Swinging at the Daisy Chain - Count Basie, Basie, Count
Roseland Shuffle - Count Basie, Basie, Count
Exactly Like You - Count Basie, Fields, Dorothy
Boo-Hoo - Count Basie, Heyman, Edward
The Glory of Love - Count Basie, Hill, Billy [1]
Boogie Woogie - Count Basie, Basie, Count
Smarty (You Know It All) - Count Basie, Freed, Arthur
John's Idea - Count Basie, Basie, Count
Our Love Was Meant to Be - Count Basie, Davis, Ed
Out the Window - Count Basie, Basie, Count
Georgianna - Count Basie, Carle, Frankie
Every Tub - Count Basie, Basie, Count
Now Will You Be Good? - Count Basie, Durham, Eddie
Mama Don't Want No Peas 'N' Rice 'N' Coconut Oil - Count Basie, Charles, L.
Track Listings (14) - Disc #2
Blue and Sentimental - Count Basie, Basie, Count
Stop Beating Around the Mulberry Bush - Count Basie, Boland, Clay [1]
Texas Shuffle - Count Basie, Battle, Edgar
The Fives - Count Basie, Jones, Richard [1]
Blues I Like to Hear - Count Basie, Rushing, Jimmy
Do You Wanna Jump, Children? - Count Basie, Bryant, W
My Heart Belongs to Daddy - Count Basie, Porter, Cole
Sing for Your Supper - Count Basie, Hart, Lorenz
Dupree Blues - Count Basie, Herman, Woody
Cherokee - Count Basie, Noble, Ray
Blame It on My Last Affair - Count Basie, Mills, Irving
Jive at Five - Count Basie, Basie, Count
Evil Blues - Count Basie, Basie, Count
Oh, Lady Be Good - Count Basie, Gershwin, George
Count Basie's group came roaring out of Kansas City in the late 1930s, epitomizing the hard-swinging big-band sound of the era. Rough and ready, they challenged the big-band title then held by Duke Ellington and Fletcher H... more »enderson. Employing punchy, syncopated horn riffs, a solid four-to-the-bar rhythm section, and Basie's own economical, impeccably timed piano, the band sounds like a machine. Here, Basie's piano subtly refers to boogie-woogie, the smooth saxes answering the brassy exclamations, and the drums stoking the fire along through two budget-priced CDs of material. The band swings through numbers like "Every Tub," "Jive at Five," and "Cherokee" with confidence and spunk. Great vocals by Helen Humes and Jimmy Rushing ice the cake. If you feel a need for music that personifies Kansas City swing, this is it. A word to the wise: the set lacks info on the individual sessions, preferring instead to pack the CDs with tunes and leave the cover for sleek, cocktail-inspired art. --Wally Shoup« less
Count Basie's group came roaring out of Kansas City in the late 1930s, epitomizing the hard-swinging big-band sound of the era. Rough and ready, they challenged the big-band title then held by Duke Ellington and Fletcher Henderson. Employing punchy, syncopated horn riffs, a solid four-to-the-bar rhythm section, and Basie's own economical, impeccably timed piano, the band sounds like a machine. Here, Basie's piano subtly refers to boogie-woogie, the smooth saxes answering the brassy exclamations, and the drums stoking the fire along through two budget-priced CDs of material. The band swings through numbers like "Every Tub," "Jive at Five," and "Cherokee" with confidence and spunk. Great vocals by Helen Humes and Jimmy Rushing ice the cake. If you feel a need for music that personifies Kansas City swing, this is it. A word to the wise: the set lacks info on the individual sessions, preferring instead to pack the CDs with tunes and leave the cover for sleek, cocktail-inspired art. --Wally Shoup