Album DescriptionCraicmore?s release "too bad for heaven, too good for hell..." is an engaging mix of jigs and reels, Scots and Irish songs and haunting melodies. The CD provides an irresistible showcase for the seductive vocals, driving rhythms and adventuresome arrangements that have earned this L.A.- based foursome an ever-growing following of fans. Too Bad For Heaven, Too Good For Hell is the group's second CD. Produced by John MacAdams, the 12 tracks are proof positive that Craicmore is a group that's not only willing to take chances, but that combines musical versatility with musical expertise and, maybe most importantly, plays for the sheer joy of playing. Among the selections are favorites such as "The Mooncoin Jig," "Kid on the Mountain," "Banish Misfortune," and "The Bucks of Oranmore." MacAdams treats listeners to a bit of his own wide-ranging musical interests on the intriguingly textured "Didgeridoo/Curlew." Mated with "The Wind That Shakes the Barely," the familiar "I'll Tell Me Ma" is a musical romp through Irish, country and bluegrass traditions. A more mature relationship is explored in "Sí Do Mhameo Í," the band's wry eye underscored by Nancy Johnston's and MacAdams' vocals and an arrangement that captures the song's rhythms through cello, clackers, guitar and electric bass. Johnston's rich, smoky vocals are featured on Robbie Burns' "Brose and Butter and The De'il's Awa' wi' th' Exciseman" and the Scots Gaelic "Seallaibh Curaigh Eoghainn." But the album's centerpiece is the "Cape Clear Set." A celebration of notes that takes the listener through the "Cape Clear" air and "Morrison's Jig" to the singing of "Gi'e Me ! A Lass Wi' a Lump o' Land" and concludes with "High Road to Linton" and "Atholl Highlanders," the set is, says the band, "the heart and soul of our sound."