Back in the early 1980s, when the punk-rock DIY spirit was going strong, emerging artists found a cheap and efficient way of distributing their music--the homemade cassette. Sometimes very crude and low-fi, the tapes becam... more »e a hallmark of instant "indie cred." The erratic, troubled, and startlingly talented Daniel Johnston was one of the first musicians to really make a name for himself in this medium, and his first two tapes, 1980's Songs of Pain and '81's More Songs of Pain make up this collection, re-mixed but retaining their rough edges. The anger and sadness of "An Idiot's End," the wry twist of "Joy Without Pleasure," and the resignation of "More Dead Than Alive" exemplify the genius of his carefully chosen words. His lyrics can sting as well as delight, and his piano playing resonates with emotional depth. Hearing these songs makes one long to hear Beck doing a rendition of "Urge" or Johnny Cash taking on "Wild West Virginia." --Lorry Fleming« less
Back in the early 1980s, when the punk-rock DIY spirit was going strong, emerging artists found a cheap and efficient way of distributing their music--the homemade cassette. Sometimes very crude and low-fi, the tapes became a hallmark of instant "indie cred." The erratic, troubled, and startlingly talented Daniel Johnston was one of the first musicians to really make a name for himself in this medium, and his first two tapes, 1980's Songs of Pain and '81's More Songs of Pain make up this collection, re-mixed but retaining their rough edges. The anger and sadness of "An Idiot's End," the wry twist of "Joy Without Pleasure," and the resignation of "More Dead Than Alive" exemplify the genius of his carefully chosen words. His lyrics can sting as well as delight, and his piano playing resonates with emotional depth. Hearing these songs makes one long to hear Beck doing a rendition of "Urge" or Johnny Cash taking on "Wild West Virginia." --Lorry Fleming
"Daniel Johnston is one of the world's undiscovered treasures. If things were perfect, his songs would be as widely covered, his life would be as intensely studied, and his work would be as revered and celebrated as the songs and albums of Bob Dylan.
Seriously.
Bob Dylan's voice isn't exactly conventionally good, but people have slobbered over him for decades. And Daniel Johnston's voice...well..you could say it's not conventionally "good" either, in the same way that Dylan's isn't, but like Dylan's, it gets better with every listen, and like Dylan's, it contains more real emotion, more real humanity, and earns more feelings of sympathy and love than any of the lame, slick, polished Michael Bolton-type voices that can hit every note exactly as their voice instructors taught them to.
At times, I've sworn off all music but Daniel Johnston. Nothing has seemed good enough in comparison. His piano is inventive and rockin'. It's a heckuvalotta fun. His use of television as an instrument, his sampling of TV evangelists ("This is an ELECTRIFYING(!) time...for believers!") and of his mother yelling at him, his occasional spooky organ, his blithely unconventional rhyme schemes, his wide (yet obsessively focused) range of topics, his whining and cracked little voice, and above all his lyrics, his lyrics, his lyrics, make him, and these two CDs in particular, classics for all time and space, for all humanity everywhere.
Daniel Johnston is a diagnosed manic-depressive with delusions of grandeur, and his highs and his lows show in these songs. He's also spent much of his life obsessed with a girl who could have cared less about him and who later married a prosperous undertaker and (I've heard) filed a restraining order against Daniel Johnston despite all the great songs he had written about her.
In one song he tells the girl that he'd die without her love, and she says "Too bad about that."
In another, the terrifying "My Baby Cares for the Dead," he sings about the girl marrying the undertaker and about the only way she'll ever care for him (Daniel Johnston) again.
"I know someday my baby
Will care for me.
She'll bleed and dress me, Momma,
Real fancy....
And she'll lay me
In a coffin,
Put marbles in my eyes...
Eyes!
I know someday my baby
Will care for me.
I know someday my baby
Will care for me.
I know someday my baby
Will care for me.
My baby...cares...for...the...dead."
These songs are absolutely genius. They're funny, dark, sad, twisted, happy, joyous, and wonderfully human. You will feel that Daniel Johnston is your friend, as if he's opened himself completely to you, and he has. The recordings are lo-fi, but at times that lo-fi quality even accents and helps the songs: high piano notes are transformed into a different instrument entirely just by the recorder being placed right next to the keys. The barely noticeable background hiss (and the genuiness of the songs themselves) gives the music an old-time folk feel. And Daniel's mother occasionally bursting in while he's playing...well, that's just hilarious.
If you like music, you will probably like this album. This is music for people who love music, who love the way that music sometimes skips the brain completely and goes right to the heart, right to the soul. This is what music was supposed to be: unique, heartfelt, real, and exciting.
Daniel's influence on modern music--on Nirvana, The Flaming Lips, Neutral Milk Hotel, A Hawk and a Hacksaw, Tom Waits, The Butthole Surfers, Beck, and others--is immeasurable, and he could have an immeasurable influence on you as well.
If you let him.
You should let him."
Five stars aren't enough.
William D. Mcgregor | Fort Worth, Texas United States | 06/05/2003
(5 out of 5 stars)
"I've been a huge fan of low fi and indie music for years so I've known of Daniel for a long time, and I do have his album Fun in my collection. But I'm ashamed to say I never delved into his early stuff. Always meant to, but didn't, and now availability is (stupidly, unbelievably) a bit of an issue. But I jumped at the chance to see Daniel perform in Denton, Texas a couple of weeks ago and I bought this collection at the show.What can I possibly say about this music? It's inspired and inspiring. It has emotion, insight, and humor. It couldn't be more raw, but at the same time it's wierdly refined. Maybe most of all it's surprising: there's hardly a note or lyric that comes out of Daniel quite the way you expect. But none of what I've just written really means anything, because I'm using words to do a job that they're not all that well suited for. Something else, something that has nothing to do with language, gets a hold of music for us. If I believed in it, I'd say it was the soul. Then again, after hearing Daniel, maybe I do believe in it....Do I sound inspired? I'm inspired. Buy this music and listen to it."
Unbeatable!
rswayment | San Antonio, TX USA | 07/24/2003
(5 out of 5 stars)
"Be careful! This is the real stuff. It will break your heart and make you smile. More! There's at least 10 more CDs worth of 80s Daniel Johnston out there. Buy this so they will release more. There is no way you will regret it. Low-tech in recording quality. Pure in emotional expression."
Songs of love & truth
D. Stewart | Glasgow, Scotland United Kingdom | 08/23/2004
(5 out of 5 stars)
"The artist that I would most liken Daniel Johnston to is Brian Wilson. Daniel has never had the acclaim of commercial success othat Brian has but they have a lot in common. They both have a childlike purity, honesty and innocence in their music combined with an instinctive musical gift. Brian may have a technical mastery that eludes Daniel but the passion in the voice and the playing here makes up for any rough edges or tape hiss.
These are beautiful songs of a type that you won't usually find on multimillion selling rock and pop stuff these days. Daniel has something in his songs you would find in old Irving Berlin's Cheek to Cheek OR in Brian Wilson's Wouldn't It Be Nice OR in The Beatles I Will, which Daniel covers here. I hope Paul McCartney hears Daniel sing I Will, I think it would move him, the performance captures the pure essence of a simple beautiful love song and makes it seem new again. Daniel sings songs of pain but he also sings songs of love and of truth."
Songs of Pain.....Songs from the Heart
Chris G. | IL USA | 03/30/2007
(4 out of 5 stars)
"Daniel Johnston was born on Jan. 22 1961 in Sacramento Cal. Not only an artist of creative cartoonish creatures, but by the late 1970s he was writing and recording Beatles inspired tunes. He was also diagnosed with bi-polar disorder and stayed in a mental hospital later on in 1990 after his private plane was successfully crashlanded by his father.
This, "Songs of Pain, & More Songs of Pain" (1980-1983);double album, is some of his best work. Extremely lo-fi, singing in a high pitched voice and sounding a lot like a little boy. Very simple yet heartful songwriting. You can really feel this connection of PAIN he felt and shared w/ all of us. He was quite a unselfish young man handing out home-made cassettes of his music, and asked for nothing in return, just for them to listen. Many people say Daniel Johnston began the Lo-Fi movement. Considered an "outsider musician" Many of his songs in many of his works are set to a Christian theme. You can really tell he has the Fear of God in his songs which range from - incoherent throwaway ditties to brilliant, hopeful melodies. At times his songs are also painfully spooky singing about the same lost love, and on "Yip Jump Music" - He sings about Rocket Ships, Casper the Friendly Ghost, King Kong & of course The Beatles. - That album is good too, but "Songs of Pain..." - I play MOST often of his.
If you are interested in the sound of early lo-fi, or brillant songwriting craftmanship you can't go wrong w/ Daniel Johnston's earliest works. It does eventually grow on you, is catchy and gets stuck in your head. 4-stars