Savoy Jazz does bebop fans a great service by culling together tracks from a wide variety of labels and a wide range of settings for this useful three-disc collection. As such, it documents Dizzy Gillespie's transition fro... more »m revolutionary upstart to champion of the jazz world. In actuality, none of these recordings were made for the original Savoy label, except for a four-song 1946 date led by Ray Brown and on which Dizzy was billed as "Izzy Goldberg." The rest were originally made for Guild, Musicraft, Discovery, and Gillespie's own Dee Gee Records. Much of the music here is simply indispensable: the widely known and justifiably renowned 1945 quintet sides with Charlie Parker; a series of superb Gil Fuller arrangements (for both sextet and big band) from 1946; and a 1951 session with violinist Stuff Smith stand out in particular. There's plenty else here of interest as well--dates with blues singer Albinia Jones and novelty jive singer Slim Gaillard, and Gillespie-led small-band sessions with a range of stars and soon-to-be stars, including John Coltrane, Dexter Gordon, Milt Jackson, J.J. Johnson, and Art Blakey. Odyssey offers ample proof of Dizzy's many talents: his thrilling athleticism and invention on trumpet, his vivaciousness and humor, and his great versatility and open-mindedness. --Marc Greilsamer« less
Savoy Jazz does bebop fans a great service by culling together tracks from a wide variety of labels and a wide range of settings for this useful three-disc collection. As such, it documents Dizzy Gillespie's transition from revolutionary upstart to champion of the jazz world. In actuality, none of these recordings were made for the original Savoy label, except for a four-song 1946 date led by Ray Brown and on which Dizzy was billed as "Izzy Goldberg." The rest were originally made for Guild, Musicraft, Discovery, and Gillespie's own Dee Gee Records. Much of the music here is simply indispensable: the widely known and justifiably renowned 1945 quintet sides with Charlie Parker; a series of superb Gil Fuller arrangements (for both sextet and big band) from 1946; and a 1951 session with violinist Stuff Smith stand out in particular. There's plenty else here of interest as well--dates with blues singer Albinia Jones and novelty jive singer Slim Gaillard, and Gillespie-led small-band sessions with a range of stars and soon-to-be stars, including John Coltrane, Dexter Gordon, Milt Jackson, J.J. Johnson, and Art Blakey. Odyssey offers ample proof of Dizzy's many talents: his thrilling athleticism and invention on trumpet, his vivaciousness and humor, and his great versatility and open-mindedness. --Marc Greilsamer
Carey M. Hamilton Sr. | Newark, NJ USA | 07/19/2002
(5 out of 5 stars)
"Excellent Overview of one of the Founding Fathers of Bebop!
This set walks you through the foundation of bebop and how it was developed. Without question, a Must Have for any collector, or for someone who is just being introduced tothe world of jazz. ..."
Very good overview
Blues Bro | Lakewood, Colorado USA | 06/09/2003
(4 out of 5 stars)
"Dizzy was unique, and while always playing 'bop', there are many different sides to it. To my taste,it can go from the highest to a little boring at times. The sides he cut with Paker, are well, probably the best jazz ever recorded. There is also some stuff with a big band that is also great, like things to come, birks work, tin tin deo. There the sides that are also fun but not grounbreaking: Dizzy backing some blues singers and Dizzy backed up by strings. And there is the stuff that he played in a sort of Bop-meets Louis Jordan style in disc 3 that I really dont like and find corny. One highlight for me was the 4 tracks he recorded with Bird that I had never heard before: Dizzy's Boogie, Flat Foot Floogie, Poppity Pop, Slim's Jam."
Brothas Smokin'!
Carey M. Hamilton Sr. | 02/24/2005
(5 out of 5 stars)
"This is one of the best jazz sets I've yet seen. It assembles tracks from different record labels so the listener can easily access the timeline and evolution of Be-bop. Dizzy Gillespie is by far the best trumpeter of all time. I know what you're thinking, my friend. You probably are pissed at what I said and have a right to. Miles Davis is an awesome trumpeter and Satch is too but they don't have the fiery sound of Dizzy. Using this great set as evidence, I'd place Dizzy in a trio of great trumpeters Satch and Miles. I don't have the heart to further rank these masters of music. I do know that this is definately the best set of Dizzy. The only bad thing about this set is that it doesn't have the great orchestra song, Manteca. This great set will not only make you a fan of Dizzy, but you will agree with me when I say that the success of Miles Davis and Louis Armstrong, while these two are about as innovative as they are great, they unfortunately overshadow the Great Dizzy Gillespie(1917-1993)."
Conga Line
Carey M. Hamilton Sr. | 10/23/2002
(5 out of 5 stars)
"Listening to Tin Tin Deo right now. Yeah baby, cha, cha, cha, cha cha. Yeah. Beautiful clave from the unknown purcussionist, 2, 3, 4 5. This BOPS! Also, Swing Low, Sweet Cadillac is a different version than a longer vocal played on radio but still BOPS! 64 golden memories of Dee Gee! YEAH BABY!"