities of the samples still shine through in this work. Truly marvelous. If you like this, try Christophe's work, it is much more 'Undirected' and raw. Mind Boggling. Highly recomended."
More abstract
Matthew D. Mercer | Chicago, IL United States | 01/13/2000
(5 out of 5 stars)
"Markus Popp has taken Oval on an interesting journey over the years. Never has he strayed too far from the original premise: digital sound manipulation. But whereas Systemisch focused on a rigid timelocked structure of clicks and pops, and whereas Diskont relied heavily on the use of skipping CDs and recordings, dok uses the recordings of Christophe Charles as its source material. Markus Popp has taken these recordings and processed them into almost completely digital tones and drones, but there is a humanistic organic quality to the music that makes this one of the finest moments of Oval's career so far."
Mellow yet modern
yam child | 01/11/2000
(5 out of 5 stars)
"Compared to the already low-keyed Systemisch, this album is even more ambient. But this album is not just for the background. Close listening reveals subtle yet complex layers of sound delicated meshed together. Works both for contemplative listening in the bedroom or the elevator music of the future."