It takes courage to release the securityof the familiar and embrace change. After five years of touring and establishing themselves as "the most important folk group to emerge from Boston since the early 60's" (Boston Glob... more »e) , Crooked Still announced that cellist Rushad Eggleston would leave the group in November of 2007. The band that had been drawing invitations from huge events like the historic Newport and Telluride Folk Festivals, and numerous rave reviews from publications like USA Today and Interview Magazine, was now on the cusp of a new musical chapter. The quintet became five with the addition of fiddler Brittany Haas and Tristan Clarridge on cello and second fiddle. If the first album from the new line-up is any indication, success for this young band will be explosive. Crooked Still continues to perform one of the most compelling forms of alternative bluegrass and string band music today. Still Crooked is an ensemble effort of inspired music making that moves the bands' impossible to pigeonhole style in new directions while honoring their folk roots.Crooked Still's genre bending sound is the combination of five distinctive talents who are not content to limit themselves to any one project or style of music. While Crooked Still is the main band for these talented players, all are involved in other projects including Aoife O'Donovan's work with Solas and Sometymes Why and Gregory Liszt's turn with the Bruce Springsteen's Seeger Sessions Band.« less
It takes courage to release the securityof the familiar and embrace change. After five years of touring and establishing themselves as "the most important folk group to emerge from Boston since the early 60's" (Boston Globe) , Crooked Still announced that cellist Rushad Eggleston would leave the group in November of 2007. The band that had been drawing invitations from huge events like the historic Newport and Telluride Folk Festivals, and numerous rave reviews from publications like USA Today and Interview Magazine, was now on the cusp of a new musical chapter. The quintet became five with the addition of fiddler Brittany Haas and Tristan Clarridge on cello and second fiddle. If the first album from the new line-up is any indication, success for this young band will be explosive. Crooked Still continues to perform one of the most compelling forms of alternative bluegrass and string band music today. Still Crooked is an ensemble effort of inspired music making that moves the bands' impossible to pigeonhole style in new directions while honoring their folk roots.Crooked Still's genre bending sound is the combination of five distinctive talents who are not content to limit themselves to any one project or style of music. While Crooked Still is the main band for these talented players, all are involved in other projects including Aoife O'Donovan's work with Solas and Sometymes Why and Gregory Liszt's turn with the Bruce Springsteen's Seeger Sessions Band.
Dr. Debra Jan Bibel | Oakland, CA USA | 06/25/2008
(4 out of 5 stars)
"This, the third CD from a somewhat different contemporary-style bluegrass group, is their best thus far. Having unusual sonority achieved through both cello and bass, which contrasts nicely with the banjo, fiddle, and the soft breathy vocals of Aoife O'Donovan, the group offers traditional songs influenced by named artists and, now, a couple of their own. Including more ballads and storytelling than rousing dances, the CD is fine for the late evening or after dinner relaxation. The musicianship is excellent. I happen to be a cello freak and appreciate that instrument's contributions to the sound. I recommend listening to the CD with a good stereo system that allows a brighter, clearer sound, as on lesser equipment the recording, oddly, seems energetically flat and dry in tone, perhaps the fault of a too efficient sound-absorbing studio."
An extraordinary album from a truly original band
Woland | Brooklyn, NY | 07/15/2008
(5 out of 5 stars)
"I discovered Crooked Still entirely by accident at the Grey Fox bluegrass festival two years ago. After enjoying a few sets of traditional bluegrass music played by well-established bands that have been together for decades, this ragtag group of 20-somethings came on the stage -- one with a double bass and another with a cello -- and blew the audience away. I've been hooked ever since.
Still Crooked is the perfect name their latest album, since it's the first since the departure of their wildly spectacular (and spectacularly wild) original cellist Rushad Eggleston. As a great fan of their first two CDs -- Hop High and Shaken by a Low Sound -- I know I wasn't the only one who was worried about the future direction and quality of the band. But from the very first track it's clear that there's no need for concern. The new incarnation of Crooked Still is very much Still Crooked and still creating music of the highest order.
While the album has a few fun up-tempo tunes (Poor Ellen Smith is a blast all the way to the very end, with its surprise final violin flourish), overall it's definitely quieter and more intense than their other CDs. It opens with the extraordinary Undone in Sorrow, a heartbreakingly plaintive song that showcases the entire band's strengths, from Aoife O'Donovan's breathy vocals to the fine playing of new cellist Tristan Clarridge and new violinist Brittany Haas. Another real standout is Low Down and Dirty, an original song of painful love, vengeful murder, and a touch of cowardice written by O'Donovan that brings visions of Tim Burton's movies to mind. Two of the finest songs on the CD are almost lullabies -- Captain Captain and Florence -- and honestly, there isn't a weak song on the entire CD.
Highly recommended.
"
Great recording from a brilliant band
Fearless Heart | Great Black swamp | 08/21/2008
(5 out of 5 stars)
"OK, imagine, if you will, an old wooden railroad bridge across a deep chasm somewhere in the wilderness. Two trains approach from the opposite directions: one is carrying a brilliant string quartet of the finest young classical musicians from the most demanding music schools. The other train is bearing a fantastic bluegrass band with one of the greatest banjo players of the time.
They collide head-on.
And yet miraculously and mysteriously, out of the inferno strides five young survivors. Somehow spared by a higher power of both darkness and light to create a sound greater than the sum of the parts.
That's Crooked Still.
Think about this-- when The Boss was putting together his Seeger Sessions band, he called Greg Liszt to play banjo. Aoife O'Donovan is the daughter of Brian O'Donovan. Guests include Tim O'Brien and Casey Driessen.
My favorite track is the very VERY scary "Did You Sleep Well?" "Murdergrass" at it's finest (Hmmmn, or is it?)
I grant you, some people won't get it. OK, the title is too precious (It should really be called "Undone in Sorrow" a GREAT song from Olla Belle Reed, a GREAT American musician)
These cats are in the very forefront of the incredible revival of world class stringbands such as the Carolina Chocolate Drops, The Duhks, Uncle Earl and Old Crow medicine Show.
Yes, they recently have some new members, but they didn't rebuild, they reloaded.
"
A little disappointed
Andy | Cleveland, OH USA | 05/04/2010
(3 out of 5 stars)
"So I waited awhile to do this review, as I wanted to wait for this album to sink in. The first 2 albums were 2 of my favorite 10-20 albums of all time, any band, any genre. Then something happened between the 2nd and 3rd albums: Rushad Eggleston, the original cellist, left the band.
For me, Rushad is who drew me to the band in the first place. Someone said "you have to come see this guy play the cello." I did, and I fell in love with the whole band. So I decided to give this 3rd album a try even though the band subtracted Eggleston and added another cellist and the fiddler.
At first I plain did not like it. But I held off on writing the review, b/c I wanted to give them a fair chance. Over time, the album improved to be "OK" in my book. That is all. Rushad is an amazing talent that just cannot be replaced. Don't get me wrong, the new cellist is excellent. A very very good musician. But if you replaced Jimi Hendrix with say, some guitarist from the Cleveland Orchestra, it's just not going to be the same.
Another thing is the song selection. I thought it was not nearly as good in this album as in the first 2. To me, here are the outstanding songs by album:
Album 1, "Hop High": Darling Corey, Angeline the Baker, Last Fair Deal Gone Down, Orphan Girl, Lonesome Road, Rank Stranger, Shady Grove.
Album 2, "Shaken": Can't you Hear Me Callin, New Railroad, Lone Pilgrim, Come on in My Kitchen, Railroad Bill, Wind and Rain
Album 3: "Still Crooked": I don't know. Maybe 1 or 2 songs could make this list.
If I had never heard the first 2 albums, this probably would have been 4 stars. But they raised the bar so high for themselves.
So if all you want is very good musicians and a great singer playing an intriguing style of bluegrass, then this is for you. But after their first 2 albums, Crooked Still left me craving much, much more."
Cconsistently surprising their audience
K. S. Pang | Illinois, HK | 07/09/2008
(4 out of 5 stars)
"Their latest album has pumped up some traditional american music. This time they did it with two new members. A new cellist replacing the old one. And a new fiddler Ms. Haas. She gives the Crooked Still so much more sounds and variations. Her solo part on the tunes are just amazing. Fans love it.
Quality of sound is up to the standard like the previous two albums. The songs that they've chosen on this album is not what i've anticipated. It's always a 'growing' thing. You've to listen to it a few more times to understand the composition of the songs. But it's for sure that the variety of tunes are very limited on this album. I'm giving a four star rating because of that. It's worth listening and a great introduction to the new generation of bluegrass music!"