What Does the Deep Sea Say? - Dave Alvin, Traditional
Engine 143 - Dave Alvin, Carter, A.P.
Delia - Dave Alvin, Traditional
Dark Eyes - Dave Alvin,
Walk Right In - Dave Alvin, Cannon, Gus
Murder of the Lawson Family - Dave Alvin, Traditional
Don't Let Your Deal Go Down - Dave Alvin,
Railroad Bill - Dave Alvin, Baker, Etta
Texas Rangers - Dave Alvin, Traditional
Mama, 'Tain't Long Fo' Day - Dave Alvin, Traditional
East Virginia Blues - Dave Alvin,
Sign of Judgment - Dave Alvin, Moore, Kid Prince
While it is not unusual for renowned singer-songwriters to record other people's material--Shawn Colvin's Cover Girl and Elvis Costello's Kojak Variety come immediately to mind--the connection between the chosen material a... more »nd the singer's own oeuvre is often tenuous. The concise simplicity and pithiness of Costello's choices seem more admired than emulated by the verbose composer, and we can all name tribute recordings that miss the point of the honored artist completely. That is why it is such a pleasure to witness Dave Alvin's obvious connection to the folk songs he has picked for Public Domain. Alvin's strength as a songwriter has always been his evocation of the same timeless themes of love, land, and death that make songs such as "Shenandoah," "Railroad Bill," and "Sign of Judgement" American classics. His work also shares those songs' ability to tell a story that finds the universal in the particular. Finally, his double-threat production and performance of these tunes in a manner both reverent and relevant clinch his place as one of the reigning royalty of roots rock. --Michael Ross« less
While it is not unusual for renowned singer-songwriters to record other people's material--Shawn Colvin's Cover Girl and Elvis Costello's Kojak Variety come immediately to mind--the connection between the chosen material and the singer's own oeuvre is often tenuous. The concise simplicity and pithiness of Costello's choices seem more admired than emulated by the verbose composer, and we can all name tribute recordings that miss the point of the honored artist completely. That is why it is such a pleasure to witness Dave Alvin's obvious connection to the folk songs he has picked for Public Domain. Alvin's strength as a songwriter has always been his evocation of the same timeless themes of love, land, and death that make songs such as "Shenandoah," "Railroad Bill," and "Sign of Judgement" American classics. His work also shares those songs' ability to tell a story that finds the universal in the particular. Finally, his double-threat production and performance of these tunes in a manner both reverent and relevant clinch his place as one of the reigning royalty of roots rock. --Michael Ross
Michael R. Webster | Newfield, NY USA | 08/23/2000
(5 out of 5 stars)
"Over the years, this kind of record has been done by various artists, either as a stop-gap measure, or as a sincere way to get music which is important to the artist out. Coming on the heels of Blackjack David - clearly, Alvin's highpoint as a songwriter (in my mind, a true, top 100 all-time classic), one hopes he is gathering up his next slew of killers as we speak. But, darn it, this record is astounding! Alvin's voice grows richer with each release, the productions cleaner, the band sharper. There are songs which are nothing short of beautiful. Dylan (a personal god), released two folk covers records in the relatively recent past which simply do not hold a candle to this work. Can't think of higher praise than that. The recent John Prine covers collection is terrific, with a great theme, and execution, but still, this is the snazz. If Alvin's next three or four releases are up to the standard of his last three or four, Alvin can step right up there with the Dylans, Youngs, and Woody Guthries of the world and stake his claim!"
+ 1/2 Stars...Dave Alvin's Tribute To Folk Music
Steve Vrana | Aurora, NE | 01/04/2002
(4 out of 5 stars)
"Since his days with the Blasters, Dave Alvin has developed into a powerful songwriter. With that said, it struck me as odd that he would do an entire album of non-originals. Any misgivings I had disappeared as soon as I heard the first track. Alvin's mournful vocal is the perfect instrument for "Shenandoah." The somber tone of the opening track prevails through most of the selections, but there are a handful of uptempo songs, like "Maggie Campbell," "What Did the Deep Sea Say," "Walk Right In" and "Don't Let Your Deal Go Down." More representative of the album, however, are tracks like "A Short Life of Trouble," "Engine 143" and "Murder of the Lawson Family." These are honest songs of sorrow and grief and (sometimes) even joy, but one is also left with a sense of hope. As Alvin says in his liner notes, "A lot of what is good, and bad, about us is in these songs." Even when listening to the bleakest of these songs, there is still a strand of optimism that runs through this album, a testament to the human spirit. These are songs that will be with us a hundred years from now long after the current flavors of the month have vanished from the public's memory. HIGHLY RECOMMENDED"
Timeless American Music- One of the Greats Salutes the Great
Frederick Rudofsky | East Greenbush, NY USA | 08/18/2000
(5 out of 5 stars)
"Prolific American Music maker DAve Alvin follows up 1998's gem BLACKJACK DAVID with a 15 track album (actually, 16-- there's a bonus hidden track) of traditional songs, some of which probably go back 150 years. But Alvin and his band The Guilty Men (along with guests Brantley Kearns, DAvid Jackson, Juke Logan, and Greg Liesz) show their reverence with gusto and put these songs-- some whose authors are unknown-- right in the listener's heart. "Shenandoah" opens almost as a prayer and makes one think of Alvin's own "Kern River" or "Andersonville" in its longing and tone. Mixing in ballads and rockers with wonderfully energetic arrangements and interplay among the musicians, Alvin reveals the wanderlust of the USA is what distinguishes its culture from all others. "What Did the Deep Blue Sea Say?", "Delia," and Blind Willie McTell's "Ain't Long for the Day", poignant "Sign of Judgement" are among the standout cuts. Dave Alvin fans, and fans of roots music and the American story itself, make yourselves welcome to PUBLIC DOMAIN."
It gets better the more you listen to it.
John Standiford | Cypress, California | 08/25/2000
(5 out of 5 stars)
"I've been a Dave Alvin fan for years and believe that his two biggest strengths are as a songwriter and as a live performer. As a songwriter, there are few who come close to his ability to tell a story, make it relevant and put it to compelling music. As a live performer, he can keep you transfixed for over two hours as he plays what he describes as folk music -- both quiet and loud.Now comes a new album that at first listen doesn't appear to take advantage of his strengths. None of these songs were written by him, and you wonder whether some of these songs will work live with his band the Guilty Men.I've now listened to the CD a number of times and I just saw Dave perform live. The fact of the matter is that it's a wonderful CD although it might be hard to warm to the first few times you hear it. However, the arrangements are fascinating and the level of muscianship by Dave and band members Rick Shea, Brantley Kerns and John "Juke" Logan will amaze you. More importantly the album reveals the influences that have shaped Dave Alvin as a songwriter. You can sense that these songs have been somewhat responsible for his brilliance as a songwriter and storyteller. We should also be thankful that he has breathed new life into a very important part of this nation's musical history through this new recording of these old standards. Finally, the live show. Dave has incorporated a number of songs from the album into the Guilty Men's reportiore. Fiddler Brantley Kerns, who used to play with Dwight Yoakam is now part of the band. My bottom line recommendation is buy this album. buy Interstate City, Blackjack David and King of California and make sure to see him live!"
"Old folk songs are Spirits."
R. Hutchinson | a world ruled by fossil fuels and fossil minds | 09/06/2000
(5 out of 5 stars)
"So says Dave Alvin in his liner notes to "Public Domain," a collection of old folk songs presented in lively new arrangements by Dave and his band. But it seems to me that it is Alvin who is animating these songs with HIS spirit, bringing them alive again in a different time, but one in which working people face the same old problems beneath the shiny veneer of our New Globalizing Millennium. Dave and Phil Alvin's father was a labor organizer, and Alvin is keeping the flame alive, chronicling the real life of the invisible working class majority in his music. How refreshing in a culture dominated by shallow, mindless crap!"