Independent Women, Pt. 1 - Destiny's Child, Barnes, S.
Survivor - Destiny's Child, Dent, A.
Bootylicious - Destiny's Child, Fusari, Rob
Nasty Girl - Destiny's Child, Bassi, M.
Fancy - Destiny's Child, Knowles, B.
Apple Pie à la Mode - Destiny's Child, Fussari, R.
Sexy Daddy - Destiny's Child, Elliott, D.
Independent Women, Pt. 2 - Destiny's Child, Comstock, F.
Happy Face - Destiny's Child, Fusari, Rob
Emotion - Destiny's Child, Gibb, B.
Dangerously in Love - Destiny's Child, Knowles, B.
Brown Eyes - Destiny's Child, Afanasieff, Walter
The Story of Beauty - Destiny's Child, Fambro, K.
Gospel Medley: You've Been So Good/Now Behold the Lamb/Jesus Loves Me - Destiny's Child, Franklin, K.
Outro (DC-3) Thank You - Destiny's Child, Fusari, Rob
One listen to the eagerly anticipated third CD from the world's biggest girl group and it's clear there is one child with the most destiny. To paraphrase the hip-hop legends, "Who's house?" Beyoncé's house, and wit... more »h the lead vocalist producing or cowriting all of the 14 tracks, it's hard to imagine what those other two chicks even do (other than act grateful to still have a gig). Seizing creative control is a bold move for Miss Knowles, and anytime an R&B act eschews the beat of the week, they have to be commended. But the problem is that Beyoncé, even with her ambition, has yet to suss out that the key to a pop-R&B smash is hook and melody. With the exception of the now-played-out title track (Can we all take a moratorium on this mighty goddess theme for a second, please?) and the equally you-go-girlish "Independent Woman Part 1," most of the tracks here lack a strong core. Beyoncé crams a litany of thoughts and motifs into her mini-anthems, with samples ranging from Stevie Nicks to Tarzan Boy, but though the cuts sizzle and sparkle and throw off much attitude, Survivor is way too frenetic. Even with some strong singing and songs (most notably the laid back "Fancy"), Survivor lacks real emotion. --Amy Linden« less
One listen to the eagerly anticipated third CD from the world's biggest girl group and it's clear there is one child with the most destiny. To paraphrase the hip-hop legends, "Who's house?" Beyoncé's house, and with the lead vocalist producing or cowriting all of the 14 tracks, it's hard to imagine what those other two chicks even do (other than act grateful to still have a gig). Seizing creative control is a bold move for Miss Knowles, and anytime an R&B act eschews the beat of the week, they have to be commended. But the problem is that Beyoncé, even with her ambition, has yet to suss out that the key to a pop-R&B smash is hook and melody. With the exception of the now-played-out title track (Can we all take a moratorium on this mighty goddess theme for a second, please?) and the equally you-go-girlish "Independent Woman Part 1," most of the tracks here lack a strong core. Beyoncé crams a litany of thoughts and motifs into her mini-anthems, with samples ranging from Stevie Nicks to Tarzan Boy, but though the cuts sizzle and sparkle and throw off much attitude, Survivor is way too frenetic. Even with some strong singing and songs (most notably the laid back "Fancy"), Survivor lacks real emotion. --Amy Linden