It's the Cramps, doing what only they can do, highly anticipated first new release since 1997's Big Beat From Badsville. Full color sleeve with song lyrics. 13 tracks. Vengeance Records. 2003.
It's the Cramps, doing what only they can do, highly anticipated first new release since 1997's Big Beat From Badsville. Full color sleeve with song lyrics. 13 tracks. Vengeance Records. 2003.
"I have seen a couple of reviews that say "I expected something different" or "this is redundant". If you ever expect anything other than what this disc is, than don't ever buy another cramps cd. After more than 25 years under their belt of the same psychotic rock and roll, something else would be disappointing! They are not Metallica, where they need a fresh new image every 5 years. the crazed sound is here to stay and that thrills me. This is a great album"
Their best album after all this time, amazing
Doctor Satan | Kentucky United States | 06/03/2003
(5 out of 5 stars)
"I have been a cramps fan since college, over fifteen yrears. Although I thought some of the songs on Big Beat From Badsville were great, i.e. Like a Bad Girl Should, that album as a whole was just decent. After five years without an album I felt fairly certain that they had split. I actually expected this album not to be so good. I was wrong. As a whole album this is by far their best effort. I have all of their albums and this is one of the few that is excellent from start to finish. I was thrilled with it from the first listen and it only sounds better with time. If a had to pick only one Cramps album this would be the one. I saw them in Ashville, NC and I hope to see them again before they finish their tour. They are one of the few bands that are actually better live than on CD. If you want a truly entertaining show this is the band to see. Ashville is the third time I have seen them and everytime has been awesome. If you like any of their albums you should definitely enjoy this one."
I fell in love with a dead pig's eye...
Pamela Scarangello | Middletown, NJ USA | 07/14/2003
(4 out of 5 stars)
"I have read quite a few reviews regarding this album and a majority of them have complained that "Fiends of Dope Island" has no indication of the band's instrumental growth. Most devoted Cramps fans claim that after a 6-year gap, this CD (the first ever to be released since 1997's "Big Beat from Badsville") doesn't show any evidence of the band taking a fresh musical direction: instead the Cramps' outrageous psychobilly melodies are rehashed and recycled from the past, thereby becoming out-of-touch with today's pop audience. Well, I bought "Fiends of Dope Island" and I personally feel that despite the band's age, it would be a shame for the Cramps to alter their signature sound or image just to sell more records; in fact, doing otherwise would mean having to sell out! To me the rock elements on "Fiends" are just as enjoyable and catchy as before; this CD proves that after the birth of the 21st century, the Cramps are finally back in business! A potential classic on its own, "Fiends of Dope Island" contains funny, danceable songs amalgamating references to black masses, psychotic drug abuse, grisly murder, and of course the late Elvis Presley. My most favorite tracks are "Fissure of Rolando," "Dopefiend Boogie" and "Mojo Man from Mars." Primal drums and Lux's sarcastic punk howling fold nicely upon Poison Ivy's guitar (which can erect, sway and slither like a Cobra seduced by its charmer) Of course "Fiends" DOES have a few flaws; some of the choruses are mindnumbingly repetitive, Lux's lyrics are nothing more than random nonsense phrases shouted in a microphone, and also the CD exudes the BIGGEST exploitation a certain 4-letter F-word! The general content here is undoubtedly the most EXPLICIT Lux has ever performed in an audio recording."
Why the Cramps are important.
Murasaki53 | London | 05/17/2003
(4 out of 5 stars)
"I first saw the Cramps in 1978 at a club in Manchester in the UK. Brian Gregory was in the band at this time. I can still remember not quite being able to work out how Lux Interior avoided exposing himself as his pants seemed to be on the verge of sliding over and past his nether regions throughout the gig. Now, after 25 years, as I listen to 'Fiends' I find myself reliving the thrill and intensity of that evening. I also feel reassured (as I enter middle age) that a man in his fifties can still sound as subversively shamanic and abandoned as Lux does here. But above all this album serves to remind us of just how great American music can be at a time when, thanks to the unelected Bush administration, America-bashing has become almost a reflex over here. The Cramps should surely now be recognised as a living 'Cultural Treasure' and despatched to play a crisis-defusing gig in Pyongyang forthwith."
Bringing back the old style sound
bluegalaxie7 | Shelby, NC | 01/28/2004
(4 out of 5 stars)
"This album has brought back the old school sound of the cramps. I have to say that this album is one of the better the Cramps have put out in years. Though some of songs are a bit borish and don't have that total Cramps style about them. After listening to the whole album a few times, those borish songs kind of start to grow on ya. Over all worth the money. If you haven't seem them live...PLease go if you ever have the chance. They are a little more toned down at shows now than back about 10-20 yrs ago. Defintely worth the time to check out."